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'Star Trek: Strange New Worlds' Season 3: Release Window, Cast, and Everything We Know So Far

Here's to finally beaming up Scotty.

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It's a huge sigh of relief when a spinoff of a classic like the original Star Trek (which ran from 1966 to 1969) is well done, polished, and gripping. Especially when that show stands out in a franchise with twelve - yes, you read that right - twelve corresponding series. Star Trek: Strange New Worlds , which serves as a prequel to the original (and iconic) Star Trek series, follows Captain Christopher Pike ( Anson Mount ) as he leads his crew through the galaxy aboard the U.S.S. Enterprise. The show, which premiered in 2022, was met with high critical acclaim from the beginning and continues to find fans with each new season - an impressive feat in a time when so many shows get lost in the streaming shuffle. Now renewed for a third season right after its Season 2 finale, here's everything we know so far about the next chapter in the epic space adventure.

With Season 2's finale leaving fans wanting more, it's only natural to be itching for Season 3 to come as soon as possible. While episodes are expected to return in 2024, the production window is from December 2023 to June 2024 for Season 3 , so we may have to wait a bit before we get the answers we're craving .

Star Trek: Strange New Worlds

Star Trek: Strange New Worlds follows Captain Christopher Pike (played by Anson Mount) and the crew of the starship USS Enterprise (NCC-1701) in the 23rd century as they explore new worlds throughout the galaxy in the decade before Star Trek: The Original Series.

While Strange New Worlds premiered its first two episodes on CBS in 2022, all episodes are now streaming on Paramount+. It can be assumed that the third season of the show will also premiere on the CBS-affiliated streaming service. Subscriptions to Paramount+ are available in two tiers: Paramount+ Essential (with commercials, $5.99/month) and Paramount+ with SHOWTIME (commercial-free, $11.99/month).

WATCH ON PARAMOUNT+

Because production on the third season has yet to begin, there won't be a trailer out for some time.

Leading the charge is fan-favorite Captain Pike , played by Anson Mount. Mount is no stranger to the Star Trek world, as he also appeared in Star Trek: Discovery in 2019. His other credits include films like Dr. Strange in the Multiverse of Madness and the Britney Spears -led 2002 drama Crossroads . Ethan Peck 's Spock is another character who appeared in Discovery alongside Mount. Peck also worked on shows like Madam Secretary and 10 Things I Hate About You . The astute La'an is played by Christina Chong , whose credits include Johnny English Reborn and Tom and Jerry .

Erica Ortegas is played by Melissa Navia , whose guest roles include Bull , Homeland , and Billions . Rebecca Romjin plays Una-Chin Riley, Pike's Number One. While Romjin is known for films like X-Men and Austin Powers , perhaps her most unforgettable role was as Cheryl, the gorgeous girl with the disgusting apartment in Season 4 of Friends . Rounding out Pike's crew are Babs Olusanmokun ( Dune ) as Dr. M'Benga, Celia Rose Gooding ( Foul Play ) as Nyota Uhura, and Jess Bush ( Playing For Keeps ) as Nurse Christine Chapel. Arguably, one of the best parts of the Season 2 finale was the appearance of Lieutenant Montgomery Scott ( Martin Quinn ), of the infamous - and incorrect - quote from the OG series: "Beam me up, Scotty!"

Strange New Worlds is produced by CBS Studios , Secret Hideout, and Roddenberry Entertainment, and distributed by Paramount+. The show was created by Akiva Goldsman , Alex Kurtzman , and Jenny Lumet , with Goldsman and Henry Alonso Myers serving as co-showrunners . Kurtzman, Goldsman, Lumet, and Myers are executive producers on the series, alongside Aaron Baiers, Heather Kadin , Frank Siracusa , John Weber , Rod Roddenberry , and Trevor Roth .

With many unanswered questions in the Season 2 finale, there are lots of possibilities for where Season 3 could take Captain Pike and his crew. After the fun and games of the previous musical episode , things switched back to danger mode very quickly, and viewers were ultimately left with a cliffhanger. With the re-appearance of the Gorn (the reptilian-humanoid extraterrestrials first seen in Star Trek in the 1960s), Pike was faced with a decision: heed the commands of the Enterprise not to engage with the Gorn, or do whatever he can to save his people. Pike, being the always-optimistic hero that he is, decides he must try and save his crew. And, when he sees young Gorn working together, his hunch that the species may be able to communicate leads him to want to try and save his crew without violence. While it's unclear how big a role the Gorn will play in Season 3, perhaps Pike's interest in their ability to communicate will be an important factor in not having this happen again. To add (gross) insult to injury, it is revealed that Gorn eggs have been planted in Pike's love interest, Captain Batel, and she may have to sacrifice herself in order to save everyone else. This is also not resolved in the finale, adding another layer to what Season 3 might bring. Will she survive? And if so, what happens to the Gorn eggs? Additionally, diehard Star Trek fans were no doubt thrilled to see Montgomery Scott appear in the Season 2 finale. While the character first appeared in the 1960s, as portrayed by James Doohan , this is his first time on Strange New Worlds. The re-introduction of this iconic character leaves a lot of potential for Season 3.

