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Saturday, January 20, 2024  ·  8:00 PM CST Friday, January 19, 2024  ·  8:00 PM CST

Rosanne Cash: ReInventing The Wheel

Celebrating 30 years of songs and stories and the re-release of the wheel.

4544 N Lincoln Ave · Gary and Laura Maurer Concert Hall · 773.728.6000

Renowned singer-songwriter Rosanne Cash will be celebrating the 30th anniversary of her landmark album The Wheel with an expanded, remastered deluxe edition, out November 17.

The Wheel 30th Anniversary Deluxe Edition includes the original, remastered album, alongside a second live LP, featuring Cash's 1993 Austin City Limits appearance and a rare broadcast of the Columbia Records Radio Hour. With the masters now owned by Rosanne, this is the first-ever vinyl release for The Wheel , and the inaugural release for RumbleStrip Records (Thirty Tigers), the label founded by Cash and husband John Leventhal, six-time Grammy winning producer and songwriter.

In November, Rosanne and John will be revisiting the music and stories behind The Wheel on a special run of shows.

Recorded in the early ‘90s when Rosanne first moved to New York City and co-produced by Cash and Leventhal, The Wheel sparked a reinvention of her sound and career. The album is the beginning of a lifelong creative partnership. Together, they have made seven albums including the three-time Grammy winning The River & the Thread, Black Cadillac, The List, 10 Song Demo, Rules of Travel and She Remembers Everything, alongside dozens of side projects and thousands of live performances. Cash and Leventhal have also written the music and lyrics for the upcoming Broadway musical Norma Rae.

It all started when Rosanne wrote seven songs for The Wheel and played them for John - the title song, “You Won't Let Me In,” “Change Partners,” “Sleeping in Paris,” “From the Ashes,” “Roses in the Fire,” and “If There's a God on My Side.” “I told him they were ‘elemental'— full of references to the natural world: wind, fire, rain, moon, snow. I wasn't even sure what I was talking about when I said it, but I had noticed that I was using a lot of nature metaphors, many of them violent. He sort of cocked his head, a little confused, and said, ‘Okay. But are they good songs?'”

The Wheel sessions were “a thrilling mix of truly gifted people,” remembers Rosanne, who was joined by Benmont Tench, Bruce Cockburn, Mary Chapin Carpenter, Marc Cohn and Steuart Smith, among others. “John and I grew closer with every session, and by the end of the record we were a couple. The music was both a revelation and the revelator.”

“Most remarkable about these tightly scripted songs is Cash's resilience…” writes Rolling Stone in a 4-star review from 1993. The record also made Entertainment Weekly's Best of the Year list: “This crystal-clear, intensely sung record rings startlingly true as it details the end of a marriage - and the renewal that can follow.”

“It's satisfying and sweet to reintroduce The Wheel in this 30th anniversary year,” adds Rosanne. “I can't look back at that time and separate the music from Love. What was true then has become more true and more alive every day since.”

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About Rosanne Cash

“One of the most ambitious and literary songwriters of her generation” (Rolling Stone), Rosanne Cash is America's foremost musical woman of letters, a literate and incisive artist whose poignant and distinctive vocals turn every song into a revelatory tale. A singular artist at the peak of her interpretive powers, Cash has earned four Grammy awards—three for The River & The Thread (2014, Blue Note)—and 12 additional nominations. Among many other accolades, in 2021 she became the first woman to receive the Edward MacDowell award for music composition. Her acclaimed memoir Composed was published in 2010.

About John Leventhal

John Leventhal is a six-time Grammy Award-winning musician, producer, songwriter, and recording engineer who has produced albums for William Bell, The Blind Boys Of Alabama, Michelle Branch, Rosanne Cash, Marc Cohn, Shawn Colvin, Sarah Jarosz, Jim Lauderdale, Joan Osborne, Loudon Wainwright III, and many others. He produced and co-wrote Rosanne Cash's three-time Grammy winning The River And The Thread (2014), and earned Grammy awards for his work with WIlliam Bell, Sarah Jarosz, and Shawn Colvin, including Record and Song Of The Year for producing and co-writing her hit, “Sunny Came Home” (1997).

