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The Tourist

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Rent The Tourist on Fandango at Home, Prime Video, Apple TV, or buy it on Fandango at Home, Prime Video, Apple TV.

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The scenery and the stars are undeniably beautiful, but they can't make up for The Tourist 's slow, muddled plot, or the lack of chemistry between Johnny Depp and Angelina Jolie.

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Cast & crew.

Florian Henckel von Donnersmarck

Johnny Depp

Frank Tupelo

Angelina Jolie

Elise Clifton-Ward

Paul Bettany

Inspector John Acheson

Timothy Dalton

Chief Inspector Jones

Steven Berkoff

Reginald Shaw

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The tourist.

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A mysterious woman (Angelina Jolie) and a mild-mannered American (Johnny Depp) become involved in web of intrigue, romance and danger in this international action thriller set in the spectacular city of Venice, Italy.

© 2010 GK Films, LLC. All Rights Reserved.

© 2024 Sony Pictures Digital Productions Inc.   All rights reserved

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Movie Review | ‘The Tourist’

Gallivanting Across Europe in High Heels and High Dudgeon

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By Manohla Dargis

• Dec. 9, 2010

It takes a big man to hold the screen level when Angelina Jolie is around — usually the whole thing just tilts in her direction as soon as she struts into the frame. Her partner in crazy-time fame, Brad Pitt, helped keep the balance in “Mr. and Mrs. Smith,” their only film together. And now Johnny Depp tries to do much the same in “The Tourist.” Going for muted, eyeliner- and nearly irony-free, he plays an ordinary American who bumbles into a Continental intrigue, which looks like a film you’ve seen before, because you have.

You know that movie. It’s the one in which Cary Grant and Grace Kelly don’t just travel by train, they also trade knowing looks in the first-class dining car as the waiter fills their glasses, and a shady type secretly takes their photo. The people behind “The Tourist” would like you to flash back to 1955 — as Ms. Jolie’s wardrobe of long gloves suggests — a risky strategy, given that you actually might. The truth is that it takes an exceptional director to prevent an entertainment as flimsy as this from collapsing under its own weightlessness. Alfred Hitchcock pulled it off with Grant and Kelly in “To Catch a Thief,” a bauble that sparkles like a jewel because of the world-class scenery, its stars included, and because of, well, the directing.

Stargazing is the only reason bonbons like “The Tourist” are made, dreams of box office bonanzas aside. But stars need just the right setting and a director who knows how to make them shine, as Steven Soderbergh does with Mr. Pitt and George Clooney in the “Ocean’s” franchise. The director also needs to hold his own, which, from the generic look and feel of “The Tourist,” clearly wasn’t the case with Florian Henckel von Donnersmarck. He does put personality into the occasional scene, including a mysterious, hushed interlude in which Ms. Jolie stands with her back to the camera as Mr. Depp creeps up from behind — lover or stalker, you’re not initially sure which — before pulling her close for a hungry kiss.

It’s a nice idyll among a wash of clichés that include Russian muscle in service to a big meanie, Shaw (Steven Berkoff), whose quest for stolen loot leads him to Elise Ward (Ms. Jolie). A mystery woman of rare ability (she can pick a lock and wear off-the-shoulder gowns), she eludes Shaw while dodging assorted law enforcement agencies, including Scotland Yard, where Paul Bettany and Timothy Dalton curl stiff upper lips. Elise pauses long enough to slide into a train seat opposite Frank Tupelo (Mr. Depp), who, after gulping at his good fortune, explains that he’s a vacationing Wisconsin math teacher (as if!). Dinner leads to drinks leads to complications, including hailstorming bullets and a few sluggish boat chases in the Venice canals.

On Tour With 'The Tourist'

View Slide Show ›

Hollywood has a long history of collecting (and devouring) European directors, but Mr. von Donnersmarck was an odd choice for froth like this. A few years ago he attracted some attention for “The Lives of Others,” a 2006 drama about an East German couple being spied on by a Stasi officer. Here, his main job seems to have been to find new and flattering ways to shoot Ms. Jolie as she catwalks from Paris to Venice in soaring heels. He tries to invest this adoration with some self-conscious wit, mostly by having all the men in the movie gawp at Elise as if she were as much a supernova as the one playing her. But all this genuflection — she parts one crowd as Moses does the Red Sea — feels forced rather than mischievous.

It must be tough for Ms. Jolie to find roles that fit. Off screen she remains a fascinating presence, but on screen she now tends to overwhelm her roles and even her movies. Like every memorable screen star, she still has a face you can get lost in, with its push-pull of hard, jutting angles and well-endowed lips. It’s a face built for extremes, though early on she could also make it work for somewhat smaller, human-scaled roles that were nonetheless tricky for her. Superheroes and superfreaks have long been her truer calling, one reason that “The Tourist” seemed vaguely promising. When she first appears in a come-hither outfit and a small private smile, she looks ready for liftoff. She never ignites, and neither does the movie.

Mr. Depp doesn’t fare better with a role that forces him to play meek and disappointingly mild, despite a few screenwriter-supplied tics. (Mr. von Donnersmarck shares writing credit with Christopher McQuarrie and Julian Fellowes.) A brilliant character actor and accidental movie star, Mr. Depp has rarely been persuasive playing average. He likes tunneling into his characters, preferably under a thick smear of makeup and flamboyant threads, which is why he’s never made sense in mainstream romance. There’s no place for him to hide with Frank, so he stands around trying to look hapless as Ms. Jolie grabs the lead. There’s definitely some amusement in watching her come to his rescue, a role reversal the movie only flirts with. But oh how much more fun it would have been if Mr. Depp had really played the girl, eyeliner and all.

“The Tourist” is rated PG-13 (Parents strongly cautioned). Bloodless violence.

THE TOURIST

Opens on Friday nationwide.

Directed by Florian Henckel von Donnersmarck; written by Mr. Henckel von Donnersmarck, Christopher McQuarrie and Julian Fellowes; director of photography, John Seale; edited by Joe Hutshing and Patricia Rommel; music by James Newton Howard; production design by Jon Hutman; costumes by Colleen Atwood; produced by Graham King, Tim Headington, Roger Birnbaum, Gary Barber and Jonathan Glickman; released by Columbia Pictures. Running time: 1 hour 43 minutes.

WITH: Angelina Jolie (Elise Clifton Ward), Johnny Depp (Frank Tupelo), Paul Bettany (Inspector John Acheson), Timothy Dalton (Chief Inspector Jones), Steven Berkoff (Reginald Shaw) and Rufus Sewell (the Englishman).

Today’s Film Reviews: AND EVERYTHING IS GOING FINE, a documentary directed by Steven Soderbergh. 17 BEIJING TAXI, a Mandarinlanguage documentary directed by Miao Wang. 10 THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER, directed by Michael Apted. 16 THE COMPANY MEN, directed by John Wells. 10 THE FIGHTER, directed by David O. Russell. 1 HEMINGWAY’S GARDEN OF EDEN, directed by John Irvin. 14 THE TEMPEST, directed by Julie Taymor. 10 THE TOURIST, directed by Florian Henckel von Donnersmarck. 8 VENGEANCE, an English-, Cantonese- and French-language film directed by Johnnie To. 17 YOU WONT MISS ME, directed by Ry Russo-Young. 15

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Rotten Tomatoes® Score

With a dash of humor and some Hitchcock-esque directorial flourishes, the film’s scenario could have been fun. But the production takes the lazy approach and leaves the viewer palpably aware of it.