The Mandalorian (2019-)

Disney+'s runaway hit The Mandalorian has taken the world - and the internet - by storm. Premiering in 2019, show creator and showrunner Jon Favreau ( Chef ) has confirmed that Season 4 has already been written. The series follows a Mandalorian bounty hunter, played by Pedro Pascal ( The Last of Us ), as he travels through the galaxy after the fall of the Galactic Empire. Oh, and let's not forget about his companion, the now-iconic Grogu AKA Baby Yoda . WATCH ON DISNEY+

Battlestar Galactica (2004-2009)

In the spirit of revisiting classic sci-fi television, for an updated version of the original Battlestar Galactica , try 2004's refreshed version. While not entirely a remake, it offers a more modern view of the cult classic, which originally ran from 1978-1979. Starring Edward James Olmos ( Stand and Deliver ), Mary McDonnell ( Donnie Darko ), Jamie Bamber ( Law and Order: UK ), and, who can forget, Katee Sackhoff 's iconic Kara "Starbuck" Thrace, the show is sure to hit that same, familiar space exploration note.

Buy on Amazon

Lost In Space (2018-2021)

For another modernized take on a classic, try the remake of Lost in Space , based on the original that ran from 1965-1968. The Robinsons are a family who wanted to start over on a space colony (very relatable), but they end up on an uncharted alien planet instead and must struggle for survival. The remake stars Toby Stephens ( Die Another Day ) and Molly Parker ( The Wicker Man ) as Mr. and Mrs. Robinson and ran for three seasons on Netflix.

WATCH ON NETFLIX

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Star Trek: Strange New Worlds

Where to watch.

Watch Star Trek: Strange New Worlds with a subscription on Paramount+, or buy it on Fandango at Home, Prime Video, Apple TV.

Cast & Crew

Anson Mount

Captain Christopher Pike

Rebecca Romijn

Science Officer Spock

Nurse Christine Chapel

Christina Chong

La'an Noonien-Singh

Celia Rose Gooding

Nyota Uhura

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Star Trek: Strange New Worlds: everything we know about the Star Trek prequel

The latest intel on Original Series prequel Strange New Worlds – including its release date and mysterious Khan connections.

Captain Pike in Star Trek: Strange new Worlds.

Release date
Is there a trailer?

Star Trek: Strange New Worlds season 2

The adventures of the USS Enterprise didn’t start with James T Kirk. Star Trek : Strange New Worlds is set around a decade before he embarked on the most famous five-year mission in TV history, and puts his predecessor – Christopher Pike – back in the captain’s chair.

Pike first appeared in original Star Trek pilot ‘The Cage’ back in 1966, but it was his comeback in Star Trek: Discovery’s second season (where he was played by Anson Mount) that earned him his own spin-off show. Pike and fellow ‘Cage’ veterans Number One (played by Rebecca Romijn) and Spock (Ethan Peck inheriting the role made famous by Leonard Nimoy) proved so popular with fans that Paramount Plus decided to make Star Trek: Strange New Worlds the latest addition to Trek’s rapidly expanding shared universe .

And when it launches later this year, the show will feature a few more iconic names from the ’60s, including Nurse Chapel, Dr M’Benga and a genuine Trek legend in the form of Uhura. There’s also a mysterious crew member called La’an Noonien-Singh, whose surname has a special resonance for fans of the final frontier.

With producers promising less serialized storytelling than Star Trek: Discovery and Star Trek: Picard, Star Trek: Strange New Worlds looks set to get back to the cosmos-exploring traditions of the Original Series and The Next Generation. Here’s everything we know so far – hit it!

What is it? A Star Trek: Discovery spin-off following the adventures of Captain Christopher Pike, science officer Spock and first officer Una Chin-Riley (better known as Number One) on the USS Enterprise, around a decade before James T Kirk takes command.

Release date: Star Trek: Strange New Worlds will beam onto Paramount Plus on May 5, 2022 – after Star Trek: Discovery season 4 and Star Trek: Picard season 2 have finished boldly going.

Cast: Alongside its familiar trio of lead characters (still played by Discovery's Anson Mount, Ethan Peck and Rebecca Romijn), six new crew members will be taking their places on the Enterprise bridge. Read more about them below.

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Star Trek: Strange New Worlds release date

Star trek: strange new worlds release date: may 2022.

It's so long ago that Star Trek: Strange New Worlds got its greenlight (May 2020) that Paramount Plus was still known as CBS All Access at the time.

Unfortunately, coronavirus significantly delayed its departure from Spacedock, and the show didn't make it in front of the cameras until March 2021. Production on Strange New Worlds' 10-episode first season eventually wrapped in October 2021, as confirmed in a video announcement from star Anson Mount:

Incoming transmission from Captain Pike himself Anson Mount ✨ #StarTrek #StrangeNewWorlds pic.twitter.com/7MzivTtKCH October 11, 2021

Now the wait for Star Trek: Strange New Worlds is almost over. StarTrek.com confirmed on January 18, 2022 that the new voyages of the USS Enterprise will boldly go onto Paramount Plus in the US on Thursday May 5, 2022 – coinciding with the conclusion of Starfleet stablemate Picard's second season.

