emerson lake and palmer works tour

EMERSON, LAKE & PALMER

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Mar  12  sat  |  the venue  |  new york city, ny, apr  22  sun  |  the venue  |  new orleans, la, may  1  fri  |  the venue  |  austin, tx.

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Emerson, Lake & Palmer

• July 31, 1977 Setlist

Emerson, Lake & Palmer Setlist at Seattle Center Coliseum, Seattle, WA, USA

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Tour: Works Tour '77 Tour statistics Add setlist

• Karn Evil 9: 1st Impression, Part 2 Play Video
• Hoedown ( Aaron Copland  cover) Play Video
• Tarkus Play Video
• Take a Pebble Play Video
• Piano Concerto No. 1 Play Video
• Still… You Turn Me On Play Video
• Pictures at an Exhibition ( Modest Mussorgsky  cover) Play Video
• C'est la vie Play Video
• Lucky Man Play Video
• Tank Play Video
• Nutrocker ( Pyotr Ilyich Tchaikovsky  cover) Play Video
• Pirates Play Video
• Fanfare for the Common Man ( Aaron Copland  cover) Play Video
• Blue Rondo à la Turk ( The Dave Brubeck Quartet  cover) ( In the meddle of "Fanfare for the Common Man" ) Play Video

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8 activities (last edit by doomdragon , 23 Oct 2018, 10:08 Etc/UTC )

Songs on Albums

• Blue Rondo à la Turk by The Dave Brubeck Quartet
• Fanfare for the Common Man by Aaron Copland
• Hoedown by Aaron Copland
• Nutrocker by Pyotr Ilyich Tchaikovsky
• Pictures at an Exhibition by Modest Mussorgsky
• Take a Pebble
• Karn Evil 9: 1st Impression, Part 2
• Still… You Turn Me On
• C'est la vie
• Piano Concerto No. 1

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Seattle Center Coliseum

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Emerson, Lake & Palmer Gig Timeline

• Jul 27 1977 The Stampede Corral Calgary, AB, Canada Add time Add time
• Jul 30 1977 Pacific Coliseum Vancouver, BC, Canada Add time Add time
• Jul 31 1977 Seattle Center Coliseum This Setlist Seattle, WA, USA Add time Add time
• Aug 02 1977 Portland Memorial Coliseum Portland, OR, USA Add time Add time
• Aug 04 1977 Cow Palace Daly City, CA, USA Add time Add time

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Emerson, Lake & Palmer

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Whilst participating in a debate on science and mysticism at the Glastonbury festival a few years ago, as part of the Radio 4 show The Infinite Monkey Cage, Blur guitarist Graham Coxon claimed that “I’d like to put faith in dark matter, but without the danger of becoming a progressive rocker.” We’ll assume he was joking, of course, but you have to wonder quite what the issue would be with becoming a progressive rocker; after all, if you take a band like Emerson, Lake and Palmer as your touchpoint, you’d realise that there’s certainly always been a wide audience for that style of music. The group enjoyed huge success during the seventies, bringing the influence of both classical music and jazz fusion into their sound in equal measure for a unique approach that saw releases like Tarkus, Trilogy and the brilliantly-titled Brain Salad Surgery meet with a fine commercial response in that decade, with gold certifications across the board for the band’s seventies output. After initially splitting in 1979, Emerson, Lake and Palmer reformed in the nineties to tour extensively - with extended, career-spanning shows meeting with superb reviews - but eventually would split again over concerns about a future direction of new material; since then, they’ve played just the one date, in London in 2010.

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CARL PALMER Announces 'The Return Of Emerson, Lake & Palmer' Summer 2023 Tour

Sole surviving member Carl Palmer , in association with the estates of his bandmates Keith Emerson and Greg Lake , has announced "The Return Of Emerson, Lake & Palmer" 2023 summer tour. Launching its second U.S .tour in July, the shows will actually again reunite ELP live on stage through modern technology.

The tour continues the successful run of show which began in November and December 2022. After exploring the idea of a hologram tour in detail, Palmer (with the estates of Emerson and Lake ) opted for what they felt was a more honest approach using live footage of Keith and Greg on massive video walls alongside Carl (and his band) playing live on stage. The voice and instrumentation of Greg Lake and the unmistakable keyboard mastery of Keith Emerson will be mixed with Palmer 's onstage live drumming to magically reunite ELP once again.

