poor wandering one sheet music

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The Pirates of Penzance (Sullivan, Arthur)

Performances.

• Recordings ( 114 )
• Commercial 💿 ( 0 )
• Accompaniments ( 0 )
• Synthesized/MIDI ( 0 )

  Complete Recording * #759494 - 119.97 MB - 114:30 -  0.0/10 2 4 6 8 10 ( - ) - ! N / ! N / ! N - 679 × ⇩ - MP3 - Dbmiller

MP3 file (audio) Dbmiller (2022/1/23)

  Overture (EU) * #754588 - 10.15MB - 7:42 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 236 × ⇩ - MP3 - Dbmiller

MP3 file (audio) Dbmiller (2021/12/29)

⇒ 38 more : Pour, oh pour the pirate sherry • When Frederic was a little lad • Oh, better far to live and die • Oh false one, you have deceived me! • What shall I do? — Climbing over rocky mountain • Stop, ladies, pray! • Oh, is there not one maiden breast • Oh sisters, deaf to pity's name? • Poor wandering one • What ought we to do — How beautifully blue the sky • Stay, we must not lose our senses! • Here's a first-rate opportunity to get married with impunity • Hold, monsters! • I am the very model of a modern Major-General • Oh, men of dark and dismal fate • I'm telling a terrible story — Hail, Poetry — Oh, happy day • Oh, master, hear one word, I do implore you! • Pray observe the magnanimity we display to lace and dimity • Oh, dry the glistening tear • Now, Frederic, let your escort lion-hearted • When the foeman bares his steel • Now for the pirates' lair! • Young Frederic! — Who calls? • When you had left our pirate fold • Away, away! My heart's on fire! • All is prepared, your gallant crew await you • Stay, Frederic, stay! • Ah, leave me not to pine • In 1940 I of age shall be — For here is love, and here is truth, and here is food for joyous laughter • No, I'll be brave! • Though in body and in mind • When a felon's not engaged in his employment • A rollicking band of pirates we • With cat-like tread • Hush, hush! Not a word! • Sighing softly to the river • Now what is this, and what is that • Frederic here! Oh joy, oh rapture! — Poor wandering ones

  Pour, oh pour the pirate sherry (EU) * #754589 - 2.31MB - 1:41 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 47 × ⇩ - MP3 - Dbmiller

  When Frederic was a little lad (EU) * #754590 - 3.63MB - 2:39 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 15 × ⇩ - MP3 - Dbmiller

  Oh, better far to live and die (EU) * #754591 - 3.90MB - 2:49 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 24 × ⇩ - MP3 - Dbmiller

  Oh false one, you have deceived me! (EU) * #754592 - 4.01MB - 3:01 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 17 × ⇩ - MP3 - Dbmiller

  What shall I do? — Climbing over rocky mountain (EU) * #754593 - 5.48MB - 4:04 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 29 × ⇩ - MP3 - Dbmiller

  Stop, ladies, pray! (EU) * #754594 - 1.94MB - 1:29 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 19 × ⇩ - MP3 - Dbmiller

  Oh, is there not one maiden breast (EU) * #754595 - 5.33MB - 4:03 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 22 × ⇩ - MP3 - Dbmiller

  Oh sisters, deaf to pity's name? (EU) * #754596 - 0.80MB - 0:36 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 13 × ⇩ - MP3 - Dbmiller

  Poor wandering one (EU) * #754597 - 3.87MB - 2:49 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 48 × ⇩ - MP3 - Dbmiller

  What ought we to do — How beautifully blue the sky (EU) * #754598 - 3.51MB - 2:40 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 22 × ⇩ - MP3 - Dbmiller

  Stay, we must not lose our senses! (EU) * #754599 - 0.88MB - 0:39 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 14 × ⇩ - MP3 - Dbmiller

  Here's a first-rate opportunity to get married with impunity (EU) * #754600 - 1.30MB - 0:57 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 16 × ⇩ - MP3 - Dbmiller

  Hold, monsters! (EU) * #754601 - 1.18MB - 0:51 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 12 × ⇩ - MP3 - Dbmiller

  I am the very model of a modern Major-General (EU) * #754602 - 4.21MB - 3:06 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 70 × ⇩ - MP3 - Dbmiller

  Oh, men of dark and dismal fate (EU) * #754603 - 3.18MB - 2:19 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 12 × ⇩ - MP3 - Dbmiller

  I'm telling a terrible story — Hail, Poetry — Oh, happy day (EU) * #754604 - 5.04MB - 3:44 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 20 × ⇩ - MP3 - Dbmiller

  Oh, master, hear one word, I do implore you! (EU) * #754605 - 0.95MB - 0:42 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 11 × ⇩ - MP3 - Dbmiller

  Pray observe the magnanimity we display to lace and dimity (EU) * #754606 - 2.04MB - 1:31 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 14 × ⇩ - MP3 - Dbmiller

  Oh, dry the glistening tear (EU) * #754607 - 4.25MB - 3:16 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 11 × ⇩ - MP3 - Dbmiller

  Now, Frederic, let your escort lion-hearted (EU) * #754611 - 0.49MB - 0:21 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 9 × ⇩ - MP3 - Dbmiller

  When the foeman bares his steel (EU) * #754612 - 6.44MB - 4:51 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 30 × ⇩ - MP3 - Dbmiller

  Now for the pirates' lair! (EU) * #754613 - 0.95MB - 0:41 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 9 × ⇩ - MP3 - Dbmiller

  Young Frederic! — Who calls? (EU) * #754614 - 1.14MB - 0:53 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 8 × ⇩ - MP3 - Dbmiller

  When you had left our pirate fold (EU) * #754615 - 4.75MB - 3:34 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 16 × ⇩ - MP3 - Dbmiller

  Away, away! My heart's on fire! (EU) * #754616 - 1.93MB - 1:25 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 13 × ⇩ - MP3 - Dbmiller

  All is prepared, your gallant crew await you (EU) * #754617 - 1.70MB - 1:17 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 8 × ⇩ - MP3 - Dbmiller