Jess Bush, who'll play Nurse Christine Chapel in the show, celebrated the announcement by posing in one of the Enterprise's Jefferies Tubes with co-star Christina Chong (La'an Noonien-Singh).

A post shared by Jess Bush (@onejessa) A photo posted by on

While we know Strange New Worlds will stream on Paramount Plus in the US, it may vary depending on where you are. The streamer is set to launch in the UK in 2022, and we'd expect to see Strange New Worlds debuting on there – especially after the recent controversial announcement that Discovery's fourth season has been shifted from its traditional international home on Netflix, to help launch Paramount Plus around the world.

Star Trek: Strange New Worlds trailer

Is there a star trek: strange new worlds trailer.

There's no sign as yet, but with less than three months until the series' launch, it can't be long until we get to see a Star Trek: Strange New Worlds trailer. Indeed, with Star Trek: Discovery returning from its mid-season break and Picard's second season kicking off in early March, Paramount have a pair of tentpoles they can hang a promo off.

That said, journalists at the show's Television Critics Association panel on February 1, 2022 were treated to first-look footage focussing on Cadet Nyota Uhura (played by Celia Rose Gooding), the character made famous by Nichelle Nichols in the Original Series. Den of Geek reported that most of the bridge crew were also accounted for in the clip.

Back in September 2021, the Star Trek Day event also unveiled a brief teaser introducing the cast. It contains a few stills from the new series, including a glimpse at the new-look USS Enterprise uniforms – a modern riff on the classic gold, blue and uniforms we saw in ’The Cage’ and the original series.

Meet the cast of #StarTrek #StrangeNewWorlds 💫 https://t.co/M6D2tyQuBA pic.twitter.com/z6ImvEKwZV September 9, 2021

Going back even further in time, leads Anson Mount, Ethan Peck and Rebecca Romijn beamed in an announcement video in May 2020:

As you’d expect, the party line was very much that the show exists because of fan demand. “Without you this wouldn’t be happening,” says Peck, while Mount explains a bit about the tone of the series. “[It’s] a classic Star Trek show that deals with optimism and the future.”

Star Trek: Strange New Worlds poster: the frontier is waiting

While Paramount are keeping us waiting for a trailer, the tantalizing new Star Trek: Strange New Worlds poster is doing more than enough to get us excited about the show. It features Captain Pike on horseback in what looks like his home in the Mojave desert – but the real excitement comes from what's in the sky above him. The iconic USS Enterprise is hovering in front of a pair of alien worlds – and, no doubt, several new life forms and new civilizations.

If the "The frontier is waiting" tagline isn't enough to get Trek fans firing up their warp drives, chances are nothing will.

A post shared by Star Trek (@startrek) A photo posted by on

“We wanted [the poster] to reflect that the [concept] of the final frontier is at just the beginning,” executive producer (and Star Trek's de facto commander-in-chief) Alex Kurtzman told the show's TCA panel (via Syfy ) . “We think it brings the sense of nostalgia hope, optimism, exploration and sense of adventure."

Star Trek: Strange New Worlds cast

Star trek: strange new worlds cast: who’s beaming onto the enterprise bridge.

The principal Star Trek: Strange New Worlds cast looks like this:

Anson Mount as Captain Christopher Pike
Ethan Peck as Mr Spock
Rebecca Romijn as Una Chin-Riley/Number One
Jess Bush as Nurse Christine Chapel
Christina Chong as La'an Noonien-Singh
Celia Rose Gooding as Cadet Nyota Uhura
Melissa Navia as Lt Erica Ortegas
Babs Olusanmokun as Dr M'Benga
Bruce Horak as Hemmer

Ever since Star Trek: Strange New Worlds was confirmed in 2020, we've known that three actors would be reprising their roles from Discovery.

Anson Mount is back in the captain’s chair as Captain Christopher Pike. Meanwhile, after proving himself worthy of donning the pointy ears that once belonged to Leonard Nimoy, Ethan Peck returns as Spock. Rebecca Romijn continues as first officer/helmsperson Number One.

A ‘start of production’ video released in March 2021 introduced five other members of the cast:

The five new additions to the USS Enterprise bridge crew are Melissa Navia (from Dietland), Celia Rose Gooding (Jagged Little Pill), Christina Chong (Doctor Who, Line of Duty), Babs Olusanmokun (Black Mirror), and Jess Bush (Skinford).

At the Star Trek Day panel in September 2021, it was finally confirmed who each of them would be playing. We also learned that the full name of Number One is Una Chin-Riley – the first time this has been confirmed in the character’s 56-year history.

Intriguingly, three of the new cast members are playing characters who – like, Pike, Number One and Spock – were first established in the 1960s.

The most famous of these roles goes to Celia Rose Gooding, who plays a younger version of Nyota Uhura, the Enterprise communications officer famously portrayed by Nichelle Nichols in the original series and first six Star Trek movies. (Guardians of the Galaxy's Zoe Saldana took on the role in JJ Abrams' rebooted Trek.)