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One of the most ambitious and literary songwriters of her generation.

— Rolling Stone

Rosanne Cash is America’s foremost musical woman of letters, a literate and incisive artist whose poignant and distinctive vocals turn every song into a revelatory tale. One of the country’s preeminent singer-songwriters and a singular artist at the peak of her interpretive powers, Cash has earned four Grammy awards—three for The River and the Thread —and 12 additional nominations across her 15-album career. Among many other accolades, in 2021 she became the first woman to receive the Edward MacDowell Medal for music composition. Her acclaimed memoir, Composed , was published in 2010.

Cash is accompanied by her long-time guitarist and husband John Leventhal, a six-time Grammy Award-winning musician, producer, songwriter, and recording engineer who has produced albums for William Bell, the Blind Boys of Alabama, Michelle Branch, Marc Cohn, Shawn Colvin, Sarah Jarosz, Jim Lauderdale, Joan Osborne, Loudon Wainwright III, and many others.

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Rosanne Cash tour dates 2024

Rosanne Cash is currently touring across 2 countries and has 8 upcoming concerts.

Their next tour date is at Groton Hill Music Center in Groton, after that they'll be at Colonial Theatre - Keene Nh in Keene.

Currently touring across

Upcoming concerts (8) See nearest concert

Groton Hill Music Center

Colonial Theatre - Keene Nh

Black Deer Festival

Cadogan Hall

Riceland Hall Inside A-state Fowler Center

Memorial Hall

XPN Festival

Buckhead Theatre

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Lucas Theatre for the Arts

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Recent tour reviews

I am dissapointed you have not toured to Albuquerque, New Mexico I love your music please come. Would like to see you at the Kiva Autorium, please make it happen. Thank You Evelyn T. Moore

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GREAT CONCERT! Rosanne Cash and Band are the best. Beautiful music, great performance. A night to remember. Highly recommended. Art at its best. Don't miss the season. They are going to be on tour for a while. Grab some tickets and enjoy a beautiful night of good music and good people.

Rosanne Cash was Excellent best concert she sang her heart out. She has a lot of Class and sang a lot from from her new CD She remembers everything and The list. I was she could of sung Black Cadillac and watching you from that CD overall it was a great performance at a great value and I can't wait to see her again.

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Here’s megan thee stallion’s setlist for the hot girl summer tour.

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MINNEAPOLIS, MINNESOTA - MAY 14: Megan Thee Stallion performs during the Hot Girl Summer Tour at ... [+] Target Center on May 14, 2024 in Minneapolis, Minnesota. (Photo by Astrida Valigorsky/Getty Images for Hot Girl Productions)

Hotties, it’s time to party. Megan Thee Stallion kicked off her anticipated Hot Girl Summer Tour last night in Minneapolis. If you want to see Megan Thee Stallion’s Hot Girl Summer setlist and all the tracks she performed at her first stop, keep scrolling.

On May 14, Megan Thee Stallion took the stage in Minneapolis for the first stop of her Hot Girl Summer Tour. The rapper will perform in 33 cities across North America and Europe — including Houston (her hometown show), Chicago, New York, Detroit, Philadelphia, Atlanta, Los Angeles, Dublin, and London — from May to July 2024. Memphis rapper GloRilla is opening the tour.

“Hottiesssss, THEE HOT GIRL SUMMER TOUR starts today!!” the rapper wrote on Instagram before her debut show. “Get your HOT GIRL SUMMER TOUR MERCH at Amazon Music x Megan Thee Stallion. Shop now Amazon.com/megantheestallion.”

She concluded, “IM SO EXCITEDDDD MINNEAPOLIS HOTTIES IM EXCITED TO SEE YOU TONIGHT ‼️”

For the first time, she performed new songs like “HISS,” “Cobra” and “BOA” from her upcoming album. She also sang fan favorites like “Freak Nasty,” “Big Ole Freak,” as well as her massive Billboard No. 1 hit “WAP” with Cardi B.

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As the finale, she surprised the crowd by mixing her track "Body" with Beyoncé's iconic "Get Me Bodied," before delivering her Grammy-winning smash hit "Savage" to close out the electric performance.