Emerson and Lake passed away nine months apart in 2016, leaving Palmer to carry on the band's enormous musical legacy.

Says Palmer : "The film ELP made of its sold-out run at London's Royal Albert Hall in 1992 had everything we needed to make these tours happen. We were able to use just the camera shots of Keith and Greg , with the sterling audio tracks of their performances resulting in a combination of film and onstage performance of my band that brings back the magic of ELP ."

After establishing themselves in bands such as THE NICE , KING CRIMSON and THE CRAZY WORLD OF ARTHUR BROWN , ELP was formed in early 1970 as one of rock's first (and biggest) supergroups. With record sales of over 50 million and decades of sold-out tours through the 1970s and again in the 1990s, EMERSON, LAKE & PALMER has remained one of the best-selling classic rock bands of all time. The band's complete recorded catalog, now under the direction and distribution of BMG , continues to be a steady force on the international music scene. The tour will coincide with the new BMG box set of classic ELP hit singles pressed on vinyl with reproductions of the original picture sleeves.

The tour is being launched with the full approval of the Emerson and Lake estates, as well as the various managers who have represented the members of the band. "Welcome Back My Friends - The Return Of Emerson, Lake & Palmer" will be focused on the U.S. and Canada through the rest of 2023, and eventually play all over the world where ELP toured throughout its career.

Tour dates:

July 08 - Saloon Studios Live - West Jefferson, NC July 11 - Epic Center - Green Bay, WI July 13 - Foellinger Theater - Fort Wayne, IN July 14 - Warner Theater – Erie, PA July 15 - Lorain Thearter - Lorain, OH July 21 - Robins Theater - Warren, OH July 23 - Southern Theater - Columbus, OH July 28 - The Keswick Theater - Glenside, PA July 29 - The Space At Westbury - Westsbury L.I., NY

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Works Orchestral Tour: Olympic Stadium, Montreal, 1977

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Relive The Entirety Of Emerson Lake & Palmer’s Orchestral Tour 1977

via Cal Vid / Youtube

What’s equally better than an ELP album? Its corresponding tour of course.

On August 26th, 1977, at the Montreal Olympic Stadium, a recording of the Works tour was made. With the help of the Royal Montreal Philharmonic 65-piece orchestra and a 12-person choir, the band performed in front of an estimated 70,000 people in Montreal, Canada. Not in the history of music can be grander than this, we tell you.

ELP’s In Concert was the final of three live albums the band released during their classic period in the 1970s, making it a sort of bittersweet farewell. To promote their two Works albums, ELP embarked on a massive 1977 tour which featured a full orchestra. Bringing an orchestra on the road was becoming prohibitively expensive, so ELP had to play a few shows without it before calling off the tour.

This along with a much more refined Works Live (1993) are the two titles of the live album. In their prime, ELP’s historic performance was the band’s pinnacle achievement. The progressive rock band disbanded in 1979, three years after it was formed.

Take a look at the full concert footage in High Definition, and re-experience the glory of Keith Emerson, Carl Palmer, and Greg Lake with a series of performances below.

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10 Best Emerson Lake And Palmer Songs of All Time

List of the top 10 best emerson lake and palmer songs of all time.

ELP typically stands for Emerson, Lake & Palmer, which was a progressive rock band formed in England in the late 1960s. The band consisted of Keith Emerson (keyboards), Greg Lake (bass guitar, vocals), and Carl Palmer (drums, percussion). They were known for their complex compositions, virtuosic performances, and fusion of rock with classical music elements. Songs like “Karn Evil 9,” “Fanfare for the Common Man,” and “Lucky Man” are among their most well-known works.

Table of Contents

1. Fanfare For The Common Man

“Fanfare for the Common Man” is a classical music piece composed by Aaron Copland in 1942. It’s one of Copland’s most famous compositions and has been widely performed and recorded by orchestras around the world. The piece was inspired by a speech by Vice President Henry A. Wallace, where he proclaimed the dawning of the “Century of the Common Man” during World War II.

The composition is known for its powerful brass fanfare, which evokes a sense of grandeur and patriotism. Despite its title, it’s often interpreted as a celebration of the strength and resilience of ordinary people in the face of adversity. The piece has been adapted and arranged for various ensembles, including rock bands like Emerson, Lake & Palmer, who included a rendition of it on their 1977 album “Works Volume 1.”