But even with its good-looking cast and locations, “The Tourist” is too shallow, too flat, and ultimately forgettable.

The Tourist is not an absolute debacle, and was able to entertain a tolerant audience. [Full review in Spanish]

The action scenes are sluggish when they should punch, the leads seem indifferent when we’re to believe they’re falling in love, and there’s a sense of burden as the plot twists and turns.

The Tourist had all the elements in place to truly be a thing of beauty. Which makes it such a shame the script is so predictable and ugly.

The chemistry is nonexistent, the supporting roles don't come any more generic, and too many laughable occasions arise from the characters laboring dramatically to be intense.

Jolie, while certainly able to pull off the tall and lanky look, seems to be looking around for a starving child to tend to or adopt.

You have beautiful people doing cool stuff in beautiful environments. If you're into that sort of thing, then this movie is for you.

Despite the star power, the film lacks fireworks. It proves to be a case of big star power with low wattage.

The dreadful dialogues and plot-holes do not help.

Additional Info

• Genre : Thriller
• Release Date : December 8, 2010
• Languages : English, Spanish
• Captions : English, Spanish
• Audio Format : 5.1

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• Why <i>The Tourist</i> Should Be Your Next Netflix Binge–And What to Know Before Watching

Why The Tourist Should Be Your Next Netflix Binge–And What to Know Before Watching

T ake a break from endlessly scrolling through Netflix searching for something new to watch and just press play on The Tourist, the BBC series which stars Jamie Dornan as a mysterious Irishman who wakes up in an Australian hospital with amnesia.

The wry thriller isn’t necessarily new—it premiered on the BBC in 2022 and quickly became one of the U.K.’s most-watched dramas of that year—but it is a recent addition to Netflix, which acquired the exclusive rights to the series last year and started streaming it in February. (Season 1 of The Tourist was previously available to stream in the U.S. on Max.) 

At just six episodes, The Tourist is a low-risk, high-reward viewing experience full of twists and turns that are sure to keep you on your toes. Think Memento if directed by the Coen Brothers . Even better, if you like what you see, you can launch right into season 2, which is now streaming.

Here is what you need to know about your next great Netflix binge . 

What is The Tourist about?

The Tourist begins with an Irish guy (played by Dornan) making a pit stop at a gas station in the middle of nowhere, Australia. Nothing seems too out of the ordinary; he fills up his car, questions the gas station attendant’s bathroom key policy, visits the absolutely filthy restroom, and is on his way. But things get weird once he gets back on the road. He finds himself being harassed by a tractor trailer that seems hellbent on mowing him down. Just when it appears that he’s in the clear, he’s T-boned by the truck and left for dead on the side of the dirt road. 

When he wakes up, he’s in the hospital and has no memory of the accident or who he is. He doesn’t have a wallet or ID or phone on him to help jog his memory. This nameless man is now a tourist in his own life, struggling to understand who he was and why someone wanted him dead so badly. With help from a few kind, but not necessarily trustworthy strangers including Probationary Constable Helen Chambers (Danielle Macdonald), local waitress Luci (Shalom Brune-Franklin), and Detective Inspector Lachlan Rogers (Damon Herriman), he embarks on a journey of self-discovery that leaves him with more questions than answers about his dark past. 

Why it’s worth your time

Let’s start with Jamie Dornan. He played the leading man in the Fifty Shades trilogy and the Academy Award-nominated 2021 drama Belfast , but The Tourist feels like the first time he’s been able to truly show his range as an actor. It’s hard to resist that Irish brogue, but it’s even harder to resist his “ get you a man that can do both ” charm. Fans of the superbly silly Barb and Star Go to Vista Del Mar already know how funny he can be—not to mention, what a great singer he is. But The Tourist lets him show off his dry, dark wit, while also letting him show off his romantic side. By the end of the series, you’ll be left wondering why he hasn’t yet been cast in a good rom-com. (Sorry, not sorry Wild Mountain Thyme .) In the show’s most gripping action sequences, he manages to channel another amnesiac with killer instincts, Jason Bourne. But thanks to his hangdog expression, Dornan is also able to pull off the existential dread his character feels after realizing he’s not the person he hoped he would be.

Obviously, it’s hard to take your eyes off Dornan, but the scenery in The Tourist isn’t too bad to look at either. The show, set in the Australian outback—like way, way out back—was filmed on location in South Australia around Adelaide, a city known for its coastline. (Adelaide's North Haven Beach serves as the show’s stand-in for Bali’s Kuta Beach.) It was also shot in the Flinders Ranges , the largest mountain ranges in South Australia, and in Peterborough, a small town in an area near Adelaide known as wheat country, which stood in for the sandy outback scenes. (Season 2 takes place in Ireland, so prepare yourself for greenery as far as the eye can see.) Despite all the drama onscreen, The Tourist makes Australia look like a nice place to visit.

What to remember before watching The Tourist season 2

Whether you’ve already finished the first season and need a bit of a refresher or you’re planning to skip straight to Season 2, this is what you need to know before watching the second season. 

Warning: major spoilers for The Tourist Season 1 ahead.

The Irish guy with amnesia is actually Elliot Stanley, and he’s done some really bad things in his life. 

While in the hospital, Elliot finds a note in his pants pocket with an address for a diner in a tiny town called Burnt Ridge. It’s there he meets Luci (Brune-Franklin), a waitress who is actually his ex-girlfriend. She only chooses to tell him his name and their relationship to one another after they discover a man’s dead body stashed in an oil drum that had been buried. The man was Marko (Damien Strouthos), who, like Elliot, worked for Kostas (Alex Dimitriades), an international drug lord and Luci’s fiancé.

Luci isn’t exactly who she claims to be. She’s a scammer who stole a rather sentimental bag of money from Kostas in order to run off with Elliot. Now the Greek gangster is back to collect. But Kostas isn’t all that interested in the cash; a million dollars is chump change to a guy like him. This is about ego. Kostas, a maniac who spikes his water with LSD to be able to speak with his dead brother, wants to punish Elliot for successfully stealing his girl.

Kostas decides to kidnap the wife of Detective Inspector Lachlan Rogers (Herriman) in hopes that it will scare the decorated officer into doing his bidding. It does; Lachlan apprehends Elliot and kills a young sergeant in the process, becoming one of the bad guys. But is Elliot also a bad guy? Probationary Constable Helen Chambers (Macdonald), the ambitious cop-in-training assigned to his case, doesn’t think so. She believes the fact that he was willing to save her from being shot by Kostas’ henchman means there is good in there somewhere, even if he has done bad things. But Elliot isn’t convinced that someone can really change. 

After drinking from Kostas’ LSD-laced water bottle, he has visions that offer some insight into who he may have been. He sees his first meeting with Kostas, where he’s hired as his accountant. He is able to relive his meet-cute with Luci and sees how toxic their relationship was. He discovers where he buried the bag of money and dreams of laying in bed with Helen. He also speaks to a Russian woman named Lena Pascal, who he’s seen before in his dreams. She tells him she’s in Adelaide and claims that she can help him “fill in the colors” of his past. 

Elliot worries that what he has seen aren’t memories, but hallucinations. When he finds the bag of money in the same spot he had envisioned it though, he believes that Lena may be real, too. Unfortunately, he can’t go looking for her just yet. After Kostas and Luci are killed in a shootout over the million dollars, Lachlan lies to the police in hopes of saving himself. He claims that Elliot and Helen kidnapped him and went on a shooting rampage à la Bonnie and Clyde, killing the young sergeant. Luckily, Helen is able to access the CCTV footage that shows Lachlan transporting Elliot in handcuffs, catching him in his lie. It saves both her and Elliott from going to jail and allows Elliot a chance to speak with Lena, who was not a figment of his imagination—though after their chat he wishes she was.