Gooding explained to the assembled journalists at the TCA event in February 2021 that this will be a much less experienced version of the communications officer we saw serving alongside Captain Kirk in the Original series.

“Nichelle had a level of understanding and clarity [in her portrayal], but we're showing different parts of her humanity, which isn't as sure and asks questions as we go along,” the actress explained. “Getting to represent an iconic character in a multi-faceted way is an honor and now we're getting to see other sides of Uhura that go outside of the limitations set for Black women in the '60s."

Babs Olusanmokun plays Dr M'Benga (originally played by Booker Bradshaw), a character who filled in as the Enterprise's chief medical officer when Dr McCoy was absent in the original series. Jess Bush, meanwhile, inherits the role of Nurse Christine Chapel, who worked alongside McCoy in the Enterprise Sick Bay.

Chapel is one of two Strange New Worlds characters who were originally played by Majel Barrett-Roddenberry back in the 1960s – the other is Number One, who made her one-and-only vintage Trek appearance in 'The Cage'. (Barrett-Roddenberry also went on to play Lwaxana Troi and voice the Enterprise computers in The Next Generation.)

Of the Starfleet newbies, Bruce Horak's Hemmer is a member of the Andorian species. The fact he's wearing a red shirt – aka Star Trek's sartorial kiss of death – doesn't bode well for his life expectancy. The same could be said for Melissa Navia's Lt Erica Ortegas.

The most mysterious addition to the cast, however, is Christina Chong's La'an Noonien-Singh. The fact she shares a surname with The Wrath of Khan's Big Bad can't be a coincidence, but seeing as Trek canon tells us the cryogenically frozen 20th century villain won't be thawed out until after Kirk has taken command of the Enterprise, it's unclear how they're linked – but there definitely is a connection.

"She's related to Khan for sure, and, uh, the deal will unfold...” co-showrunner Akiva Goldsman confirmed at a Television Critics Association panel in February 2022 (via the Hollywood Reporter ).

Star Trek: Strange New Worlds already has its first great mystery...

Star Trek: Strange New Worlds story

What can we expect to see in the star trek: strange new worlds story.

Star Trek: Discovery spoilers ahead – proceed with caution if you haven't seen season 2.

Pike, Spock and Number One have been part of the Star Trek story even longer than James T Kirk – they were on board the Enterprise in original Star Trek pilot ‘The Cage’, unaired in the ’60s and set more than a decade before Kirk’s famous five-year mission. Jeffrey Hunter, Leonard Nimoy and Majel Barrett originated the three roles.

While we know that the trio have been together at least three years by the time Star Trek: Strange New Worlds kicks off and that a tragic fate awaits Pike – more on that later – most of their voyages remain undocumented. That means it’s prime storytelling territory and – after the more serialized Discovery and Picard – a chance for Trek to get back to the standalone stories of its earlier years.

“We’re going to try to harken back to some classical Trek values, to be optimistic, and to be more episodic,” executive producer Akiva Goldsman (and director of the Strange New Worlds pilot episode) told Variety in May 2020. “Obviously, we will take advantage of the serialized nature of character and story building. But I think our plots will be more closed-ended than you’ve seen in either Discovery or Picard.”

The ability to visit a huge galaxy of, well, strange new worlds, should allow the show to feel different from week to week – after all, this versatile formula is a big reason for the franchise’s longevity.

“We want to do Star Trek in the classic mode; Star Trek in the way Star Trek stories were always told,” fellow EP Henry Alonso Myers said at a Star Trek Day panel (via TrekMovie ). “It's a ship and it's traveling to strange new worlds and we are going to tell big ideas science fiction adventures in an episodic mode. So we have room to meet new aliens, see new ships, visit new cultures..."

Strange New Worlds won't be entirely devoid of serialization, however, as writer Akela Cooper explained: “While we'll have individual one-off plots, the character arcs are what's going to carry us through in a more serialized fashion. There's probably one point that we will be sprinkling through this series until we actually get to the episode. And that's all I can say about that.”

Goldsman explained a bit more about the structure of the show in an interview with the Hollywood Reporter in April: “If you think back to the original [Star Trek] series, it was tonally more liberal – I don‘t mean in terms of politics but it could sort of be more fluid. Like sometimes Robert Bloch would write a horror episode. Or Harlan Ellison would have ‘City on the Edge of Forever’, which is hard sci-fi. Then there would be comedic episodes like 'Shore Leave’ or ‘The Trouble with Tribbles’. So [co-showrunner] Henry Alonso Myers and myself are trying to serve that. We’ve all become very enamored, myself included, with serialized storytelling. Picard is deeply serialized but Strange New Worlds is very much adventure-of-the-week, but with serialized character arcs.”

Going on Mount’s performance in Discovery, Pike is the ideal captain for an optimistic mission of exploration.

