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Downlink  

• On tour: no
• Upcoming 2024 concerts: none

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Downlink’s music creates a sensation similar to one of riding a roller coaster in the dark. You know to expect a thrilling experience, but never are aware of when its going to hit. His dynamics flail about unexpectedly darting from ear-piercing high pitch frequencies to low end sonic blasts.

A native of Kelowna, British Columbia, Canada, Sean Casavant became entangled in the dubstep scene in 2007. By 2009 he started to release music professionally under his stage name Downlink. His early sound owes much to Jungle & DnB styles, but as he fine-tuned his style he started to operate on the abrasive/subatomic side of those genres. His music does not shy away from old-school hip-hop beats or cascades of downtempo soundscapes; however, the bulk of his material veers toward overdriven mayhem. It comes to very little surprise that he is just as likely to cite heavy metal artists like Korn as an influence as he is rave upstarts like STS9.

Downlink’s 1st “official” release, the 6 track EP “Ignition” came out on 18 November 2009. It established him as the “filth lord” of the dubstep genre and included a guest appearance from Datsik (specifically on the track “Against the Machines”). This track was also released as a single through Substruck Records and featured “Moonrock Badman” as the b-side. Through the label EX7 he released another split single, this time with Excision. That track was released in 2010 as well as his 2nd studio EP “Emergency”, which was put out through Rottun Recordings.

Downlink stuck with Rottun Recordings for a while and in 2011 issued two split singles with Vaski: “Biohazard/Zombie Apocalypse” and “The Scientist/Brennenberg”, a solo single: “Factory/Yeah” and 2 split releases with Excision: “Existence EP” and “Crowd Control”.

While Downlink’s studio releases provide a generally good idea of what this artist is about, there is no comparisons to his live performances. He has swept across the dance floors in multiple countries, continuing wowing audiences with his intense and counterintuitive sound design. He plays nightclubs more frequently than traditional music venues and is often spotted at huge electronic music festivals like Valhalla and Shambhala.

Live reviews

Downlink is a genius. I just happened to see him in a club one night with a group of my friends. He started off the performance warning the audience that was he about to play some crazy futuristic bass beats for us, and he definitely did not disappoint. His music was like nothing I had ever heard. His performance was energetic.

He killed it, seriously. He was a dynamic, dramatic performer like waving his hands everywhere, constantly calling out to the audience, melding the tracks into each other like he was a magician. He seemed to be the type of guy who would still be DJ'ing even if no one ever wanted to listen to his creations again. I mean it was really crazy to hear those pounding beats while the bright lights were flashing on and off. I felt like I was in the middle of a rave.

Everyone was dancing frenetically. It was impossible not to dance in that space actually. Most importantly, we had fun in that space because he had fun. It's hard not to enjoy yourself when someone else is enjoying themselves so much. I had the most fun I have ever had dancing that night. I have never seen a DJ command a crowd of people in that way. He just seemed to intuitively know how to make the most dramatic and entertaining set.

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Sean Casavant is far better known internationally by his stage name Downlink and he is fast becoming one of the most highly recommended performers on the drum and bass circuit. His music is incomparable to contemporaries as he takes the genre of dance, spins it on its head and throws it out to the crowds who are unsure if to jump or mosh to it.

There are clear influences from the genres of jungle, metal and rock which all contribute to the overall heavy sound that Downlink aims to create. Although some would say these sounds are a little too heavy for the dance floor, tonight it all works well with frantic lighting and a huge amount of smoke. Sean appears from within the haze to hype the crowds up further before dropping the likes of 'Ignition' and 'Crowd Control'. The future seems a little uncertain for Downlink as to exactly where he will fit into the circuit, yet there is no doubt he is assured to be a staple festival addition for years to come thanks to the strength of his live performance.

THE DOOOOM! This was such an amazing show! The venue is small and personal and it was great to see one of my all time favorite artist! I hope to see him through Pittsburgh again soon. GIVE HIM THE BIG STAGE!!!

Awesome concert the light show was pretty weak but that just might have been because the venue kinda sucked compared to others I've been too but for 15$ a ticket I can't complain.

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Find out more about Downlink tour dates & tickets 2024-2025

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• Los Angeles (LA) (23)
• Chicago (15)
• Atlanta (13)
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• Excision (48)
• Antiserum (21)
• Datsik (21)
• Mantis (14)

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The Leading Dance Music Promoter In Utah

And the core of salt lake city's thriving dance music scene, downlink & dieselboy at project pierpont.

V2 Presents

DOWNLINK + DIESELBOY

Blood, Sweat, Drum & Bass Tour

Venue・Pierpont Place・ 163 Pierpont Avenue

21+ event・Doors Open at 9:30pm

About Downlink:

DOWNLINK – A name firmly cemented in the hearts and minds of the bass music community. He is respected the world over as a producer of the highest quality dance floor bangers. He has had numerous #1 hits on Beatport and has released music with major labels like Rottun, OWSLA and Mau5trap. He has helped mix an album for the legendary nu-metal band Korn. He has toured the planet far and wide, leaving a wake of awe-struck audiences in his path. To see him live is to witness one of the tightest technical DJ’s in the game. His 4 deck live mixing and infectious stage energy light up venues turning crowds on their heads time after time. Expect lightning fast mixing on a journey through a wide variety of bass music. All tempos are fair game as long as its underground vibes and dirty bass. 2013 was a huge year for Downlink. Along with homies Excision and KJ Sawka, he gave rise to bass music supergroup Destroid, a whole different kind of live experience altogether. You really have to see it live to fully grasp the scope and intensity of the show. Also in 2013, Downlink launched his brand new record label, Uplink Audio. This will be a place where he will showcase his own music as well as a wide variety of other high grade material. Downlink is not one to be pigeon-holed and is constantly on a quest to evolve and refine his sound. With this in mind, one thing will always remain constant – a pure unadulterated heavy listening experience…

About Dieselboy:

At a time when headline “DJs” shamelessly play pre-programmed – even pre-recorded – sets and the masses mindlessly embrace the charade, Dieselboy – The Destroyer – stands out as a rare virtuoso of the art and craft of live DJing. His complex, high voltage, take-no-prisoners sets have created legions of loyal die-hard fans around the world. Arguably no other DJ mixes live – on four decks – with more precision, imagination, intensity, energy and finesse.

Dieselboy’s legacy is also one of non-stop trailblazing dancefloor destruction on the international club circuit as well as at major global music festivals including Bassrush, Bonnaroo, Coachella, Detroit Electronic Music Festival, Electric Daisy Carnival (Las Vegas, Mexico, New York, Puerto Rico), SXSW, Summerfest, Ultra Music Festival, US Virgin Mobile FreeFest, Weird Bass Music Festival, Motion Notion (Canada), Shambhala (Canada), Borsodi Hegyalja Fesztival (Hungary), World Bass Summit (Japan), Jisan Valley Rock Festival (Korea), PRSPCT XL (Netherlands), Creamfields (Poland), Pirate Station (Russia), Global Gathering (UK), and PHAT 09 (New Zealand). He also toured with Moby’s Area2 and played heavy metal concerts with Orgy and Disturbed.

An inspiration for generations of DJs, Dieselboy’s longevity and relevance in a mercurial industry is a tribute to his relentless drive to create “amazing” experiences for his fans in their headphones and at his infamously explosive live shows.

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Album Review: Destroid - The Invasion

Dubstep's answer to GWAR.

May 10, 2013

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