When Lena comes to meet him at the jail, she reveals that he wasn’t just Kostas’ accountant as he had dreamt, but helped train the drug mules, mostly young immigrant women who swallowed bags of heroin to transport across the globe. Lena tells a story of two girls who died instantly after the bags Elliot gave them exploded in their stomachs. Lena lived, but not without literal scars. She shows him the long gash across her stomach where she was cut open to retrieve the drugs. She claims Elliot was the one who ordered her to be butchered, worried the heroin would go to waste. He apologizes for his cruelty, but she doesn’t absolve him of his guilt. “You have to live with yourself,” she tells him as she leaves.

Elliot doesn’t think he can and attempts to have himself arrested, but Lena won’t press charges. He then attempts to lose his memory again by getting into another car crash. He flips his car over, but unfortunately, it doesn’t work. He can’t forget what Lena told him and neither can Helen, who after learning the evil that Elliot was capable of decides she can no longer see him. But she can’t stop thinking about him and wondering whether he or anyone should be defined by their worst mistakes. 

Elliot wonders the same, but the guilt is just too much. He decides that he can no longer live with himself and attempts to take his life with vodka and pills. Laid out on his bed, waiting to die, he gets a text: a burrito emoji from Helen.

The burrito references a scene earlier in the show, when Elliot and Helen were eating together in a Mexican restaurant. Helen is his hostage, but the night plays out like a first date. Elliot can’t remember what kind of food he likes so she suggests they order everything on the menu so he can figure out his taste now. She encourages him to stop thinking about who he was and start becoming the person he is meant to be. He later tells her that he equates burritos with happiness and her text becomes a lifeline. He might not be able to forget what he’s done, but she believes he has the capacity to change. The joy on his face when he sees her message makes it seem as if Elliot finally believes he can change too. But fans will have to wait until Season 2 to see if he’s able to become a better person.

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Jamie dornan in hbo max’s ‘the tourist’: tv review.

The actor plays an amnesiac in a deadly race to figure out his identity in this six-hour slice of Australian pulp fiction.

By Daniel Fienberg

Daniel Fienberg

Chief Television Critic

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Content bloat on cable and streaming is such an apparently incurable epidemic that even shows that play as lean and mean genre exercises are stuck oozing outside of their deserved boundaries — as if once there’s no marketplace for an idea to be conveyed at 90 minutes, might as well just go forever.

Something like Netflix’s True Story , which would have been an arthouse hit as a brisk John Dahl-directed theatrical thriller, instead became an instantly forgotten Netflix series, because that’s how it could get produced. Significantly better on every level, but still in need of a robust trim, is HBO Max ‘s The Tourist . Ideally, this would have been an Outback-set B-movie probably helmed by somebody like Phillip Noyce. Instead, it arrives on streaming as a six-hour drama replete with illogical misdirects, a second half that’s far less engaging than the first and a disappointing assortment of false conclusions.

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'blue lights' star siân brooke on how the bbc's belfast police drama has "hope at its heart", netflix orders new series starring jamie dornan, mackenzie davis, julie delpy, the tourist.

Airdate: Thursday, March 3 (HBO Max)

Cast: Jamie Dornan, Danielle Macdonald, Shalom Brune-Franklin, Ólafur Darri Ólafsson

Creators: Harry and Jack Williams

A story like this should be told without an ounce of fat. Yet even with its occasional excesses, The Tourist is a mostly taut, pretension-lite mystery with a vivid setting, a few surprises and a great trio of lead performances from Jamie Dornan , Danielle Macdonald and Shalom Brune-Franklin.

Created by Harry and Jack Williams and directed half by Chris Sweeney and half by Daniel Nettheim, The Tourist begins with what will prove to be its best set-piece, which isn’t always a great idea but in this case serves to get viewers well and truly hooked.

In a remote corner of rural Australia, a man (Dornan) with an Irish accent and no name stops for gas and a bathroom before resuming his drive. Before you can say “Hey, that’s the plot of Duel !” a truck emerges on the horizon, approaches the man’s car and tries to run it off the road. An intense pursuit ensues, all within the first 10 minutes, climaxing in the man waking up in a hospital with complete amnesia. Shot with acrid, epic scope by Ben Wheeler and edited without relief by Emma Oxley, it’s a sequence that is unique despite its familiar elements — one that’s so good that you probably won’t be offended by how little sense it makes once the show puts all of its cards on the table.

The Man doesn’t remember his name, his profession or why he was driving alone in a beat-up car on a stretch of road connecting nowhere to nowhere else, but his presence draws immediate attention. Offering benign curiosity is Probationary Constable Helen Chambers (Macdonald), trying to make a transition to legitimate policing after tiring of menial duties as a traffic cop. Offering more menacing curiosity is Billy Nixon (Ólafur Darri Ólafsson), a hulking figure with a bushy beard, a rumbling voice, a questionable American accent and a blood-red cowboy hat. And it’s hard to read the intentions of diner waitress Luci (Brune-Franklin), who may be attracted to The Man because of his resemblance to Jamie Dornan, or else she has ulterior motives.

For the first few episodes, The Tourist is wonderfully spare. A couple of secondary characters pass in and out, but the story is mostly The Man, Helen, Luci and Billy, any one of whom could be a threat to the others. As the Williams brothers open the story up, it invariably becomes less interesting and more reliant on heaping doses of exposition. We meet characters including an odd detective played by Damon Herriman and some unsavory Greek gangsters. All of the characters are in the middle of their own identity crises, and while The Man is the only one who literally doesn’t know who he is, each person here is pondering existential questions about whether people can change; whether that change is a matter of personal choice; and whether it’s as simple as forging a passport or moving to a new country or making up different origin stories involving your mother or father.

From the too-clever-by-half backwards storytelling of Rellik to the structural mendacity of Liar , the Williams brothers are good at high-concept thrillers driven by tricky plot mechanics, and this fits that category more than other Two Brothers Pictures creations like the tormented The Missing . The more gaps in The Man’s story they expose, the more interesting The Tourist is; the more those gaps get filled in, the less interesting the resulting shape of the puzzle feels.

None of the answers is exactly infuriating and some of them play very well in the moment — the fifth episode is a straight-up backstory dump, but the creators find a way to make it amusing — but the more distance you get from the full story, the more you may find that very little holds together. It’s possible to concentrate on the occasional shootouts, a flimsy-but-taut storyline lifted from the Ryan Reynolds movie Buried and one stunning outback vista after another, and still be limitedly bothered by lapses in common sense.

It helps that this is probably the funniest of the Williams brothers thrillers, a reminder that as producers their credits also include the very fine Back to Life and the spectacular Fleabag . If you think the plot strains credulity, so do many of the characters, and there are crackling exchanges of dialogue, silly pieces of flirtation and enough quirky and outsized figures to make it clear that if Duel was the series’ table-setting inspiration, most of what follows is basically Fargo with a greater risk of kangaroos.