  Stay, Frederic, stay! (EU) * #754618 - 1.11MB - 0:50 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 11 × ⇩ - MP3 - Dbmiller

  Ah, leave me not to pine (EU) * #754619 - 4.07MB - 3:13 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 13 × ⇩ - MP3 - Dbmiller

  In 1940 I of age shall be — For here is love, and here is truth, and here is food for joyous laughter (EU) * #754620 - 1.83MB - 1:22 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 8 × ⇩ - MP3 - Dbmiller

  No, I'll be brave! (EU) * #754621 - 0.61MB - 0:28 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 11 × ⇩ - MP3 - Dbmiller

  Though in body and in mind (EU) * #754622 - 1.26MB - 0:56 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 8 × ⇩ - MP3 - Dbmiller

  When a felon's not engaged in his employment (EU) * #754623 - 3.07MB - 2:18 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 20 × ⇩ - MP3 - Dbmiller

  A rollicking band of pirates we (EU) * #754624 - 1.17MB - 0:56 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 8 × ⇩ - MP3 - Dbmiller

  With cat-like tread (EU) * #754625 - 3.54MB - 3:05 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 31 × ⇩ - MP3 - Dbmiller

  Hush, hush! Not a word! (EU) * #754626 - 1.87MB - 1:38 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 8 × ⇩ - MP3 - Dbmiller

  Sighing softly to the river (EU) * #754627 - 3.93MB - 3:01 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 12 × ⇩ - MP3 - Dbmiller

  Now what is this, and what is that (EU) * #754628 - 1.08MB - 0:48 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 11 × ⇩ - MP3 - Dbmiller

  Frederic here! Oh joy, oh rapture! — Poor wandering ones (EU) * #754629 - 8.48MB - 6:10 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 14 × ⇩ - MP3 - Dbmiller

  Overture (EU) * #752154 - 10.92MB - 8:13 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 103 × ⇩ - MP3 - Dbmiller

MP3 file (audio) Dbmiller (2021/12/20)

⇒ 38 more : Pour, oh pour the pirate sherry • When Frederic was a little lad • Oh, better far to live and die • Oh false one, you have deceived me! • Climbing over rocky mountain • Stop, ladies, pray! • Oh, is there not one maiden breast? • Oh sisters, deaf to pity's name? • Poor wandering one • What ought we to do • How beautifully blue the sky • Stay, we must not lose our senses! • Hold, monsters! • I am the very model of a modern Major-General • Oh, men of dark and dismal fate • Hail, Poetry • You may go, for you're at liberty • Pray observe the magnanimity • Oh, dry the glistening tear • Then, Frederic, let your escort lion-hearted • When the foeman bares his steel • Now for the pirates' lair! • When you had left our pirate fold • Away, away! My heart's on fire! • All is prepared • Stay, Frederic, stay! • Ah, leave me not to pine • For here is love, and here is truth, and here is food for joyous laughter • No, I'll be brave — Though in body and in mind — Sergeant, approach • When a felon's not engaged in his employment • A rollicking band of pirates we • With cat-like tread • Hush, hush! Not a word! • Sighing softly to the river • Now what is this, and what is that? • We triumph now • Away with them, and place them at the bar! • Poor wandering ones

  Pour, oh pour the pirate sherry (EU) * #752155 - 2.34MB - 1:44 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 19 × ⇩ - MP3 - Dbmiller

  When Frederic was a little lad (EU) * #752156 - 3.31MB - 2:32 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 18 × ⇩ - MP3 - Dbmiller

  Oh, better far to live and die (EU) * #752157 - 3.77MB - 2:45 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 17 × ⇩ - MP3 - Dbmiller

  Oh false one, you have deceived me! (EU) * #752158 - 4.08MB - 3:03 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 12 × ⇩ - MP3 - Dbmiller

  Climbing over rocky mountain (EU) * #752159 - 5.27MB - 3:50 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 15 × ⇩ - MP3 - Dbmiller

  Stop, ladies, pray! (EU) * #752160 - 1.94MB - 1:28 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 8 × ⇩ - MP3 - Dbmiller

  Oh, is there not one maiden breast? (EU) * #752161 - 5.15MB - 3:53 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 8 × ⇩ - MP3 - Dbmiller

  Oh sisters, deaf to pity's name? (EU) * #752162 - 0.79MB - 0:35 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 8 × ⇩ - MP3 - Dbmiller

  Poor wandering one (EU) * #752163 - 4.00MB - 2:55 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 19 × ⇩ - MP3 - Dbmiller

  What ought we to do (EU) * #752164 - 1.00MB - 0:45 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 7 × ⇩ - MP3 - Dbmiller

  How beautifully blue the sky (EU) * #752165 - 2.75MB - 2:00 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 7 × ⇩ - MP3 - Dbmiller

  Stay, we must not lose our senses! (EU) * #752166 - 1.96MB - 1:29 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 10 × ⇩ - MP3 - Dbmiller

  Hold, monsters! (EU) * #752167 - 1.08MB - 0:48 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 8 × ⇩ - MP3 - Dbmiller

  I am the very model of a modern Major-General (EU) * #752168 - 3.78MB - 2:46 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 23 × ⇩ - MP3 - Dbmiller

  Oh, men of dark and dismal fate (EU) * #752169 - 5.17MB - 3:55 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 10 × ⇩ - MP3 - Dbmiller

  Hail, Poetry (EU) * #752170 - 1.35MB - 1:00 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 12 × ⇩ - MP3 - Dbmiller

  You may go, for you're at liberty (EU) * #752171 - 2.42MB - 1:46 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 9 × ⇩ - MP3 - Dbmiller

  Pray observe the magnanimity (EU) * #752172 - 2.21MB - 1:42 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 11 × ⇩ - MP3 - Dbmiller

  Oh, dry the glistening tear (EU) * #752173 - 4.01MB - 3:05 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 8 × ⇩ - MP3 - Dbmiller

  Then, Frederic, let your escort lion-hearted (EU) * #752175 - 0.42MB - 0:19 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 7 × ⇩ - MP3 - Dbmiller