What Is Megan Thee Stallion’s Hot Girl Summer Setlist?

During night one in Minneapolis, Megan Thee Stallion performed three acts and an encore, bringing the total to 29 tracks. Below, check out the Hot Girl Summer Tour setlist.

• Freak Nasty
• Megan’s Piano
• Gift & A Curse
• Cognac Queen
• Big Ole Freak
• Girls In The Hood
• Captain Hook
• Southside Forever Freestyle
• Ride Or Die
• Stalli Freestyle

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Another HUGE batch of Cincinnati concert announcements this week

On sale Friday, May 17

July 19: That Mexican OT, MegaCorp Pavilion.

July 23: The Band Camino: Taking Shape Tour, Bogart's. With Knox.

Aug. 10: Brian Regan, Turfway Park.

Aug. 16: Gerald Albright, Ludlow Garage.

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Aug. 22: Erik Koskinen, Ludlow Garage.

Aug. 25: Blackberry Smoke: Be Right Here Tour, Riverfront Live.

Aug. 27: Rosanne Cash, Memorial Hall. With John Leventhal.

Sept. 20: Nick Swardson: Toilet Head, Taft Theatre.

Sept. 22: Neko Case, Memorial Hall.

Sept. 28: Rock & Roll Playhouse: The Music of Phish & More For Kids, Ludlow Garage.

Oct. 4-5: Australia's Thunder from Down Under: Untamed Tour, Hard Rock Casino.

Oct. 6: Here Come the Mummies, MegaCorp Pavilion. With The Toxhards.

Oct. 25: The Steep Canyon Rangers, Memorial Hall.

Oct. 29: Buena Vista Social Orchestra, Bogart's.

Oct. 31: Haunted Fest Cincinnati, MegaCorp Pavilion.

Nov. 2: Gold Over America Tour starring Simone Biles, Heritage Bank Center.

Nov. 6: Disney Jr. Live on Tour: Let's Play, Taft Theatre.

Nov. 16: Toast: The Ultimate Bread Experience, Ludlow Garage.

Nov. 23: Blippi Live: Join the Band, Taft Theatre.

Nov. 23-24: Paw Patrol Live: Heroes Unite, Heritage Bank Center.

May 31: The Alarm and Gene Loves Jezebel, Ludlow Garage.

July 14: Girls Night Out, Taft Theatre. Featuring Kierra Sheard, Naomie Raine, Koryn Hawthorne, Wande.

Aug. 9: Barbie the Movie: In Concert, Riverbend Music Center.

On sale now

June 13: JD Simo, Southgate House Revival, Sanctuary.

June 15: Covington Metal Fest III, Madison Live.

June 25: Carolyn Wonderland, Southgate House Revival, Sanctuary. With Shelley King.

June 28: Never Come Down, Woodward Theater.

June 29: Blake Tyler, Lori's Road House. With Trey Bryant.

July 13: Let It Happen "A Space for Emptiness" Record Release, Madison Live.

July 14: Don Felder, Memorial Hall.

July 14: The Good People Festival, Southgate House Revival, whole house. Benefits the Incubator Kitchen Collective.

July 21: Thelma & the Sleaze, MOTR Pub.

Aug. 2: Demola, Memorial Hall.

Aug. 10: Sarah Shook & the Disarmers, Southgate House Revival, Sanctuary.

Aug. 21: Mad Caddies, Southgate House Revival, Sanctuary. With The Iron Roses.

Sept. 6: Deer Tick, Southgate House Revival, Sanctuary.

Sept. 6: Kelsey Waldon, Whiskey City's Liberty Theater.

Sept. 19: Supersuckers, Southgate House Revival, Sanctuary. With Nine Pound Hammer, Seppuku, Skunkdog.

Sept. 21: Circus Bizircus, Madison Theater.

Sept. 26: Theo Lawrence, Southgate House Revival, Revival Room.

Sept. 28: The Collection: Little Deaths Album Release Tour, Madison Live Rooftop.

Oct. 19: The California Honeydrops, Riverfront Live.