Dornan is probably too hunky to be inherently ideal as the Hitchcockian Everyman, but The Man is a savvy encapsulation of Dornan’s varied skills, especially those he’s been showcasing in his projects from the past year-ish. He has compelling chemistry with both Macdonald and Brune-Franklin, he’s generally convincing as a sturdy action lead and he has an underlying menace that lets you wonder if the man that The Man used to be might not be so virtuous. Best of all — and this will not shock the Barb and Star hive — Dornan is an adroit comic performer, whether it’s expressing Irish-accented confusion about a fluffy stuffed koala or any of the bickering that characterizes The Man’s relationships with Helen and Luci. He weathers all of the reveals about his character, up to the finale’s conclusive twists. It’s just a darned good performance in a show that hinges on its lead.

Macdonald is, at some points, nearly a co-lead and the Patti Cake$ star brings nervous humor and the real emotional hook to the story, maintaining the character’s integrity in the face of a sometimes sweet, mostly unappealing engagement to Greg Larsen’s brutally passive-aggressive Ethan. I wish somebody had written more actual traits for Brune-Franklin’s Luci, but the simmering interactions with Dornan keep the show going through its slower parts. Herriman’s guessing-game strangeness and Ólafsson’s garrulous intimidation are responsible for the show’s most Coen Brothers-y elements.

At six hours, The Tourist ‘s focus wavers, but its momentum remains solid; in a spring of self-important ripped-from-headlines TV storytelling, I appreciated its pulpy drive. And that “Shouldn’t this be a couple of hours shorter?” sensation? Well, I guess that’s just a permanent condition.

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HBO Max continues stealth drops of some of the best drama mini-series on television. Last year highlights included “The Head” and “ Station Eleven ,” and they start 2022 strongly with the fantastic “The Tourist,” a twisty tale that plays like an Aussie version of “ Fargo .” With sharp dialogue, clever plotting, and career-best work from Jamie Dornan and Danielle Macdonald , this is a great little thriller, a show that constantly keeps you guessing and entertained in equal measure.

The “ Belfast ” and “ Fifty Shades of Grey ” star plays an unnamed man (at least for a while) who is driving through the very remote Australian outback. He stops at a station to use the bathroom, banters with the guy behind the counter, and hits the road again. Looking in the rearview mirror, he sees a truck gaining on him with remarkable speed. The Man twists off the road to avoid it and the trucker follows, revealing through a POV from his cab that this is very intentional—he’s trying to kill this tourist. They race through the desert until The Man’s car crashes. He wakes up in a hospital with no memory of who he is or how he got there.

Enter a small-town officer named Helen Chambers (Macdonald), engaged to an awful man named Ethan ( Greg Larsen ) and thrust into a mystery about who this handsome Irishman is in a hospital bed. When The Man finds a note with a time and a location in his pocket, he heads to a small town called Burnt Ridge, where he meets a woman named Luci ( Shalom Brune-Franklin ) who might know about his past, ends up crossing paths with a sociopath ( Ólafur Darri Ólafsson ) who clearly wants him dead, and gets a phone call from a man who’s been buried underground. And then things get even weirder.

Created by the people behind the excellent “ The Missing ” (which aired stateside on Starz), the writing on “The Tourist” is a metronomic back and forth between reveals and how those reveals propel the narrative in a new direction. Pushing their way through all the chaos are Dornan and Macdonald, both phenomenal. Dornan finds a quirky, unsettled way to play a man who doesn’t know who he is without resorting to the cliché of the lost soul. If anything, he leans into more of a blank slate interpretation of amnesia, playing a guy who’s more open to what comes next because he can’t remember what came before. And Macdonald is charming and so incredibly likable that she becomes the heart of a show that can be cold at times.

Echoes of “ Memento ” and “Fargo” aside, “The Tourist” also has its own quirky personality. Some of those quirks get a bit extreme in late-season episodes in ways I can’t spoil, but the show is never boring. It’s a reminder that the Dornan who was so great in “ The Fall ” is still out there, and I hope it leads him to more bizarre, challenging roles like this one. There’s an argument to be made that there’s an even-better 100-minute movie in this six-episode mini-series, but that’s not the world we’re in right now. A story like this has a better chance to be told in the TV system than the mid-budget film one, and the writers don’t drag their feet or spin their wheels like so many streaming thrillers. They’re constantly moving our hero forward, keeping us uncertain about his past and even his moral center.

Some will argue that “The Tourist” gets too convoluted and I’ll admit that I enjoyed the playful uncertainty of the first half of the season more than the intensity of the second half. Although the show does get deeper in how it unpacks lies we tell ourselves and those we listen to from other people. It turns out that everyone on "The Tourist" has a secret or two, and almost all of them could use a car accident to reset the hole they've dug for themselves. 

I'm not sure how intentional it is but the show never stopped reminding me of some of my favorite early Coen films—the noir danger of “ Blood Simple ,” the open roads of “ Raising Arizona ” (and a bearded hunter who seems unkillable), Macdonald’s very Marge Gunderson character—and yet these nods to greats are embedded in a breakneck plot that never slows down enough to distract from its own inspired storytelling. Take the trip.

Brian Tallerico

Brian Tallerico is the Managing Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. He is also a writer for Vulture, The Playlist, The New York Times, and GQ, and the President of the Chicago Film Critics Association.

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The Tourist (2022)

360 minutes

Jamie Dornan as The Man

Danielle Macdonald as Helen Chambers

Shalom Brune-Franklin as Luci

Damon Herriman as D.I. Lachlan Rogers

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Ólafur Darri Ólafsson as Billy

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'The Tourist' doesn't know who he is — just that someone wants him dead

John Powers

In The Tourist, "The Man" (Jamie Dornan) wakes up in a small town hospital in the Australian outback with no idea who he is or how he got there. HBO hide caption

In The Tourist, "The Man" (Jamie Dornan) wakes up in a small town hospital in the Australian outback with no idea who he is or how he got there.

Ever since the birth of mass communications, our culture has been haunted by the idea of amnesia. In high-class books by the likes of George Orwell or Milan Kundera , forgetting becomes a political metaphor for the erasure of truth. Things are less ambitious in pop entertainments like Memento or the Jason Bourne series . There, memory-loss is less a metaphor than a motor — a gimmick to drive the story forward.

This motor purrs like a Ferrari in The Tourist , a hit BBC series playing on HBO Max. Written by the Williams brothers, Harry and Jack — best known here for The Missing and Baptiste — this funny, suspenseful six-part thriller doesn't merely keep us guessing. It keeps its amnesiac hero guessing, too. He knows even less about his own story than we do.

A bearded, muscled-up Jamie Dornan stars as a T-shirt clad Irishman who gets in a car accident and winds up in a small town hospital in the Australian outback. Known simply as "The Man," he doesn't know who he is or how he got there. But soon after he leaves the hospital, he knows one thing for sure: Somebody wants to kill him.

As he seeks to find out who's after him and why, he's helped by two very different women. Luci (Shalom Brune-Franklin) is a waitress who we aren't quite sure what to make of. In contrast, it's easy to trust probationary constable Helen Chambers, played by Danielle Macdonald. Helen's a newbie cop who struggles with her weight and with a fiancé who speaks of her appearance with such passive-aggressive meanness that I kept hoping he'd become one of the show's murder victims.

While The Man's search for his identity is grippingly plotted, the show lets the action breathe. It takes time to enjoy his encounters with a wide range of oddball types, be it a goofy chess-playing pilot, a Greek mobster, the affably nutty woman who offers him lodging, or the enormous, cowboy-hatted hitman who has the self-satisfied theatricality of an escapee from a Tarantino movie. That said, The Man knows he must keep moving to stay alive.