  When the foeman bares his steel (EU) * #752176 - 6.67MB - 5:50 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 17 × ⇩ - MP3 - Dbmiller

  Now for the pirates' lair! (EU) * #752177 - 2.17MB - 1:38 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 10 × ⇩ - MP3 - Dbmiller

  When you had left our pirate fold (EU) * #752178 - 5.16MB - 3:50 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 9 × ⇩ - MP3 - Dbmiller

  Away, away! My heart's on fire! (EU) * #752179 - 2.09MB - 1:32 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 7 × ⇩ - MP3 - Dbmiller

  All is prepared (EU) * #752180 - 1.79MB - 1:21 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 6 × ⇩ - MP3 - Dbmiller

  Stay, Frederic, stay! (EU) * #752181 - 1.30MB - 0:58 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 7 × ⇩ - MP3 - Dbmiller

  Ah, leave me not to pine (EU) * #752182 - 4.96MB - 3:49 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 12 × ⇩ - MP3 - Dbmiller

  For here is love, and here is truth, and here is food for joyous laughter (EU) * #752183 - 1.42MB - 1:03 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 9 × ⇩ - MP3 - Dbmiller

  No, I'll be brave — Though in body and in mind — Sergeant, approach (EU) * #752184 - 4.07MB - 3:03 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 6 × ⇩ - MP3 - Dbmiller

  When a felon's not engaged in his employment (EU) * #752185 - 2.91MB - 2:11 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 15 × ⇩ - MP3 - Dbmiller

  A rollicking band of pirates we (EU) * #752186 - 1.28MB - 0:59 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 6 × ⇩ - MP3 - Dbmiller

  With cat-like tread (EU) * #752187 - 3.60MB - 2:42 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 18 × ⇩ - MP3 - Dbmiller

  Hush, hush! Not a word! (EU) * #752188 - 1.66MB - 1:13 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 7 × ⇩ - MP3 - Dbmiller

  Sighing softly to the river (EU) * #752189 - 3.43MB - 2:40 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 8 × ⇩ - MP3 - Dbmiller

  Now what is this, and what is that? (EU) * #752190 - 2.64MB - 1:58 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 8 × ⇩ - MP3 - Dbmiller

  We triumph now (EU) * #752191 - 2.53MB - 1:55 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 7 × ⇩ - MP3 - Dbmiller

  Away with them, and place them at the bar! (EU) * #752192 - 1.44MB - 1:06 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 7 × ⇩ - MP3 - Dbmiller

  Poor wandering ones (EU) * #752193 - 2.61MB - 2:06 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / V - 10 × ⇩ - MP3 - Dbmiller

  Overture and Act 1 (EU) * #725753 - 101.65 MB - 44:25 -  0.0/10 2 4 6 8 10 ( - ) - V / 60 / V - 499 × ⇩ - MP3 - Mozartjr

MP3 file (audio) Mozartjr (2021/8/20)

  Act II (EU) * #725754 - 84.82 MB - 37:03 -  0.0/10 2 4 6 8 10 ( - ) - V / 60 / V - 135 × ⇩ - MP3 - Mozartjr

  Act I (EU) * #754651 - 50.29 MB - 43:33 -  0.0/10 2 4 6 8 10 ( - ) - V / 30 / V - 157 × ⇩ - MP3 - Dbmiller

MP3 file (audio) Dbmiller (2021/12/30)

  Act II (EU) * #754652 - 40.50 MB - 37:25 -  0.0/10 2 4 6 8 10 ( - ) - V / 30 / V - 51 × ⇩ - MP3 - Dbmiller

  Overture * #890553 - 16.54MB - 7:14 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 6 × ⇩ - MP3 - Dbmiller

MP3 file (audio) Dbmiller (2023/12/28)

⇒ 20 more : Pour, oh pour the pirate sherry • Oh, better far to live and die • Climbing over rocky mountain • Stop, ladies, pray! • Oh, sisters, deaf to pity's name — Poor wand'ring one • What ought we to do • Stay, we must not lose our senses • I am the very model of a modern Major-General • Oh, men of dark and dismal fate • You may go, for you're at liberty • Oh, dry the glistening tear • When the foeman bares his steeel • Now for the pirates' lair — When you had left our pirate fold • Away, away! My heart's on fire! • Ah, leave me not to pine • No, I am brave! • A rollicking band of pirates we • Hush, hush! Not a word — Softly sighing to the river • Now, what is this, and what is that? • To gain a brief advantage you've contrived

  Pour, oh pour the pirate sherry * #890554 - 2.14MB - 3:44 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 3 × ⇩ - MP3 - Dbmiller

  Oh, better far to live and die * #890555 - 2.26MB - 3:56 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 3 × ⇩ - MP3 - Dbmiller

  Climbing over rocky mountain * #890556 - 2.22MB - 3:53 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 3 × ⇩ - MP3 - Dbmiller

  Stop, ladies, pray! * #890557 - 2.41MB - 4:13 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 3 × ⇩ - MP3 - Dbmiller

  Oh, sisters, deaf to pity's name — Poor wand'ring one * #890558 - 1.92MB - 3:20 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 3 × ⇩ - MP3 - Dbmiller

  What ought we to do * #890559 - 1.80MB - 3:08 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 3 × ⇩ - MP3 - Dbmiller

  Stay, we must not lose our senses * #890560 - 1.43MB - 2:30 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 3 × ⇩ - MP3 - Dbmiller

  I am the very model of a modern Major-General * #890561 - 1.58MB - 2:45 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 3 × ⇩ - MP3 - Dbmiller

  Oh, men of dark and dismal fate * #890562 - 2.34MB - 4:05 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 4 × ⇩ - MP3 - Dbmiller

  You may go, for you're at liberty * #890563 - 1.85MB - 3:13 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 3 × ⇩ - MP3 - Dbmiller

  Oh, dry the glistening tear * #890564 - 1.96MB - 3:25 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 4 × ⇩ - MP3 - Dbmiller