“The writers have done a magnificent job of establishing this captain as his own iteration of what a Starfleet captain should be, independent of other captains in canon,” the actor said at the TCA panel (as reported by Syfy ). “Humility is a big part of his character. And his father was a science teacher and scholar of comparative religion, so exploration is a big part of Pike. He’s looking at the things that made us see what’s next over the horizon? Are we searchers or conquerors?”

We can also expect to see a Spock more prone to displays of emotion than his Original Series counterpart, as the younger version of the character struggles to balance his logical Vulcan side with his human urges.

Indeed, in ‘The Cage’, Number One was the more buttoned-up, logical member of the crew – her personality traits passing to the Vulcan when Star Trek went to series. “She's way more complex than y'all know,” actor Rebecca Romijn teased in the cast introduction video released on Star Trek Day, and she expanded on the theme in the panel.

“'The Cage' being such an old pilot, the writers have this very unique opportunity where they've had this character that's existed since the beginning of the canon, but she's never been written,” Romijn pointed out. “I can't wait to find out how vast her skill set is. What are the arrows in her quiver? My number one question is, 'What's her backstory?’ [The writer's room] floated an idea for Number One's backstory that I'm not going to share right now because it blew my mind when they said it.”

Despite being made more than half a century after the Original Series, the look of Star Trek: Strange New Worlds will echo those early ’60s designs – from the Enterprise starship interiors to the Starfleet uniforms.

“It’s a fine line because, obviously, we want to keep continuity with the storytelling and the style, but we also want Strange New Worlds to be a different show,” Goldsman told the Hollywood Reporter. “It’s not Discovery. There are a few more reach-backs [to the Original Series] and the uniforms have been adjusted slightly, the sets are slightly different. Remember, the Enterprise existed as a little piece [of Star Trek: Discovery], but now it’s its own object. When you close your eyes and think of the key sets and situations that you think of the Original Series, that’s what we’re looking to do.”

Intriguingly, at this point in the Star Trek timeline , Kirk and other members of the original crew must be out there somewhere in the universe, so the smart money would be on a few headline-grabbing (recast) guest appearances – as the older members of the Original Series line-up, McCoy and Scotty would seem prime candidates.

If a few familiar faces do turn up, however, we may have to wait a while to see them, with Goldsman telling the TCA panel that bringing classic characters back into the fray isn't a priority.

“We’re starting wth this crew and don’t want to bring folks into the show to be splashy,” he said. “We want to dig deeply into the characters in this ensemble. We’re open to widening our arms, but right now, and this is said in the best possible way, what you see is what you get."

Perhaps the biggest elephant on the Enterprise bridge, however, is Pike’s tragic story…

When we meet him in Original Series two-parter ‘The Menagerie’, it’s revealed that he’s been left severely disabled by a radiation leak. In Discovery, he’s forced to endure a vision of that future, so it'll be intriguing to see how that knowledge preys on his mind, and how much it plays into Star Trek: Strange New Worlds’ story.

“The most honest thing I can say is, I'm still figuring out,” Mount explained at Star Trek Day. “Pike didn't just learn how he dies, he learns in what circumstances. So we do know that at some point he's going to be presented with a promotion opportunity to Fleet Captain. And he has to accept that in order for the fate to come into existence. So what is it that's going to allow him, both in terms of circumstance and emotion, to accept that promotion? It's a tough question but I think we'll figure it out together.”

Star Trek: Strange New Worlds season 2 is already confirmed

The show hasn't even aired yet and Strange New Worlds: season 2 has already been confirmed by Paramount Plus via StarTrek.com . In fact, the streaming service is so engaged by the prospect of a follow-up season that it's already shooting – one journalist at Strange New Worlds' TCA panel on February 1, 2022 noted that Ethan Peck was wearing his Vulcan ears and costume because he was already working on the new season.

At the #StarTrekStrangeNewWorlds #TCA22 panel, Ethan Peck has his costume and Vulcan ears on. He's currently shooting. February 1, 2022

Richard is a freelance journalist specialising in movies and TV, primarily of the sci-fi and fantasy variety. An early encounter with a certain galaxy far, far away started a lifelong love affair with outer space, and these days Richard's happiest geeking out about Star Wars, Star Trek, Marvel and other long-running pop culture franchises. In a previous life he was editor of legendary sci-fi and fantasy magazine SFX, where he got to interview many of the biggest names in the business – though he'll always have a soft spot for Jeff Goldblum who (somewhat bizarrely) thought Richard's name was Winter.

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Episode list

Star trek: strange new worlds.