For all The Tourist 's inventiveness — Episode 5 is a trip — it reminds us that even good pop culture is often derivative. The show's opening car crash sequence mimics the Steven Spielberg movie Duel . More importantly, the Williams brothers are pretty clearly doing a Down Under riff on Fargo . Their series offers the same blend of violence and barbed humor, the same mythologizing of bleak, underpopulated places, and the same cavalcade of viciousness and folly that brings out the heroism in an ordinary person.

The show's moral center is Helen, who, in Macdonald's sensational performance, has our sympathy from the get-go. Her work is so scene-stealingly good that I would call this a career-making performance if I hadn't already said this about Macdonald's electric work as an aspiring New Jersey rapper in the indie film Patti Cake$ .

Helen's transparent goodness makes her the perfect counterpoint to The Man, a handsome hunk who's a mystery, even to himself. It's a great role for Dornan, who, earlier in his career, had a slightly synthetic prettiness that made him ideal for creepy characters like the S&M billionaire in Fifty Shades of Grey . Here, he's a bit older, thicker, and rougher. And just as Brad Pitt often seems liberated when his good looks are masked a bit, Dornan gives his best performance as a man who isn't sure whether or not he's the hero of his own life.

Over the course of the six episodes, The Man struggles to learn whether, back before his accident, he was a good guy or a bad guy. And if he had been a villain, does he have to stay one, even after he starts remembering his past? I won't reveal what he discovers, though I feel obligated to say that you won't get a definitive answer this season. You'll have to watch Season 2 of The Tourist , not yet made, which I bet you will be more than happy to do.

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The Tourist

When a man wakes up in the Australian outback with no memory, he must use the few clues he has to discover his identity before his past catches up with him. When a man wakes up in the Australian outback with no memory, he must use the few clues he has to discover his identity before his past catches up with him. When a man wakes up in the Australian outback with no memory, he must use the few clues he has to discover his identity before his past catches up with him.

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• 4 wins & 13 nominations total

Episodes 12

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• Trivia The reason season 2 is set in Ireland was because Jamie Dorman didn't want to spend several month away in Australia again. The decision was made to relocate so Jamie could be close to his family
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Stream It Or Skip It: ‘The Tourist’ On Netflix, Where Jamie Dornan Plays A Man Without His Memory Trying To Outrun His Past

Where to stream:.

• The Tourist

What would you do if you lost your memory? Not just what you had for breakfast, but all sense of who you are and who is in your life? Then you find out that someone really, really wants to see you dead? That’s the idea behind the new Netflix series, which originally ran on HBO Max back in 2022.

THE TOURIST : STREAM IT OR SKIP IT?

Opening Shot: Scenes of the arid environment in the Australian Outback. A tiny car drives down an empty road.

The Gist: A man (Jamie Dornan) stops for gas; he’s wearing a generic “AUSTRALIA” tourist t-shirt. He has no idea why the attendant at the station makes him sign out for the bathroom key. We see him come out the back door of the bathroom, next to the Dumpsters.

As he’s driving on the seemingly empty road in his tiny Mazda, a massive tractor trailer bears down on him. When the tractor trailer rams the man’s car, he realizes it’s not just an aggressive driver. After a long chase over some rough terrain, the man thinks he’s gotten away from the truck, when the truck slams into him, causing the tiny car to roll over a few times.

The man wakes up in the local hospital, surprisingly not severely injured. However, he has no idea who he is or what he was doing. He doesn’t even remember his own name. He can recall a song title when he’s in an MRI machine, but that’s about it.

A friendly local cop, Helen Chambers (Danielle Macdonald), goes to his room to take a statement. She is a bit uncomfortable with the man’s lack of memory, but ends up being reassuring to an extent. The only thing he finds in his possessions is a note to meet someone the next day at a diner in a nearby town. Helen says she’ll look into that.

We follow Helen home and see that, like most of us, she has issues with her weight, not the least of which is exacerbated by her fiancé Ethan (Greg Larsen) and their upcoming wedding.

Another thing we see is someone buried underground. Desperate to get out of whatever box he’s been put in, he tries to call someone on his phone, but no one is answering.

The man goes outside to get air, but gets lost inside the hospital, scaring him senseless. He decides to check himself out of the hospital the next day, against medical advice, because he needs to go to that diner and find out just who wanted to meet him there. Helen understands why he wants to do it, and gives him a bus ticket to get there.

At the diner, he meets a waitress named Luci (Shalom Brune-Franklin), who seems to be fascinated by his amnesia. When she spills lemonade on him, she takes him out to where there are bathrooms. Just then, there’s an explosion, right in the booth where he was sitting. He wonders aloud why in the world someone is trying to kill him.

Pictures from a disposable camera found at the crash site help him retrace his steps, as well as video from the gift shop he visited. It brings him back to the gas station and its bathroom. He doesn’t find out his name though, as he signed the key sign-out sheet as “Crocodile Dundee.” But he finds something else; a stuffed koala that he hid next to the Dumpster. Much to his surprise, it starts ringing.

What Shows Will It Remind You Of? Take the movie  Memento and cross it with the quirkiness of the first season of the  Fargo series, and you’ve got the vibe of  The Tourist.

Our Take: The Tourist , written by Harry Williams and Jack Williams ( The Missing, Fleabag ) looks like it’s a complex show with a twisty plot, but when you really take a close look, it’s pretty straightforward. Dornan’s character has no idea who he is; all he knows is that someone wants to kill him. With the help of Helen and others, he’ll try to piece things together before those that are after him, including Billy (Ólafur Darri Ólafsson), the whistling man who almost squashed him in the tractor trailer, catch up to him.

In the first episode,  The Tourist  evolves from what seems like a thriller to a more personal narrative. It’s why we get involved in Helen’s life when she’s off-duty. In a Weight Watchers-style meeting, she claims she doesn’t like her body, even though everyone is yelling about body acceptance. But it also feels like she’s more there because of her fiancé than anything else. So even though Helen knows her name, who’s in her life and what she does, she also hasn’t found herself. Plus, she seems to be made to feel guilty about just about everything.

Perhaps as she gets more involved in the life of Dornan’s character, the more she will figure out who she is. At least that’s what we hope, because Macdonald is utterly charming as Helen, who is very much in the vein of Allison Tolman’s portrayal of Molly Solverson in the aforementioned  Fargo. She’s good at her job, even if she’s a bit green, but also is a friendly and helpful sort who needs to help herself most of all.

There is definitely a bit of a sense of humor running the first episode, but the Williamses aren’t trying to make the show quippy. The humor is there when people seem to be fascinated with Dornan’s character’s amnesia, though he assures them it’s no picnic. The humor creeps in along the edges of the show, but it does just enough to ease what is a pretty serious and grim performance by Dornan.

There is one twist near the end of the episode that we won’t spoil here, but it does make us wonder if, as things get more complicated for Dornan’s character (notice we haven’t named him yet, because the character has none as yet), the plot will become more convoluted. We hope not, as it seems the straightforward manner in which this story is being told suits  The Tourist just fine.

Sex and Skin: Nothing in the first episode.

Parting Shot: When the stuffed koala starts ringing, the man digs out a burner phone and answers it. When the man who’s buried starts yelling in relief that he answered, the man says, “Uh, who’s this?”

Sleeper Star: Shalom Brune-Franklin does some compelling work as Luci, and we know that she’s much more involved in this story than most of the first episode lets on.

Most Pilot-y Line: Nothing we could find.

Our Call:  STREAM IT.  The Tourist  hooked us in with its story, plus the performances by Dornan, Macdonald and Brune-Franklin. Let’s hope the story continues to be interesting as the season goes on.