  When the foeman bares his steeel * #890565 - 2.41MB - 4:12 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 3 × ⇩ - MP3 - Dbmiller

  Now for the pirates' lair — When you had left our pirate fold * #890566 - 2.31MB - 4:02 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 3 × ⇩ - MP3 - Dbmiller

  Away, away! My heart's on fire! * #890567 - 2.22MB - 3:53 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 4 × ⇩ - MP3 - Dbmiller

  Ah, leave me not to pine * #890568 - 2.31MB - 4:02 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 5 × ⇩ - MP3 - Dbmiller

  No, I am brave! * #890569 - 2.04MB - 3:34 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 3 × ⇩ - MP3 - Dbmiller

  A rollicking band of pirates we * #890570 - 2.01MB - 3:30 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 3 × ⇩ - MP3 - Dbmiller

  Hush, hush! Not a word — Softly sighing to the river * #890571 - 2.28MB - 3:59 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 3 × ⇩ - MP3 - Dbmiller

  Now, what is this, and what is that? * #890572 - 1.35MB - 2:21 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 4 × ⇩ - MP3 - Dbmiller

  To gain a brief advantage you've contrived * #890573 - 2.38MB - 4:09 -  0.0/10 2 4 6 8 10 ( - ) - V / V / V - 5 × ⇩ - MP3 - Dbmiller

  Pour, oh pour the pirate sherry * #754698 - 2.04MB - 1:31 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / 34 - 58 × ⇩ - MP3 - Dbmiller

⇒ 8 more : Oh, better far to live and die • Climbing over rocky mountain • Oh, is there not one maiden breast • Poor wandering one • I am the very model of a modern Major-General • When the foeman bares his steel • When a felon's not engaged in his employment • With cat-like tread

  Oh, better far to live and die * #754699 - 3.28MB - 2:19 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / 34 - 13 × ⇩ - MP3 - Dbmiller

  Climbing over rocky mountain * #754700 - 4.43MB - 3:21 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / 34 - 7 × ⇩ - MP3 - Dbmiller

  Oh, is there not one maiden breast * #754701 - 8.82MB - 6:49 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / 34 - 12 × ⇩ - MP3 - Dbmiller

  Poor wandering one * #754702 - 3.84MB - 2:49 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / 34 - 25 × ⇩ - MP3 - Dbmiller

  I am the very model of a modern Major-General * #754703 - 4.04MB - 3:00 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / 34 - 36 × ⇩ - MP3 - Dbmiller

  When the foeman bares his steel * #754704 - 6.28MB - 4:50 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / 34 - 12 × ⇩ - MP3 - Dbmiller

  When a felon's not engaged in his employment * #754705 - 2.63MB - 2:03 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / 34 - 14 × ⇩ - MP3 - Dbmiller

  With cat-like tread * #754706 - 3.47MB - 2:38 -  0.0/10 2 4 6 8 10 ( - ) - V / 67 / 34 - 14 × ⇩ - MP3 - Dbmiller

  Complete Performance * #64764 - 12.53MB - 27:22 -  0.0/10 2 4 6 8 10 ( - ) - ! N / ! N / ! N - 7238 × ⇩ - MP3 - Carolus

MP3 file (audio) Carolus (2010/5/22)

Sheet Music

• Scores ( 16 )
• Parts ( 29 )
• Vocal Scores ( 18 )
• Arrangements and Transcriptions ( 10 )
• Librettos ( 1 )
• Other ( 0 )
• Source Files ( 0 )

  Complete Score * #814475 - 444.94 MB, 540 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 101 × ⇩ - Dbmiller

PDF scanned by US-NYpm Dbmiller ( 2021/11/3 )

  Part 1 of 3 * #742595 - 134.08 MB, 185 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 66 × ⇩ - Feduol

PDF scanned by US-NYpm Feduol (2021/11/3)

  Part 2 of 3 * #742596 - 142.59 MB, 185 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 21 × ⇩ - Feduol

  Part 3 of 3 * #742597 - 141.05 MB, 185 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 16 × ⇩ - Feduol

  Part 1 of 3 * #742592 - 138.06 MB, 183 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 45 × ⇩ - Feduol

  Part 2 of 3 * #742593 - 142.95 MB, 184 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 11 × ⇩ - Feduol

  Part 3 of 3 * #742594 - 142.12 MB, 182 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 12 × ⇩ - Feduol

  Complete Score * #812559 - 27.31 MB, 191 pp. -  0.0/10 2 4 6 8 10 ( - )  - C / C / C - 125 × ⇩ - Sallen112

PDF scanned by Unknown Sallen112 (2022/9/27)

  Act I * #375247 - 2.23MB, 203 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 13766 × ⇩ - Notenschreiber

PDF typeset by editor Notenschreiber (2015/4/23)

  Act II * #375248 - 1.77MB, 156 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 5114 × ⇩ - Notenschreiber

  Revision Report * #375253 - 0.10MB, 2 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 1885 × ⇩ - Notenschreiber

  Act I - Instrumental score* * #375256 - 2.09MB, 265 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 4009 × ⇩ - Notenschreiber

  Act II - Instrumental score* * #375257 - 1.64MB, 208 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 1341 × ⇩ - Notenschreiber

  Complete Score * #167886 - 1.97MB, 18 pp. -  0.0/10 2 4 6 8 10 ( - )  - C / C / C - 8545 × ⇩ - homerdundas

PDF scanned by homerdundas homerdundas (2012/1/2)

  Complete Score * #812566 - 1.46MB, 20 pp. -  0.0/10 2 4 6 8 10 ( - )  - C / C / C - 24 × ⇩ - Sallen112

  Complete Score * #289472 - 0.38MB, 35 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 5894 × ⇩ - Corelle Q

PDF typeset by editors Corelle Q (2013/7/23)

  Flute 1/2 (also Piccolo) * #71936 - 4.38MB, 40 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 4780 × ⇩ - Romanov76110

PDF scanned by Unknown Romanov76110 ( 2010/7/20 )