S2.E1 ∙ The Broken Circle

Ethan Peck, Babs Olusanmokun, and Melissa Navia in Star Trek: Strange New Worlds (2022)

S2.E2 ∙ Ad Astra Per Aspera

Paul Wesley and Christina Chong in Star Trek: Strange New Worlds (2022)

S2.E3 ∙ Tomorrow and Tomorrow and Tomorrow

Anson Mount in Star Trek: Strange New Worlds (2022)

S2.E4 ∙ Among the Lotus Eaters

Ethan Peck, Babs Olusanmokun, and Jess Bush in Star Trek: Strange New Worlds (2022)

S2.E5 ∙ Charades

Paul Wesley and Dan Jeannotte in Star Trek: Strange New Worlds (2022)

S2.E6 ∙ Lost in Translation

Jack Quaid and Tawny Newsome in Star Trek: Strange New Worlds (2022)

S2.E7 ∙ Those Old Scientists

Melissa Navia in Star Trek: Strange New Worlds (2022)

S2.E8 ∙ Under the Cloak of War

S2.E9 ∙ Subspace Rhapsody

Anson Mount, Celia Rose Gooding, and Rong Fu in Star Trek: Strange New Worlds (2022)

S2.E10 ∙ Hegemony

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Rebecca Romijn, Anson Mount, Ethan Peck, and Celia Rose Gooding in Star Trek: Strange New Worlds (2022)

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Star Trek: Strange New Worlds

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Star Trek: Strange New Worlds is the tenth overall Star Trek spin-off series, and the first direct spin-off of Star Trek: Discovery that was announced on 15 May 2020 . It was produced by CBS Studios and stars Anson Mount as Christopher Pike , Ethan Peck as Spock , and Rebecca Romijn as Una Chin-Riley .

2.1 Starring
2.2 Special guest stars
2.3 Recurring roles
3.1 Season 1
3.2 Season 2
3.3 Season 3
3.4 Season 4
4.1 Inception
4.2 Development
4.3.1 Products
5 Related topics
7 External links

Premise [ ]

The official announcement stated that "the series will follow Captain Pike, Science Officer Spock, and Number One in the decade before Captain Kirk boarded the USS Enterprise , as they explore new worlds around the galaxy." [1]

Executive Producer and Co-creator Akiva Goldsman told Variety , " We're going to try to harken back to some classical 'Trek' values, to be optimistic, and to be more episodic. Obviously, we will take advantage of the serialized nature of character and story building. But I think our plots will be more closed-ended than you've seen in either Discovery or Picard . ... I imagine it to be closer to The Original Series than even DS9 . We can really tell closed-ended stories. We can find ourselves in episodes that are tonally of a piece. " [2]

When talking to Deadline on 16 August 2020 Co-executive Producer Alex Kurtzman elaborated, " I think Strange New Worlds , under the guidance of [showrunners] Henry Myers and Akiva Goldsman, it's going to be a return in a way to TOS [ Star Trek: The Original Series ] . We are going to do stand-alone episodes. There will be emotional serialization. There will be two-parters. There will be larger plot arcs. But it really is back to the model of alien-of-the-week, planet-of-the-week, challenge-on-the-ship-of-the-week. With these characters pre-Kirk's Enterprise ... I think what people responded so much to in all three characters is this kind of relentless optimism that they have. And that they are at the young phase of their careers. " [3]

Starring [ ]

Anson Mount as Captain Christopher Pike
Ethan Peck as Science Officer Spock
Jess Bush as Nurse Christine Chapel
Christina Chong as La'an Noonien-Singh
Celia Rose Gooding as Ensign Nyota Uhura
Melissa Navia as Lt. Erica Ortegas
Babs Olusanmokun as Dr. Joseph M'Benga
Bruce Horak as Hemmer (Season 1)
Rebecca Romijn as Number One

Special guest stars [ ]

Eugene Cordero as Sam Rutherford (voice)
Tawny Newsome as Beckett Mariner
Jerry O'Connell as Jack Ransom (voice)
Jack Quaid as Brad Boimler
Noël Wells as D'Vana Tendi (voice)
Paul Wesley as James T. Kirk

Recurring roles [ ]

Shawn Ahmed as Shankar
Rong Fu as Jenna Mitchell
Adrian Holmes as Robert April
Jennifer Hui as Christina
Dan Jeannotte as George Samuel Kirk
André Dae Kim as Kyle (Season 1)
Gia Sandhu as T'Pring
Melanie Scrofano as Marie Batel
Carol Kane as Pelia (Season 2)

Episode list [ ]

Season 1 [ ].

SNW Season 1 , 10 episodes:

Season 2 [ ]

SNW Season 2 , 10 episodes: [4]

Season 3 [ ]

SNW Season 3 , 10 episodes: [5]

Season 4 [ ]

SNW Season 4 , 10 episodes: [6]

Production history [ ]

When the news of showrunner Alex Kurtzman 's five-year Star Trek development deal with CBS All Access was announced on 19 June 2018, a show dealing with Christopher Pike, Spock, and the USS Enterprise was not considered for inclusion in any Star Trek line-up. [7]

Star Trek: The Original Series characters, Christopher Pike , Number One , and Spock , were introduced for season two of Discovery and were signed only for that season. [8] [9] It prompted Anson Mount to quip with a "#WillActForFood" hashtag on his Twitter account, making it known that he and Spock performer Ethan Peck were on the job market again shortly after live-action production on season two had wrapped. [10] Following the positive reception to the second season of Star Trek: Discovery , fans circulated a petition in support more appearances of Mount as Captain Pike and Peck as Spock, including the idea of a full new series. [11] Mount expressed support for the fan petition, stating he felt "humbled and deeply touched by this amount of love" in an 14 April 2019 Facebook entry. [12] [13] Peck also expressed interest in returning to the role of Spock. [14]

Mount, Romijn, and Peck reprised their roles in three late 2019 season two episodes of Star Trek: Short Treks .