Joel Keller ( @joelkeller ) writes about food, entertainment, parenting and tech, but he doesn’t kid himself: he’s a TV junkie. His writing has appeared in the New York Times, Slate, Salon, RollingStone.com , VanityFair.com , Fast Company and elsewhere.

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NEWS... BUT NOT AS YOU KNOW IT

Moment tornado that left five dead hits powerline

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A video has captured the moment a ferocious tornado in south China that killed five people struck a power line.

The tornado ripped through Guangdong province yesterday, leaving 33 injured, 141 factory buildings damaged and countless without power.

The Zengcheng District Meteorological Observatory in Guangzhou issued a tornado alert at 3.23pm local time.

District weather officials also issued an orange rainstorm warning a few minutes earlier with up to 50mm of rain bucketing it down in only three hours.

Massive hail stones, reportedly the size of golf balls, were seen hitting the ground in Guangzhou and Shanwei in eastern Guangdong province.

Peopl suffered head injures as they were hit by the hail.

Photos posted by Chinese state media today show the devastation left behind in the hardest hit area, with a few clusters of buildings still standing, roofs missing, cars crushed by rubble and a truck lying on its side.

A furniture factory was torn to shred by the tornado, according to the Guangzhou Baiyun District Emergency Command Center.

Authorities said no homes were destroyed though the Sing Tao Daily reported that car and building windows had been shattered and roofs dented.

Animals were also killed during the hailstorm, with one Chinese social media user saying it was not hail ‘but vertical bullets fired’.

‘Is this Guangzhou? Or a Hollywood disaster movie?’ another asked.

In one village packing material known as ‘pearl cotton’ could be seen hanging from buildings and trees.

The tornado struck one week after heavy rains and flooding killed at least four people in Guangdong province.

In September, two tornadoes killed 10 people in Jiangsu province in eastern China.

On Friday, meanwhile, a tornado wreaked havoc as it blew through the US state of Nebraska.

It ripped homes to pieces and left 10,000 without power in Omaha.

Get in touch with our news team by emailing us at [email protected] .

For more stories like this, check our news page .

MORE : Map shows where homes could be flooded as even more rain forecast

MORE : China creates world’s fastest humanoid robot – but there’s something odd about how it moves

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Money: Take-home pay calculator - find out how much extra you're getting this month with National Insurance cut

Your take-home pay will likely be higher this month due to a National Insurance cut. Use our calculator to find out how much, enjoy our weekend reads and leave a comment below, and we'll be back with all the latest personal finance and consumer news on Monday.

Sunday 28 April 2024 15:22, UK

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Ask a question or make a comment

National insurance was cut this month, for the second time this year, from 10% to 8% on employee earnings between £12,570 and £50,270.

The change, announced by the chancellor in his March budget, impacts around 27 million payroll employees across the UK - starting this pay day.

The cut is worth almost £250 to someone earning £25,000 a year and almost £750 for those earning £50,000.

Use our tool below for a rough guide to what tax changes can be expected for most people, as there are other variables not included which might affect how much tax you pay including being in receipt of the blind person's allowance or the marriage allowance. It also assumes you are not self-employed and are under pension age...

There are also national insurance cuts for the self-employed. This includes the scrapping of Class 2 contributions, as well as a reduction of the rate of Class 4 contributions from 9% to 6% for the £12,570 to £50,270 earnings bracket.

These will impact nearly two million self-employed people, according to the Treasury.

While many campaigners welcomed the national insurance announcement last month, they pointed out that the tax burden remains at record high levels for Britons - thanks in part to the threshold at which people start paying income tax being frozen, rather than rising with inflation.

By Jess Sharp , Money team

My journey into the world of manifestation (the belief that you can attract success in your life through positive affirmations and visualisation) has taken me places I never thought I'd go.

Like woods in Edenbridge, where I stood meditating under a tree in the pouring rain. I don't yet know where my journey will end (I've been hoping for an engagement ring but my boyfriend hasn't yet seen my visualisations), but it started with a conversation with Jamie Greenlaw-Meek, one of many people who say manifestation has transformed their lives.

"About a year ago, there was something happening and I thought we just need two grand to cover the expense," Jamie, a former dancer from London, told me. "The following day £2,000 landed in my account."

It sounded like a coincidence to me, too.

But Jamie was adamant. His husband calls him "the master manifester" because of his "ability to bring in money".

"It's happened on so many occasions, like four, five times," he said. "I've become very clear on what I want and the amount of money I need and literally it can be within 24 hours that I get a phone call for a job and it's almost identical to what I asked for money-wise."

When I asked the now-psychic where the £2,000 actually came from, he said it was payment for a modelling job he had been offered.

"With manifesting you don't get caught up in the how, and often it comes in ways that you don't expect," he added, explaining it could come as the result of a claim after being in a car crash.

"It's not always coming in the way that you think but money is out there for us to take in the world. It's just having the confidence to receive it and we are worthy of it."

"Even if it is a placebo effect, does it matter?" he said.

The 43-year-old also believes he manifested his husband Fiongal after being diagnosed with cancer. While going through treatment and dating "a lot" of people, he decided to take matters into his own hands, or rather his own head, and started visualising his perfect partner.

"I decided to spend a good couple of weeks getting really, really, super clear in my mind what this person looked like. Then I started creating lists asking about personality traits, and all the things that I wanted that person to be," the former dancer said.

"The day I got the all clear from cancer I randomly met my husband and when I look at the list of the things I asked for, he pretty much ticks every single box. I really, really believe that is because I got super clear on what I wanted and I put that out to the universe to bring to me."

Jim Carrey and manifestation

If you think this is a new practice, it isn't. Jim Carrey was doing it back in the 90s. He famously wrote himself a $10m cheque for "acting services rendered" and dated it years in advance. Then in 1995, he was told he was going to make the exact amount for filming Dumb and Dumber.

The idea shot up in popularity again in 2006 after Rhonda Byrne published her self-help book The Secret.

Since then, it has hit every inch of the internet and has resurfaced on TikTok with videos posted under #manifesting accumulating a huge 13 billion views.

I tried to learn manifesting - I felt like an idiot

After hearing Jamie's story and seeing the idea was popular with so many people, I thought it best to try to learn manifestation myself. I mean, who wouldn't want money landing in their account and a work promotion from the universe?

As I stood in the woods, in the pouring rain, being told to imagine roots growing from the soles of my feet, I felt like an idiot.

I was soaking wet (of course I had forgotten a coat with a hood) and while my mind kept wandering through thoughts about being cold, if I'd hit traffic on the way home and how dirty my white trainers were getting, a gentle, soothing voice kept bringing me back to what I was supposed to be thinking about.

"How we are all connected, how the trees and plants produce oxygen that we breathe, and we breathe out carbon dioxide which they need to survive."

While some people focus their manifestation practices on being grateful to the universe, Tansy Jane Dowman believes we need to get "out of our heads, into our bodies", connect with nature and find our true selves before we can practice it successfully.

My meditation in the woods was just one part of a six-hour workshop run by Tansy, which aimed to send me off with a clearer vision of what I truly desired.

Tansy charges anywhere from £25 to £580 for her courses, which range from one-on-one sessions and an online six-week programme, to forest bathing workshops and weekend-long nature retreats.

But some courses have popped up online which cost more than £1,000.

Tansy started practising manifestation in 2018 after going through a difficult period in her life. She eventually quit her job in events management and started teaching others how to do it successfully.