⇒ 11 more : Oboe • Clarinet 1/2 (A/B♭) • Bassoon • Horn 1/2 (F) • Cornet 1/2 (A/B♭) • Trombone 1/2 • Timpani/Triangle/Snare Drum/Bass Drum/Cymbals • Violins I • Violins II • Violas • Cellos/Basses

  Oboe * #71937 - 2.22MB, 27 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 2981 × ⇩ - Romanov76110

  Clarinet 1/2 (A/B ♭ ) * #71938 - 4.63MB, 47 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 3680 × ⇩ - Romanov76110

  Bassoon * #71939 - 2.18MB, 27 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 2536 × ⇩ - Romanov76110

  Horn 1/2 (F) * #71940 - 7.88MB, 40 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 2662 × ⇩ - Romanov76110

  Cornet 1/2 (A/B ♭ ) * #71941 - 1.86MB, 20 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 3253 × ⇩ - Romanov76110

  Trombone 1/2 * #71942 - 1.04MB, 21 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 2460 × ⇩ - Romanov76110

  Timpani/Triangle/Snare Drum/Bass Drum/Cymbals * #71943 - 2.35MB, 12 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 2845 × ⇩ - Romanov76110

  Violins I * #71944 - 6.98MB, 60 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 5012 × ⇩ - Romanov76110

  Violins II * #71945 - 3.17MB, 50 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 2950 × ⇩ - Romanov76110

  Violas * #71946 - 5.16MB, 47 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 2727 × ⇩ - Romanov76110

  Cellos/Basses * #71947 - 5.48MB, 66 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 3535 × ⇩ - Romanov76110

  Timpani/Percussion * #323485 - 1.21MB, 12 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 295 × ⇩ - Jcstyx

PDF scanned by jcstyx Jcstyx (2014/4/29)

  Act I - Vocal Parts * #375251 - 0.59MB, 111 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 1406 × ⇩ - Notenschreiber

  Act II - Vocal Parts * #375254 - 0.48MB, 88 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 581 × ⇩ - Notenschreiber

  Act I - Instrumental Parts * #375252 - 2.69MB, 375 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 3146 × ⇩ - Notenschreiber

  Act II - Instrumental Parts * #375255 - 1.99MB, 255 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 994 × ⇩ - Notenschreiber

  Flute 1/2 (also Piccolo) * #812657 - 0.62MB, 5 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 100 × ⇩ - Sallen112

PDF scanned by Sallen112 Sallen112 (2022/9/27)

⇒ 11 more : Oboe • Clarinet 1/2 (A/B♭) • Bassoon • Horn 1/2 (F) • Cornet 1/2 (A) • Timpani/Triangle/Snare Drum/Bass Drum/Cymbals • Trombone 1/2 • Violins I • Violins II • Violas • Cellos/Basses

  Oboe * #812658 - 0.24MB, 4 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 80 × ⇩ - Sallen112

  Clarinet 1/2 (A/B ♭ ) * #812659 - 0.91MB, 7 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 83 × ⇩ - Sallen112

  Bassoon * #812660 - 0.27MB, 4 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 80 × ⇩ - Sallen112

  Horn 1/2 (F) * #812661 - 0.58MB, 9 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 80 × ⇩ - Sallen112

  Cornet 1/2 (A) * #812662 - 0.54MB, 4 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 83 × ⇩ - Sallen112

  Timpani/Triangle/Snare Drum/Bass Drum/Cymbals * #812663 - 0.15MB, 2 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 85 × ⇩ - Sallen112

  Trombone 1/2 * #812664 - 0.36MB, 4 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 87 × ⇩ - Sallen112

  Violins I * #812665 - 0.67MB, 5 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 96 × ⇩ - Sallen112

  Violins II * #812666 - 0.64MB, 5 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 83 × ⇩ - Sallen112

  Violas * #812667 - 0.50MB, 6 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 89 × ⇩ - Sallen112

  Cellos/Basses * #812668 - 0.95MB, 7 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 86 × ⇩ - Sallen112

Vocal Scores

  Complete Score * #249771 - 12.60MB, 46 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 10523 × ⇩ - Carolus

PDF scanned by US-R Carolus (2012/9/9)

  Complete Score (color) * #21260 - 10.86MB, 144 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 3937 × ⇩ - Carolus

PDF scanned by US-U Carolus (2008/8/23)

  Complete Score (monochrome) * #21261 - 9.06MB, 143 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 6852 × ⇩ - Carolus

  Complete Score (includes dialogue) * #28599 - 10.32MB, 163 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 6818 × ⇩ - Carolus

PDF scanned by Google Carolus (2009/2/20)

  Complete Score * #249774 - 14.06MB, 141 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 3948 × ⇩ - Carolus

  Complete Score (color) * #249775 - 18.61MB, 184 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 559 × ⇩ - Carolus

PDF scanned by US-PRV Carolus (2012/9/9)

  Complete Score (mono) * #249772 - 13.27MB, 182 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 1766 × ⇩ - Carolus

  Color Cover * #249773 - 2.02MB, 2 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 285 × ⇩ - Carolus

  Complete Score (Color) * #719155 - 159.41 MB, 224 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 23 × ⇩ - Dbmiller

PDF scanned by archive.org / archive.org Dbmiller (2021/7/25)

  Complete Score (Black and White) * #719158 - 19.83MB, 219 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 151 × ⇩ - Dbmiller

  Complete Score * #740634 - 2.21MB, 220 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 595 × ⇩ - Dbmiller

PDF typeset by editor Dbmiller ( 2021/10/24 )

  LilyPond Source * #740635 - 0.15MB, ? pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 217 × ⇩ - Dbmiller

ZIP typeset by editor Dbmiller ( 2021/10/24 )

  Complete Score * #786573 - 2.52MB, 228 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 600 × ⇩ - Dbmiller

PDF typeset by editor Dbmiller (2022/6/2)

Voices only, without piano reduction

  Act I* * #375249 - 0.59MB, 118 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 2690 × ⇩ - Notenschreiber

  Act II* * #375250 - 0.52MB, 105 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 1246 × ⇩ - Notenschreiber

Chorus only, without piano reduction

  Choral Score * #864135 - 4.25MB, 64 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / C / V - 8 × ⇩ - Syc

PDF scanned by US-R Syc (2023/7/11)

Waltz Song: "Poor Wandering One" (Act I, No.8)

  Complete Score * #02403 - 0.54MB, 5 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 5110 × ⇩ - Emeraldimp

PDF scanned by US-Wc Emeraldimp (2006/12/16)

Modern Major General (Act I, No.13)

  Complete Score * #588093 - 7.61MB, 5 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 86 × ⇩ - Ross Duncan Boyle

PDF scanned by Unknown Ross Duncan Boyle (2019/9/2)

Arrangements and Transcriptions

For theater orchestra (cox).