Dead & Company at Sphere, Night 2: What Was the Same, What Was Different

By Chris Willman

Chris Willman

Senior Music Writer and Chief Music Critic

• Dead & Company at Sphere, Night 2: What Was the Same, What Was Different 7 hours ago
• Dead & Company Prove Las Vegas’ Sphere Isn’t Just for U2, but Them, Too, in Residency’s Astounding Opening Night: Concert Review  1 day ago
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About 18,000 more faces were stolen Friday night at Sphere in Las Vegas, as Dead & Company played the second of 24 shows scheduled for the technologically ground-breaking venue. As is customary with any outfit associated with the Grateful Dead , it’s assumed that no two shows will be the same, and many fans have naturally purchased tickets for multiple nights of the residency. So night 2 was destined to provide at least a partial answer to the question: What will be standardized from night-to-night now through the close of the eight-weekend run, and what will be variable?

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Or 10% the same, as far as the setlist technically goes. Two of the “songs” performed each night, “Drums” and “Space,” were (and presumably always will be) holdovers. But most fans probably don’t even count that as repeated content, since those two titles represent an opportunity for veteran Dead drummer Mickey Hart and assorted members to do their thing with an all-percussion instrumental, followed by a bit of jamming to segue back into the more intellectually comprehensible part of the show. Trust us, the “Drums” set outlier might be the part of each concert that would win in a ballot for what needs to be repeated; more on that later.

But as for the vaunted visuals… We speculated while assessing the opening night that at least some of these setpieces would surely be repeated, if not all of them, and we were right about that. While there might have been a bit of disappointment among some repeat customers who thought they might come back and have their minds blown in a wholly different way, it’s doubtful that many or any returnees were sorry they got a second look at the already-classic A/V spectacle that has the camera zooming out from Haight-Ashbury into a position hovering over the earth during the second number. Or experiencing a second ride with the trademark Grateful Dead skeleton through a cheerful psychedelic landscape during the second set.

A few bits were new to night 2, like a piece near the end of the show that had what looked like giant, glitter-covered tires spinning their way through outer space. It’s not clear whether these are elements that could rotate in and out of the production, or whether, perhaps, they just weren’t quite finished in time for night 1 — stranger things have happened.

There was only one really major setpiece that was fresh to night 2, and it was a wonderful one: a sequence that visited several of the most iconic venues the Grateful Dead played over the years. It began outside the Winterland Ballroom (with the promise on the faux marquee of a New Year’s Eve show). It proceeded to Red Rocks in Colorado, where images of the live band members were embedded within the mountainous structures jutting out of the earth on the extreme left and right sides of the Sphere screen. The montage ended back in San Francisco, naturally, outside the legendary Fillmore.

But the most visually arresting minute or two during this sequence came when the Sphere screen took the entire audience inside a hall with a barnlike structure at Cornell University, site of a memorable-to-fans 1970s show. You wouldn’t expect this animated recreation of a humble college performing hall to outdo Red Rocks in visual splendor, yet the effect was utterly astonishing. With the Sphere’s wrap-around screen put to its full use, it really felt like being transported to a physically different performing space — one with a traditional ceiling and walls and corners as part of its perspective. That would seem impossible in a completely curved space like Sphere, but the illusion was complete. Whoever executed this particular tiny moment of the show deserves some sort of award for a breakthrough in physics.

Does it matter that it’s now established that the visuals weren’t conceived as strictly song-specific, as they were during U2’s and Phish’s previous Sphere engagements? Probably not much. Repeat attendees will surely have opinions — and render them — on whether, say, “Shakedown Street” on the second night was a better choice to accompany the Haight-Ashbury-into-outer-space sequence than “Mississippi Half-Step Uptown Tuodeloo” had been on the first night, or whether there might be even better selections in that particular spot in the 22 shows yet to come. (It seemed like kind of a draw, in our eyes.) For the return trip from space to SF, which reverses the whole process during the penultimate number, was it better to have “Knockin’ on Heaven’s Door” as the soundtrack on opening night, or “Morning Dew” on night 2? Both worked pretty effectively.