2. Paper Blood

“Paper Blood” is a song by Emerson, Lake & Palmer, appearing on their album “Black Moon,” which was released in 1992. The album marked the band’s return to a more rock-oriented sound after several years of experimenting with different musical styles.

“Paper Blood” features Keith Emerson’s distinctive keyboard work, Greg Lake’s powerful vocals, and Carl Palmer’s dynamic drumming. Lyrically, the song addresses themes of deceit and manipulation, with “paper blood” symbolizing something artificial or fake. The track showcases the band’s ability to blend progressive rock elements with more contemporary sounds, reflecting the musical landscape of the early 1990s.

3. Take a Pebble

“Take a Pebble” is a classic song by Emerson, Lake & Palmer, appearing on their self-titled debut album, released in 1970. The song is notable for its length and complexity, showcasing each member’s musical virtuosity.

The composition features multiple sections, including a tranquil piano introduction by Keith Emerson, followed by Greg Lake’s melodic vocals and acoustic guitar. The song then transitions into more intricate instrumental passages, with Emerson’s keyboards taking center stage, accompanied by Carl Palmer’s dynamic drumming and percussion.

Lyrically, “Take a Pebble” is introspective, with themes of self-reflection and the search for meaning. The imagery of taking a small pebble and contemplating its significance is used as a metaphor for contemplating one’s place in the world.

Overall, “Take a Pebble” is regarded as one of Emerson, Lake & Palmer’s signature songs, showcasing their unique blend of progressive rock, classical influences, and virtuosic musicianship.

“Tarkus” is the title track from Emerson, Lake & Palmer’s second studio album, released in 1971. It’s one of the band’s most iconic and ambitious compositions, often considered a cornerstone of progressive rock.

The song is a multi-part suite that tells the tale of a mythical creature named Tarkus, a combination of an armadillo and a tank, created by keyboardist Keith Emerson. The creature symbolizes destruction and war, as well as rebirth and transformation.

Musically, “Tarkus” is a tour de force, featuring complex arrangements, virtuosic performances, and a wide range of musical styles and influences, including classical, jazz, and rock. The composition seamlessly transitions between different sections, showcasing the individual talents of each band member: Emerson’s innovative keyboard work, Greg Lake’s powerful vocals and bass playing, and Carl Palmer’s dynamic drumming.

“Tarkus” is divided into several distinct movements, including “Eruption,” “Stones of Years,” “Iconoclast,” “Mass,” “Manticore,” and “Battlefield,” each contributing to the epic narrative of Tarkus’ journey.

Overall, “Tarkus” is celebrated as a masterpiece of progressive rock, demonstrating Emerson, Lake & Palmer’s unparalleled creativity and musical prowess.

5. Karn Evil 9

“Karn Evil 9” is an epic progressive rock composition by the British progressive rock supergroup Emerson, Lake & Palmer (ELP). It’s divided into three parts and was featured on their 1973 album “Brain Salad Surgery.” The song is known for its complex musical structure, combining elements of rock, classical, and electronic music, as well as its thought-provoking lyrics.

The song’s lyrics explore themes of dystopia, technology, and the human condition, presenting a futuristic world ruled by computers and dominated by a totalitarian regime. The title “Karn Evil” is a play on the word “carnival,” suggesting a twisted and dark carnival-like atmosphere.

Part 1 of the song sets the stage with an instrumental introduction featuring Keith Emerson’s virtuosic synthesizer work, building a sense of anticipation and grandeur.

Part 2, often referred to as “First Impression, Part 2,” introduces vocals and continues to develop the musical themes established in Part 1. The lyrics describe the rise of a computerized world and the loss of individuality and human connection.

Part 3, known as “Second Impression,” is a fast-paced instrumental section showcasing the technical prowess of the band members, particularly Emerson’s keyboard skills and Carl Palmer’s drumming.

Overall, “Karn Evil 9” is widely regarded as one of ELP’s signature songs and a classic of progressive rock, admired for its ambitious scope and innovative musical arrangements.

6. Lucky Man

“Lucky Man” is a song by Emerson, Lake & Palmer, featured on their self-titled debut album released in 1970. It’s one of the band’s most well-known and enduring tracks.

The song, written by Greg Lake when he was only 12 years old, features his lead vocals and acoustic guitar, with Keith Emerson providing the iconic Moog synthesizer solo. The lyrics tell the story of a man who considers himself lucky despite facing adversity, with themes of gratitude and resilience.