  Complete Parts (minimum orch. without piano) * #663510 - 1.82MB, 20 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 112 × ⇩ - Cypressdome

PDF scanned by US-Wc Cypressdome (2020/12/13)

For Cornet and Piano (Stobbe)

  Piano Part and Cornet (B ♭ ) Part * #663511 - 1.06MB, 7 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 69 × ⇩ - Cypressdome

For Piano 4 hands (Cramer)

  Pot pourri — "Memories of The Pirates of Penzance" * #15691 - 1.30MB, 17 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 947 × ⇩ - Morel

PDF scanned by Unknown Morel (2007/10/17)

For Piano 4 hands (Hurley)

  Complete Score * #14966 - 1.98MB, 18 pp. -  0.0/10 2 4 6 8 10 ( - )  - V / V / V - 1013 × ⇩ - Morel

PDF scanned by Unknown Morel (2007/10/4)

For Piano (Tours)

  Complete Score * #38520 - 1.38MB, 9 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 4063 × ⇩ - Wereon

PDF typeset by arranger Wereon (2009/9/1)

A Policeman's Lot

For 3 viols (folop).

  Complete Score (Tr Tr B) * #128289 - 0.02MB, 1 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 1281 × ⇩ - Afolop

PDF typeset by arranger Afolop (2011/9/22)

⇒ 4 more : Engraving files (Personal composer) • Treble Viol 1 • Treble Viol 2 • Bass Viol

  Engraving files (Personal composer) * #209072 - 0.00MB, ? pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 272 × ⇩ - Afolop

ZIP typeset by arranger Afolop ( 2011/9/22 )

  Treble Viol 1 * #128290 - 0.01MB, 1 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 382 × ⇩ - Afolop

  Treble Viol 2 * #128291 - 0.01MB, 1 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 284 × ⇩ - Afolop

  Bass Viol * #128292 - 0.01MB, 1 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 277 × ⇩ - Afolop

  Complete Libretto * #740636 - 0.11MB, 63 pp. -  0.0/10 2 4 6 8 10 ( - )  - ! N / ! N / ! N - 306 × ⇩ - Dbmiller

PDF typeset by editor Dbmiller (2021/10/24)

Free Recordings

• archive.org (1927 D'Oyly Carte, HMV)

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"The Pirates of Penzance - Act I, No. 8: Poor wandering one - Vocal Score" Sheet Music by Arthur Sullivan

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Digital Sheet Music for The Pirates of Penzance - Act I, No. 8: Poor wandering one - Vocal Score by W. S. Gilbert, Arthur Sullivan scored for Piano/Vocal; id:292501

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The Pirates of Penzance • Poor Wandering One

• For voice and piano

Sheet music file 1.45 USD

• For percussion

• High quality
• With sound sample
• Piano-vocal scores

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Poor Wandering One (arr. Martin Neill) by Gilbert and Sullivan Piano Solo - Digital Sheet Music

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Product details.

• Artist Gilbert and Sullivan
• Composer Gilbert And Sullivan
• Arranger Martin Neill
• Format Digital Sheet Music
• Arrangement Piano Solo
• Publisher Martin Neill
• Product ID 1334816
• Instruments Piano

Product Description

This song is from the ever-popular The Pirates of Penzance by Gilbert and Sullivan. It has been notated as simply as possible yet the arrangement doesn't miss anything. Martin Neill is a professional composer and arranger based in the UK. He has won many international composition competitions, and his music is published by Starshine, Chichester Music Press and others.  His arrangements show great attention to detail, including phrasing, dynamics and fingering suggestions, which is why they are popular with tens of thousands of musicians around the globe.

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Poor Wandering One

Sheet music.

Voicing/Format Concert Band Desc Clarinet W/Band Composer Arthur Sullivan Arranger Geoffrey Brand Publisher G&m Brand Publications Grade 3.5 Catalog # R10265

Price: $ 75.00

Add variety to your program by featuring your top clarinetist on this light yet challenging number. The clarinet solo is taken from the vocal part of Mabel. It is very lyrical with some technical spots and two short cadenzas. The arrangement will challenge your band due to its light, waltz style with some eighth note work. Fun and light-hearted! Grade 4

recommended by Jen Sper and Lisa Springer, School Choral & Classroom Music Specialists SEL-ebrate: Bringing Social-Emotional Learning to Music Class through Children’s Literature by Jennifer HeldstabThe phrase social-emotional learning – the SEL of “SELebrate” – has garnered alot of recent... Read More ›

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When donald trump met hannibal lecter.

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Donald Trump is the one who should be drawing your concern.

Although he has always allowed himself the loopiest of digressions, frequently babbled pure nonsense and found metaphors in strange and sinister places, a new oratorical preoccupation of his suggests a doubling of the bats in his belfry.

On numerous occasions, including a speech last weekend in Wildwood, N.J., Trump has swerved from the accusation that other countries are dumping criminals and institutionalized psychiatric patients on us to mentions of the fictional serial killer Hannibal Lecter, a.k.a. Hannibal the Cannibal. You know, from “The Silence of the Lambs.” The character who once ate the liver of an impertinent census worker “ with some fava beans and a nice Chianti .” A role that won Anthony Hopkins an Oscar.