We can say that, on Friday night, “U.S. Blues” seemed like the superior choice for the number that has the Dead skeleton taking flight on a chopper, if only because the lyrics’ mention of Uncle Sam seemed to have some connection, intentionally or inadvertently, to the animated Dead guy’s red, white and blue duster and hat. Also, Johnny Cash’s “Big River” was an especially good choice to play during the nightly segment in which sepia footage of Monument Valley and other desert scenes is shown and some Cinemascope-era-style credits introduce “Bob Weir as ‘Ace’.” On the opening night. the group’s cover of the Crickets’ “Not Fade Away” seemed like the perfect underscore for a closing montage of living and dead Grateful Dead family members… but who would complain about getting Bobby “Blue” Bland’s “Turn on Your Love Light” in that spunkily sentimental spot, instead? Well, someone, probably, but not us.

A couple of random notes prompted by night 2:

John Mayer is, by now, highly esteemed in cool and uncool circles alike as a guitar great, but it seems possible he may never be rated highly enough. We need to talk more about John Mayer’s guitar playing.

There’s no guarantee that “Drums” will be as transcendent every night as it was Friday. Hart always gets some help during the lengthy instrumental segment from second drummer Jay Lane, and from bassist Oteil Burbridge, who proves that his rhythm-section mastery is not limited to one instrument. On Friday, though, they got some extra assistance from Karl Perazzo, who normally performs with Santana over at the House of Blues, but had the night off. Pictured grinning on the big screens, Perazzo looked to be in hog heaven. We knew the feeling.

Dead and Company setlist, Sphere in Las Vegas, May 17, 2024:

Set 1 Samson and Delilah Shakedown Street Bertha Crazy Fingers Big River Good Lovin’ Deal

Set 2 China Cat Sunflower I Know You Rider Estimated Prophet Cumberland Blues The Other One Drums Space Black Peter Althea U.S. Blues Morning Dew Turn on Your Love Light

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Kamala Harris' Renaissance Tour Tickets Were on the House Courtesy of Beyoncé

Beyoncé's Renaissance tour was one of the most in-demand live shows of 2023, bringing in millions of attendees including more than a few star-studded guests. In August, Vice President Kamala Harris attended the singer's first of two nights in Maryland, and according to annual financial disclosure report, her tickets were on the house - not the White House, but Beyoncé's House of Renaissance .

Harris brought her husband Doug Emhoff along as her plus one to the show, for which their tickets were valued at $1,655.92. "Thanks for a fun date night, @Beyonce," the VP wrote on Instagram and X (formerly Twitter) the next day.

According to NBC News, Harris and Emhoff reported income of $117,000 in royalties and returns on cash and retirement accounts. They also have have financial holdings of at least $2.89 million. Like President Joe Biden, the Vice President didn't report any conflicts of interest in the annual financial report.

And the Renaissance tour wasn't even the most high-value entertainment outing gifted to Harris last year. The report also revealed that she attended Florida A&M's game against her alma mater Howard University during the HBCU Celebration Bowl. Her tickets for the football game were valued at $1,890.

Howard University ultimately lost the game - which Beyoncé could never relate to. Other guests at the Renaissance tour included Lizzo, Katy Perry, Chris Rock, Winnie Harlow, Natalia Bryant, Zendaya, Tom Holland, Toshe Phillips, Keke Palmer, Kerry Washington, Meghan Markle, and more. During the run, Beyoncé was joined on stage by special guests Kendrick Lamar, Megan Thee Stallion, and Diana Ross.

The tour setlist had its highlights, but Harris' standout was "Break My Soul." A few months after the show, she told People : "I just love that song. I play it all the time. I think it's one of the anthems for women . . . when [Beyoncé says] ‘you,' you could be life, you could be a person, you could be a situation. You will not break my soul. I can endure."

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• August 28, 2021 Setlist

Tommy Cash Setlist at Gazgolder, Moscow, Russia

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Tommy Cash Gig Timeline

• Aug 14 2021 Tondiloo spordipark Tallinn, Estonia Add time Add time
• Aug 15 2021 Dnipro-arena Dnipropetrovs'k, Ukraine Add time Add time
• Aug 28 2021 Gazgolder This Setlist Moscow, Russia Add time Add time
• Feb 10 2022 The Independent San Francisco, CA, USA Add time Add time
• Feb 11 2022 Echoplex Los Angeles, CA, USA Add time Add time

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