Inception [ ]

In January 2020, Kurtzman confirmed he and Akiva Goldsman were having "active conversations" about a new series involving the crew of the Enterprise . [15]

On 15 May 2020, CBS announced a new series "based on the years Captain Christopher Pike manned the helm of the USS Enterprise ." [16] The announcement included that Strange New Worlds would feature Anson Mount as Captain Pike, Ethan Peck as Spock, and Rebecca Romijn as Number One, all reprising their roles from the second season of Star Trek: Discovery .

Development [ ]

TRR : " Hide and Seek " presented " The Cage " as the pilot to this series, as opposed to Star Trek: The Original Series .

Prior to its premiere, Paramount+ specifically suggested that viewers could prepare for the launch of the new series by checking out the following DIS Season 2 episodes:

Episode 1 - " Brother "
Episode 8 - " If Memory Serves "
Episode 12 - " Through the Valley of Shadows "
Episode 14 - " Such Sweet Sorrow, Part 2 "

StarTrek.com presented its own list of episodes to watch before the premiere. In addition to the aforementioned Discovery episode "Through the Valley of Shadows", this list of original series episodes served more as a primer for familiarizing or refamiliarizing viewers with the series' cast:

" The Menagerie, Part I "+" The Menagerie, Part II "
" Space Seed "
" Journey to Babel "
" Mirror, Mirror "
" The Deadly Years "
" A Private Little War "

Promotion [ ]

Products [ ]

In March 2021 , Eaglemoss/Hero Collector 's Star Trek Universe: The Official Starships Collection premiered at retail. A new starship miniatures partwork and product line, it would have featured Strange New Worlds starships, combined with ships from Star Trek: Discovery (after the release of issue 33 of the DIS partwork ) and Star Trek: Picard . The line's manager indicated that CGI assets of SNW's starships had not yet been received from the show's producers, as of February 2021, which was not that surprising as actual production on the new series had yet to start at that point in time. [17]

Eaglemoss' bankruptcy on 5 August 2022 thwarted all intents to release Strange New Worlds starships and none were, save one. Replicas of Pike's USS Enterprise though, had previously been produced by the company as part of the Discovery partwork collection, as it had already debuted in that series.

External links [ ]

Star Trek: Strange New Worlds at Wikipedia
Star Trek: Strange New Worlds at the Internet Movie Database
2 ISS Enterprise (NCC-1701)

Things you buy through our links may earn Vox Media a commission.

Hooray, Star Trek Feels Like Star Trek Again

Occasionally, it is necessary to convene a conversation between Vulture writers to discuss an important and timely issue in culture. This time, critics Angelica Jade Bastién and Kathryn VanArendonk discuss their mutual admiration of the newest Star Trek television series, Strange New Worlds, and what makes it feel more like Star Trek than any of its recent predecessors in the franchise.

Angelica Jade Bastién : I’m so excited to get into this. A fun Star Trek series? What a concept. I want to start with a simple question, Kathryn: What’s your relationship to the Star Trek franchise?

Kathryn VanArendonk : My first Star Trek was The Next Generation , and my earliest memories of it are of surreptitiously trying to watch it over my father’s shoulder so he didn’t realize I was watching and then turn it off. Within a few years, I was trying to catch it whenever it happened to be on because that’s how TV worked in the early ’90s, and for decades I was haunted by seeing only half of “The Big Goodbye” before being told it was dinnertime. (How did the holodeck become real, Angelica?!) At some point, I made my way through all of Deep Space Nine and most of the movies, but my relationship was then and has largely remained fond familiarity rather than “able to hold my weight in a grad-student Star Trek trivia game where you have to know the name of the service tunnels.” How about you?

AJB: Anyone who truly knows me knows my love of Star Trek is lifelong. When I was a young girl, my mother would sometimes play TNG when braiding my hair at night, and the curiosity and camaraderie of the series set something aflame within me. While I hold the belief that TNG is the platonic ideal of a Star Trek series, DS9 is the best the franchise has ever been — not just curious but bristling in its confrontations toward capitalism and fascism, while feeling intrinsically Black thanks to Avery Brooks as Captain Benjamin Sisko. I have seen every film and series, some of them, like TNG and DS9, several times over . I can hold my weight in a Star Trek trivia game with the best of them.

So I feel confident in asserting that the problem with modern Star Trek, with Discovery as the nadir of this, is that it has internalized all the wrong lessons about the franchise’s history. It sometimes feels like these creators are uncomfortable with being Star Trek, so they try to conform its trappings into shapes that don’t work. Star Trek is wholly political (I’d say even edging toward communism sometimes) and culturally curious. It should not be relentlessly grim, dim, and cruel, nor should it be empty fan service that mentions its past but doesn’t learn from it.