“Lucky Man” became a surprise hit for Emerson, Lake & Palmer, reaching notable chart positions in both the UK and the US. Its success helped establish the band’s reputation and contributed to the popularity of progressive rock during the early 1970s.

The song is often remembered for its memorable melody, Lake’s emotive vocals, and Emerson’s pioneering use of synthesizers, particularly the Moog synthesizer solo that became one of the most recognizable moments in the song.

7. From the Beginning

“From the Beginning” is a song by Emerson, Lake & Palmer (ELP), released on their 1972 album “Trilogy.” It’s a departure from their usual bombastic progressive rock sound, featuring a more acoustic and introspective style.

The song begins with a gentle acoustic guitar riff played by Greg Lake, accompanied by subtle percussion. Lake’s vocals enter, singing lyrics that reflect on the complexities of relationships and the passage of time. The melancholic tone of the song is enhanced by Lake’s emotive delivery and the sparse instrumentation.

As the song progresses, it gradually builds in intensity, with Keith Emerson’s synthesizer adding layers of texture and atmosphere. Carl Palmer’s percussion also becomes more prominent, driving the song forward towards its climax.

“From the Beginning” is notable for its simplicity compared to much of ELP’s other work, yet it still retains the musical sophistication and craftsmanship that the band was known for. It’s often regarded as one of their most accessible and enduring songs, showcasing their versatility as musicians.

8. The Sage

“The Sage” is a track from Emerson, Lake & Palmer’s self-titled debut album, released in 1970. The song features Greg Lake on vocals and acoustic guitar, with Keith Emerson on Hammond organ and Carl Palmer on percussion.

“The Sage” is a relatively short and introspective piece compared to some of ELP’s longer, more elaborate compositions. It begins with a serene and melodic acoustic guitar riff played by Greg Lake, setting a contemplative mood. Lake’s vocals enter, delivering poetic lyrics that touch on themes of wisdom, reflection, and the passage of time.

Keith Emerson’s Hammond organ adds a subtle yet distinctive texture to the song, providing a lush backdrop to Lake’s vocals and guitar. Carl Palmer’s percussion work is understated but effective, complementing the song’s gentle rhythm and adding depth to the arrangement.

Overall, “The Sage” is a beautiful and understated track that highlights ELP’s ability to create evocative and emotive music, even in a more stripped-down format. It’s often appreciated for its poignant lyrics and serene atmosphere, offering a brief moment of introspection amidst the grandeur of the band’s larger compositions.

“Tank” is an instrumental track by Emerson, Lake & Palmer, featured as the opening track on their self-titled debut album released in 1970. It’s a high-energy piece that showcases the band’s virtuosic musicianship and innovative approach to rock music.

“Tank” is primarily an instrumental showcase for drummer Carl Palmer, who delivers a dynamic and technically impressive performance throughout the track. The song features intricate drum patterns, rapid fills, and powerful rhythms, creating a sense of urgency and excitement.

In addition to Palmer’s drumming, “Tank” also highlights the talents of keyboardist Keith Emerson and bassist Greg Lake, who provide a solid rhythmic foundation and contribute to the overall intensity of the piece.

“Tank” has become a fan favorite and a staple of Emerson, Lake & Palmer’s live performances. It’s celebrated for its exhilarating energy, technical prowess, and its status as one of the standout tracks on the band’s debut album.

10. Still You Turn Me On

“Still… You Turn Me On” is a song by Emerson, Lake & Palmer from their 1973 album “Brain Salad Surgery.” It’s a ballad featuring Greg Lake on vocals and acoustic guitar, accompanied by Keith Emerson on piano and synthesizers, and Carl Palmer on percussion.

The song is known for its haunting melody and introspective lyrics, which explore themes of love, longing, and desire. Greg Lake’s vocals are tender and emotive, conveying a sense of vulnerability and yearning.

Keith Emerson’s piano and synthesizer work adds depth and atmosphere to the song, with subtle yet evocative melodies weaving around Lake’s vocals. Carl Palmer’s percussion provides a gentle rhythmic backdrop, enhancing the song’s sense of intimacy and emotional resonance.

“Still… You Turn Me On” is often regarded as one of ELP’s standout tracks, appreciated for its beautiful melody, heartfelt lyrics, and sensitive musical arrangement. It’s a poignant moment of quiet introspection amidst the bombast and complexity of the rest of the album.

Edward Tomlin is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.

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