"The way I manifest is not to focus on material wealth or gain. I would ask my clients what an abundant life means to them in terms of feelings, experiences, connections, people and places," she explained.

"The more authentic you are, the more of a beacon you become for those things to find you."

After spending time walking in the rain and meditating under a tree, Tansy and I sat in her dining room and explored some of the happiest moments in my life and the feelings I experienced. It became clear I like feeling accomplished, needed and excited.

We also spoke about challenging times, but the conversation focused on the positives, like how I had overcome them and what I had learned.

"It's so important to bring in your values with manifestation because sometimes we can get really confused with what we want, with social media especially," she told me.

Throughout her house, Tansy has a number of "abundance boards" proudly on display - some she has made with her children, others are from her annual January tradition of setting out her desires for the year.

"I've had some really wonderful goosebump things happen to me. I did a board at the beginning of 2020... I put a picture of a microphone on it. I just thought I really like that image and I didn't immediately place any meaning onto it," she said.

"Then as the world was shutting down for lockdown, I did a press event and I met a lady who worked for Wellbeing Radio and she wondered if I would be interested in trying out as a presenter."

She explained that some people will be very specific with their desires, like selecting a photo of the exact car they want, or the perfect house, but that isn't how manifestation works. There needs to be an element of trust in the universe giving them what they attract.

As we created my abundance board, which Tansy describes as being like a "personal algorithm", she told me to select images and words from heaps of magazines that called to me intuitively.

As you can see from the picture below, mine calls for being "financially fabulous", travelling, getting engaged (coughs loudly in earshot of boyfriend) and living stress-free.

And while I'd love a big cash injection, Tansy explained to me that money is "only a stepping stone to a feeling" and, ultimately, I'm aiming to create an emotion with it.

Manifesters more likely to go bankrupt

While all the manifestation believers I spoke to said there was no downside to the practice, a researcher has been looking into whether it really does pay off.

Based in Australia, Dr Lucas Dixon (who specialises in consumer psychology) created a scale from one to seven to rank a person's strength of belief and found those who practice it are more likely to have been victims of fraud and declared bankruptcy.

He said there was a "danger" that manifesting could become harmful if taken to an extreme level.

He found those who believe in manifesting tend to think more positively and have a confident attitude when it comes to success, and while that can be helpful in business, it can also cause them to take unnecessary risks.

"They weren't more objectively successful in terms of having higher income or higher education attainment," he said.

"We also found that they are more likely to believe in get-rich-quick schemes, more likely to take higher risks... to have risky financial investments and more likely to have investments in cryptocurrency rather than traditional stock."

Using the scale he created, Dr Dixon found those who have "very strong beliefs", ranking at a seven, were 40% more likely to have gone bankrupt.

"The danger comes in a couple of different forms," he said, explaining that a "worst case scenario" could see people getting into financial difficulty by being encouraged to "just look at the positives".

"Someone might say it's not harmful because it is really just thinking positively but I think even that can be harmful because of what you might call an opportunity cost," he said.

"You're spending time, energy and money doing something that doesn't have a lot of evidence behind it. We found it does make you feel good but you don't need to pay thousands to do it."

Okay, so back to me...

I did my manifestation course about two months ago, and I have done as I was instructed - my abundance board is up in sight inside the flat, and I often have a cup of coffee in front of it.

But, so far I'm still using a credit card, the most travelling I've done has been to work and back and there is still no rock on my finger. I have been given an annual pay rise, though, and would say I am less stressed.

Perhaps believing that I'm just doing my best and there's a chance that I'll be rewarded for that one day, eventually, in the future, maybe, is making me feel better... who knows?

Each week, Money blog readers share their thoughts on the subjects we've been covering, and over the last seven days your correspondence has been dominated by these topics...

• Iceland's new slogan
• Rising mortgage rates
• Giving kids cash for grades

Iceland's new catchphrase

We learnt on Monday that Iceland had dropped its tagline "That's why mums go to Iceland", replacing it with "That's why we go to Iceland".

The move was made to reflect the store is for everybody, said brand ambassador Josie Gibson. Readers were split - with some feeling so strongly that they're prepared, they suggest, to sacrifice those frozen Greggs steak bakes forever...

I previously contacted Iceland about their slogan because I didn't think it did single dads justice, as dads can go to Iceland too. Their response was that people understood that it's not just mums that go to Iceland. It's about time they changed the message. Dave T  

Neither I, my wife or my children will shop in Iceland again due to this stupidness and woke attitude. To hell with you [Iceland boss] Richard Walker. John  

Banks hike mortgage rates

This week we reported that high street lenders such as Halifax, TSB, NatWest, Barclays, Leeds Building Society, HSBC and Coventry had all hiked mortgage rates. 

You said...

With house prices at already extortionate levels, now mortgage rates rising again, is there any hope for first-time buyers? Honestly, the situation is so bleak, people may need to consider other countries. GenZ 

Why would this happen? So many young couples struggling to get on the property ladder. I live in Dorset - a one-bedroom flat costs from £230,000. In Scotland, one can get a beautiful two-bed house for that price. Feel sorry for all couples living down in the South. Need huge deposits. Barbs

Why are they called high-street banks? Most banks in my town have closed. Martin J

Parents offering cash for good grades

A lot of views came in after our feature exploring the positives and negatives of parents incentivising good school grades with cash...

We had scores of comments on this - with a fairly even split...

We did it for our son at GCSE time. We think it made a difference of about a grade on most subjects. Got a two-grade lift on maths. Cost us £350. Thought it was good value as it has taught him how things work in the world. Andy

The whole world is built on a reward system which symbolises access to money commensurate with effort and excellence. The Nobel prize goes with a cash reward! Tom Deggs

Employees are offered incentives for achieving targets, so why not offer kids incentives for better grades? Claire228 

But others had concerns...

I think it puts too much pressure on kids who are under enough pressure at exam time. Parents should encourage their kids to do the best they can, not add to their stress levels. Emma

Children should value their education without it being monetised. My parents expected my brother and I to have the motivation, maturity and self-discipline to work hard for our GCSEs. We both achieved all As and A*s. Eliza 

When I was at school, from 1964-83, my parents never gave me money for good exam results, because "I should want to do well for myself". No matter what my grades were, they said that they would be proud of me if I had tried my best. Cash kills self-motivation. Nicola B 

The money story of the week has been mortgage rates - with a host of major lenders announcing hikes amid fears the Bank of England may delay interest rate cuts.

Swap rates - which dictate how much it costs to lend money - have risen on the back of higher than expected US inflation data, and concerns this could delay interest rate cuts there. 

US trends often materialise elsewhere - though many economists are still expecting a base rate cut from 5.25% to 5% in the UK in June.

The reliable Bloomberg reported this week: "Still, while some economists have since scaled back their predictions for BOE cuts, most haven't changed expectations for a summer move.

"Analysts at Morgan Stanley, Goldman Sachs Group, Capital Economics and Bloomberg Economics are all among those still anticipating a shift toward easing in June."

The publication also quoted Sanjay Raja, chief UK economist at Deutsche Bank, as saying: "Markets have superimposed the US cycle on the UK, but the US and UK are on very different tracks.

"The UK is coming out of technical recession. Inflation is falling more convincingly. Pay settlements are following inflation expectations. And crucially, real policy rates in the UK will be higher than in the US."

None of this reassurance changes the fact that financial markets, which dictate swap rates, are pricing in delays.

This week's hikes came from Halifax, BM Solutions, TSB, NatWest, Virgin, Barclays, Accord, Leeds Building Society, HSBC and Coventry.