Trump is apparently implying that illegal immigration puts such monsters in our midst . But the “apparently” in that last sentence bears a load heavier than Atlas’s, because Trump’s remarks in New Jersey grew odder even than that lurid specter. After introducing Lecter, Trump celebrated him — as if he were a real person, as if we should be impressed by his hunger. Here’s Trump:

Has anyone ever seen “The Silence of the Lambs”? The late, great Hannibal Lecter. He’s a wonderful man. He oftentimes would have a friend for dinner. Remember the last scene? “Excuse me, I’m about to have a friend for dinner,” as this poor doctor walked by. “I’m about to have a friend for dinner.” But Hannibal Lecter. Congratulations. The late, great Hannibal Lecter.

Where to begin? In that scene, “this poor doctor” is being marked for murder and mastication, so where do the “congratulations” come in? Heck, why not “bon appétit”? And in the novels and movies that have featured Lecter, he has never died, so why is he “late” (not to mention “great”)? If Trump is being sarcastic, well, that doesn’t come through, and if he’s doing some MAGA version of stand-up, well, it stinks. Besides which, the staccato sentences, the free association: They constitute something much less controlled, and they raise doubts about Trump’s very coherence.

That should be getting more serious attention than it is.

Trump’s legal travails and courtroom antics have to some extent obscured his performances on the stump, where his overwrought descriptions of the United States as a wasteland besieged by crime and overrun by migrants have traveled far beyond the “American carnage” of his 2017 inauguration speech, and where his proposed remedies have grown more severe. “Very simply, if you rob a store, you can fully expect to be shot as you are leaving that store,” Trump told one crowd late last year. He was speaking not of some multimillion-dollar bank heist. He was referring to shoplifters.

I strongly recommend a recent article by Charles Homans in The Times Magazine, “ Donald Trump Has Never Sounded Like This .” It establishes that Trump’s words of late are both meaner in a real way and surreal in a meaningful way. He gets a pass for that: The hyperabundance of his gibberish and relentlessness of his provocations incline many listeners to file even his weirdest and wildest musings under Trump being Trump.

But if our current president went on a tangent about how Pennywise, the child-killing clown in “It,” makes for a creative solution to the difficulty of finding an available babysitter on a Saturday night, few political observers would shrug it off as Biden being Biden. Trump’s supporters would demand a brain scan. They’d insist on a full cognitive work-up. I wouldn’t fault them.

But I’d ask them to listen hard when Trump moons over a maniac who turned his victims into victuals. And to feel an appropriate stab of indigestion.

For the Love of Sentences

During the two weeks since my previous newsletter, many journalists deftly mined a bountiful new lode of prose possibilities. I mean Kristi Noem, the South Dakota governor and the assassin not only of a dog named Cricket and a supposedly smelly goat but also of her own political ambitions.

In The Washington Post, Ron Charles reviewed her lavishly maligned new memoir, “No Going Back”: “Far too many people have been obsessing about Noem’s fantastical tête-à-tête with North Korean dictator Kim Jong-un. Come on — who among us hasn’t mistakenly believed that we once faced down the leader of the Hermit Kingdom? As I told Joseph Stalin, ‘We all make mistakes.’” Charles added that Noem’s, er, writing process was mostly the sloppy retrieval of “conservative maxims, like a fistful of old coins and buttons found between the stained cushions in a MAGA lounge.” (Thanks to Susan Alexander of Sequim, Wash., and Leonard and Gail Davenport of Greenport, N.Y., among many others, for spotlighting Charles’s words.)

Also in The Post, Kathleen Parker mulled the fitting manner in which Noem made her apparent bid to become Trump’s running mate. “When a politician writes a book and gets veneers,” Parker observed, “she’s probably hoping to do some victory smiling as sidekick to a reality-show scowler who pays hush money to porn actresses. They’re a match made in the tanning booth.” (Mark Van Loon, Hamilton, Mont., and Vicki Sterling Johnson, Springfield, Mo.)

In The Los Angeles Times, Robin Abcarian noted that Noem, Marjorie Taylor Greene and Sarah Palin, among others, conform to a certain MAGA model for women leaders: “First, they want to prove how tough they are by shooting guns, preferably at animals, though occasionally at cars that Democrats drive. And second, they aspire to beauty standards set by Fox News anchors. Dental veneers. Cheek and lip fillers. Botox. Hair extensions. Performative cruelty and pouty lips are what it takes to succeed as a woman in the party of Trump.” (Judy Moise, Seattle)

And in The New York Times, Michelle Cottle surveyed the range of Noem’s dreams: “On top of pursuing the V.P. slot, she has been gunning to replace Wayne LaPierre as top dog at the National Rifle Association (Boom! Double pun!).” (Michael Silk, Laguna Woods, Calif., and Leonard Naymark, Toronto, among others)

Let’s move on from Noem but stick with politics before lightening up a bunch.

In Slate, Justin Peters contemplated history: “Spinning alleged campus excesses into a broader political narrative of liberal chaos and disorder has been a favorite conservative tactic since at least the late 1960s, when Main Street disapproval of the youth-driven protests over the Vietnam War helped to narrowly deliver the 1968 presidential election to an anthropomorphic sheet of sandpaper named Richard Nixon.” (Denise Showers, Janesville, Wis., and Sue Roberts, Boston)

In The Atlantic, Tom Nichols gaped anew at our country’s flight from truth and reason: “Democracies have always had conspiracy theorists and other cranks wandering about the public square, sneezing and coughing various forms of weirdness on their fellow citizens. But even in the recent past, most people with a basic level of education and a healthy dollop of common sense had no trouble resisting the contagion of idiocy.” (Tom Grasso, Somerville, Mass.)