This is what average mortgage rates looked like as of Thursday...

The next Bank of England decision on rates comes on 9 May - and pretty much no one is expecting a cut from the 16-year high of 5.25% at that stage.

The Money blog is your place for consumer news, economic analysis and everything you need to know about the cost of living - bookmark news.sky.com/money.

It runs with live updates every weekday - while on Saturdays we scale back and offer you a selection of weekend reads.

Check them out this morning and we'll be back on Monday with rolling news and features.

The Money team is Emily Mee, Bhvishya Patel, Jess Sharp, Katie Williams, Brad Young and Ollie Cooper, with sub-editing by Isobel Souster. The blog is edited by Jimmy Rice.

The family home where Captain Sir Tom Moore walked 100 laps to raise nearly £40m for the NHS during the first COVID lockdown is up for sale for £2.25m.

The Grade II-listed Old Rectory is described as a "magnificent seven-bedroom property" by estate agents Fine & Country.

In a video tour of the house, a sculpture of Captain Tom with his walking frame can be seen in the hallway, while a photo of the fundraising hero being knighted by the Queen is on a wall in the separate coach house building.

Introducing the property, an estate agent says in the tour video: "I'm sure you'll recognise this iconic and very famous driveway behind me as it was home to the late Captain Sir Tom Moore who walked 100 laps of his garden, raising over £37m for NHS charities."

It comes less than three months after the demolition of an unauthorised spa pool block in the grounds of the property in Marston Moretaine, Bedfordshire.

Speaking at an appeal hearing over that spa, Scott Stemp, representing Captain Tom's daughter Hannah Ingram-Moore and her husband, said the foundation named after the fundraising hero "is to be closed down" following a Charity Commission probe launched amid concerns about its management.

For the full story, click here ...

"Status symbol" pets are being given up by owners who get scared as they grow up, an animal charity has said, with the cost of living possibly paying a part in a rise in separations.

The Exotic Pet Refuge, which homes parrots, monkeys, snakes and alligators among others, says it receives referrals across the country, including from zoos and the RSPCA.

"They're a status symbol. People will say, 'OK, I'll have an alligator or a 10ft boa constrictor'," co-owner Pam Mansfield told the BBC.

"But when the animal gets big, they will get too frightened to handle them, and then the pet has to go."

She added people who want to get rid of the pets sometimes call zoos for help, which then call on her charity.

In some cases, owners don't have licences to own dangerous animals, she says, blaming a "lack of understanding" for what she says is a rise in the number of exotic animals needing to be rehomed.

She says people "just don't have the space" for some snakes, for example, with some growing to as much as 12ft and needing their own room.

The cost of living crisis has also forced owners to give their pets away, she says.

Her charity has also been affected by those increased costs, with the electricity bill rising to £10,000 a month at their highest, to fund things like heated pools for alligators.

Private car parks are accused of "confusing drivers" after introducing a new code of conduct - despite "doing all they can" to prevent an official government version.

The code of practice launched by two industry bodies - British Parking Association and the International Parking Community - includes a ten-minute grace period for motorists to leave a car park after the parking period they paid for ends.

It also features requirements for consistent signage, a single set of rules for operators on private land and an "appeals charter".

Private parking businesses have been accused of using misleading and confusing signs, aggressive debt collection and unreasonable fees.

That comes after a government-backed code of conduct was withdrawn in June 2022, after a legal challenges by parking companies.

RAC head of policy Simon Williams said: "We're flabbergasted that the BPA and the IPC have suddenly announced plans to introduce their own private parking code after doing all they can over the last five years to prevent the official government code created by an act of Parliament coming into force.

"While there are clearly some positive elements to what the private parking industry is proposing, it conveniently avoids some of the biggest issues around caps on penalty charges and debt recovery fees which badly need to be addressed to prevent drivers being taken advantage of."

BPA chief executive Andrew Pester said: "This is a crucial milestone as we work closely with government, consumer bodies and others to deliver fairer and more consistent parking standards for motorists."

IPC chief executive Will Hurley said: "The single code will benefit all compliant motorists and will present clear consequences for those who decide to break the rules."

Sky News has learnt the owner of Superdry's flagship store is weighing up a legal challenge to a rescue plan launched by the struggling fashion retailer.

M&G, the London-listed asset manager, has engaged lawyers from Hogan Lovells to scrutinise the restructuring plan.

The move by M&G, which owns the fashion retailer's 32,000 square foot Oxford Street store, will not necessarily result in a formal legal challenge - but sources say it's possible.

Read City editor Mark Kleinman 's story here...

NatWest says its mortgage lending nearly halved at the start of the year as it retreated from parts of the market when competition among lenders stepped up.

New mortgage lending totalled £5.2bn in the first three months of 2024, the banking group has revealed, down from £9.9bn the previous year.

The group, which includes Royal Bank of Scotland and Coutts, also reported an operating pre-tax profit of £1.3bn for the first quarter, down 27% from £1.8bn the previous year.

An unexplained flow of British luxury cars into states neighbouring Russia continued into February, new data shows.

About £26m worth of British cars were exported to Azerbaijan, making the former Soviet country the 17th biggest destination for UK cars - bigger than long-established export markets such as Ireland, Portugal and Qatar.

Azerbaijan's ascent has coincided almost to the month with the imposition of sanctions on the export of cars to Russia.

Read the rest of economics and data editor Ed Conway 's analysis here...

Rishi Sunak has hailed the arrival of pay day with a reminder his government's additional National Insurance tax cut kicks in this month for the first time.

At last month's budget, the chancellor announced NI will be cut by a further 2p - so some workers will pay 8% of their earnings instead of the 12% if was before autumn.

The prime minister has repeated his claim this will be worth £900 for someone on the average UK salary.

While this additional cut - on top of the previous 2p cut in January - does equate to £900 for those on average full-time earnings of £35,000, there are two key issues with Mr Sunak's claim:

• Once the effect of all income tax changes since 2021 are taken into account, the Institute for Fiscal Studies reports an average earner will benefit from a tax cut of £340 - far less than £900;
• Moreover, anyone earning less than £26,000 or between £55,000-£131,000 will ultimately be worse off.

In short, this is because NI cuts are more than offset by other tax rises.

We explain below how this is the case...

Tax thresholds

This is partly down to tax thresholds - the amount you are allowed to earn before you start paying tax (and national insurance) and before you start paying the higher rate of tax - will remain frozen. 

This means people end up paying more tax than they otherwise would, when their pay rises with inflation but the thresholds don't keep up. 

This phenomenon is known as "fiscal drag" and it's often called a stealth tax because it's not as noticeable immediately in your pay packet.

That low threshold of £12,570 has been in place since April 2021. 

The Office for Budget Responsibility says if it had increased with inflation it would be set at £15,220 for 2024/25.

If that were the case, workers could earn an extra £2,650 tax-free each year.

Less give, more take

Sky News analysis shows someone on £16,000 a year will pay £607 more in total - equivalent to more than three months of average household spending on food. 

Their income level means national insurance savings are limited but they are paying 20% in income tax on an additional £2,650 of earnings.

In its analysis , the IFS states: "In aggregate the NICs cuts just serve to give back a portion of the money that is being taken away through other income tax and NICs changes - in particular, multi-year freezes to tax thresholds at a time of high inflation."

Overall, according to the institute, for every £1 given back to workers by the National Insurance cuts, £1.30 will have been taken away due to threshold changes between 2021 and 2024.

This rises to £1.90 in 2027.

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