While I don’t typically showcase words spoken in interviews, I couldn’t resist sharing what the law and ethics expert Norm Eisen, in a guest appearance on the “Pod Save America” podcast, called Trump’s courtroom slouching: “the scoliosis of justice.” (Michael Chaskes, Los Angeles)

In The Times, J Wortham studied Brittney Griner’s technique and admired “the way she lifts the ball over the rim and into the net as gently as if she were returning a lost child to a parent.” (Ann Davenport, Olmué, Chile, and Kate Kavanagh, Concord, Mass.) In a subsequent profile of the actress Jean Smart, J distilled Smart’s character in the show “Hacks”: “Deborah is a workaholic on the verge of bitter, someone who grew tired of being cut and so became a knife.” (Karen Kasnetz, Bedminster, N.J., and Donald Jurney, Amesbury, Mass.)

In The Arizona Republic, Ed Masley appraised a recent Rolling Stones concert and wrote that Mick Jagger’s physicality “invites you to imagine Mikhail Baryshnikov raised by a family of overcaffeinated roosters.” (Paul Welch, Phoenix, and Dan Olson, Spokane, Wash., among others)

In The Guardian, Jay Rayner visited Public House, a new restaurant in Paris, and savaged a lobster pie that was awfully light on lobster: “We push vegetables aside in desperate search of tail meat. It’s ‘Finding Nemo,’ only without a redemption arc.” (Laurence Mate, Champaign, Ill., and Todd Lowe, Simpsonville, Ky.)

And in The Boston Globe, Kevin Paul Dupont marveled at how sluggish and hapless several players with the Toronto Maple Leafs hockey team were as they lost to the Boston Bruins in overtime: “Ditto for their goalie, backup-turned-starter Ilya Samsonov, who was so buttoned to his goal line as the play unfolded that it’s rumored it took three master tailors from Eastern Clothing until dawn to unstitch him from the ice, toss him in a suit bag, and drag him to the team bus.” (Dan Conti, Concord, Mass.)

To nominate favorite bits of recent writing from The Times or other publications to be mentioned in “For the Love of Sentences,” please email me here and include your name and place of residence.

What I’m Writing, Doing and Reading

“I can recall Sundays when my own nonna, Adelina Bruni, who immigrated to the suburbs of New York City from southern Italy, turned her kitchen or dining room table into a chaos of Italian staples, Italian delicacies and anything in the refrigerator that might plump up the feast and everyone partaking of it. It was like some glutton’s version of a garage sale. She put out a lasagna as inexhaustible as her affection. She put out mozzarella balls, eggplant, calamari, chicken cutlets. It wasn’t so much a thoughtfully coursed meal as an act of emotional blackmail: You couldn’t get up and go home when there were so many cutlets left and a tray of cannoli and biscotti to come. You couldn’t abandon this one sacred space in a week and a life so otherwise frenzied.” That’s from my recent essay for T Magazine on the fading Italian tradition of “il pranzo della domenica,” or Sunday lunch. You can read it here .

In recent weeks I’ve had the privilege of speaking about our political dysfunctions, the degradation of our civic culture and how we could pivot in a better direction at events in Chicago, Philadelphia, New York and other cities. I still have a few more such engagements tied to my latest book, “ The Age of Grievance .” I’ll be in Washington on Saturday afternoon (details here ); near my Chapel Hill, N.C., home on May 23 (details here ) and back in New York, at Trinity Church Wall Street, on May 30 (details here ). This information in addition to articles about the book and recent interviews I’ve done can be found on my website .

I relish articles that give underappreciated artists and entertainers the recognition they deserve, and I’m especially happy when I learn that these people have enjoyed immense respect from — and have had enormous influence on — their peers. Adrienne LaFrance’s appraisal of Albert Brooks , published recently in The Atlantic, is precisely such a delight.

Retire These Words! (Handcrafted Edition)

We used to make things. Remember those days? No, I’m not referring to an American past in which factory towns abounded and the ratio of manufacturing to service jobs in our economy was different — though my first sentence was the kind that often commences such a lament. I’m talking about language. I’m talking about a less precious era in which we shared the fact that we’d made a piece of furniture or a beer, not “crafted” it. When we didn’t put a crown of self-congratulation atop every project.

That’s what “crafted” does. “Handcrafted,” too — it’s a tiara with an extra smattering of jewels.

One of my earliest encounters with the “crafted” craze was at a sandwich shop around the corner from where I used to live on the Upper West Side of Manhattan. Originally called Lenny’s Gourmet before it sprouted more locations and renamed itself Lenwich, the shop touted “hand crafted” sandwiches. And that confused me, for two reasons.

One, I pretty much assumed that human fingers — index, thumb, maybe even pinkie — had a significant part in putting together my chicken salad sub. I didn’t need confirmation. Two, I was hard-pressed to spot or imagine the elaborate craft in that chicken salad sub. It was, after all, a chicken salad sub, not a patchwork quilt or a wheel-thrown coffee mug. Its maker — excuse me, crafter — merged meat, condiments and doughy cradle and called it a day. Or, rather, a lunch.

Surfing the net the other morning, I happened upon a caterer advertising a “crafted array of artisan sandwiches.” Made with love, I’m sure, but also with a surfeit of self-regard. “Artisanal” usually subs for “handcrafted” or vice versa, one or the other appearing on labels and in promotional literature for blankets, bourbons, bonbons. But sometimes the terms team up, staging a vanity fair. For example, Pottery Barn sells an “indigo artisan handcrafted bowl.” It’s $99, but then artisanal handicrafting doesn’t come cheap, especially in indigo.

The furniture and bedding company Saatva wants us to know that “every Saatva mattress is handcrafted,” a boast it makes on its website just two sentences away from the assurance that “we deliver it factory-fresh.”

This newsletter, I’ll have you know, is laptop-fresh, and it has been handcrafted by yours truly. Picture me stitching every syllable in needlepoint. Call it artisanal exposition.

“Retire These Words!” is an occasional feature about overused, badly used or just plain annoying language. To suggest a term or phrase, please email me here , and please include your name and place of residence.

Frank Bruni is a professor of journalism and public policy at Duke University, the author of the book "The Age of Grievance" and a contributing Opinion writer. He writes a weekly email newsletter .   Instagram   Threads   @ FrankBruni • Facebook