What makes Strange New Worlds work so much better — I’d argue it’s the best Star Trek has been in decades — is that it has learned from its past while charting a new course for its future. I was extremely hesitant when I learned it was happening as a prequel to the original series , which I actually don’t much care for beyond the films. I have also grown tired of Spock as a linchpin, especially since Leonard Nimoy’s performance is so, so damn good and specific. But Strange New Worlds surprised me. I think the show is indebted to DS9 far more than people are talking about — looking at Captain Christopher Pike cooking for his crew!

KVA: I am 100 percent onboard with your assessment that Strange New Worlds is the best the franchise has been for a long time. The thrill of Discovery and Picard was always wrapped up in the potential of streaming TV more broadly: What could TV be if it weren’t so stuck inside the commercial constraints of network television? What if it didn’t have to bend to episodic limitations or act breaks that could squeeze in ads for new cars? That frontier seemed so exciting and so wide open, and given the approach to other genre franchises (and to shiny, expensive TV more generally), it was not hard to feel excited about what a modern-era Star Trek could be. It could be heavily serialized; it could be grimdark and finally take stuff seriously ; it could jettison all the goofy side plots where everyone just sits around playing poker and Data talks about his relationship to cat ownership. And sure, all of that is very exciting in the way that anything you’ve never seen before sounds like a fun new experience.

What Discovery , Picard , and now the sharp left turn of Strange New Worlds suggest, though, is that if you take out episodic storytelling and quiet human character beats and jam-pack every episode with multiple timelines and mirror worlds and perpetually looping elaborate backstories, what you have is … no longer Star Trek . The reason Strange New Worlds feels like the best Star Trek has been, for me, is that it feels like the only recent installment in the franchise that is actually a Star Trek show.

AJB: Exactly. I feel like Discovery and Picard are Star Trek in name only. The episodic nature, the silliness, the sweet interpersonal dynamics among the crew — that’s what makes this franchise what it is. They’re baked into the concept as much as the series’ curiosity and utopian, communal beliefs.

Before getting further into what works about Strange New Worlds , though, I want to touch on one issue I have: For all its grandeur and beauty, I do worry about Star Trek ’s inability to look beyond its own past (beyond Discovery, which is terrible). Where is a post–Dominion War series, damn it?! Strange New Worlds is genuinely fun and nimble and dynamic, but I hope those in charge now do not interpret its success to mean the franchise should remain rooted in its own past. We have to move forward and beyond Spock.

Which brings me to how the show is handling characterization. We should start with Spock specifically, but the rest of the crew is full of revered legacy characters at the beginning of their Starfleet careers, like Uhura, and new characters who are connected to old ones, like La’an Noonien-Singh, who is related to the franchise’s infamous villain Khan. How are you feeling about Spock? Do you think the series is finding new dimensions in the character?

KVA: Ethan Peck’s Spock, for me, succeeds because it does not feel like a Nimoy impression. There are influences, certainly. The way that character relates to everyone else and his role in the ship’s overall group dynamic feel tied to the original Spock without being overly beholden or nitpicky. In general, I dislike prequels, especially those with an earlier version of a beloved character — that later iteration feels like homework, and watching Guy You Know But Young Now tends to have that sense of wanting the writers and performers to show their work. I know the answer is Spock, so now they have to solve for Spock.

There is still some of that in Strange New Worlds , but Peck’s Spock and Celia Rose Gooding’s Uhura both have a shining inner sincerity that pushes against the cynical foreknowledge of why these characters are in this series at all. It could come off as so cloying, but by and large, I find I’m just happy to spend time with them.

AJB: I think all the performances of legacy characters we’ve seen on Strange New Worlds are pretty impressive overall. The writing nods to what we’ve seen before while giving these actors the space to try to make the characters their own. Mr. I’m Gregory Peck’s Grandson is striking a good tone with Spock, and I’m surprised to find myself interested in his rendition of the character even as a Nimoy loyalist.

I’m more hesitant about Uhura, whose writing I find a little too neat. I think I struggle with Uhura more than anyone else on the show simply because her position as an emblem of Black racial progress for people like Martin Luther King Jr. makes her the trickiest to develop out of all the original series’ characters. How do you square Uhura today? How do you nod to Blackness in a universe where racial division on Earth is no longer in effect?

KVA: What really strikes me about this version of Uhura is the choice to give her some ambivalence about Starfleet. Trying to square that character now, both in terms of her cultural legacy in our world and as a Black woman in a Star Trek universe where contemporary racial identities no longer carry the same meanings, is an impossible task! But of all the ways they could’ve gone, starting from the idea that Uhura should be actively choosing to be here and that everyone onboard should start from the idea that they would be lucky to have her if she so chose — I was happier to see them go in that direction than in many of the other possibilities.

Uhura and Spock were always going to be tricky characters to pull off, but I think excellent iterations of them are bonuses: great if they work but not instantly a disaster if one of them had been a real dud. For me, if the Christopher Pike character had not really, really nailed it, the show would be sunk. I say this not out of any special love for Captain Pike! But if the Star Trek captain sucks, then very little could ever save the rest of the series. Anson Mount as Captain Pike, happily, is everything my swashbuckling pompadour space-daddy Star Trek desires could have wanted.

AJB: Oh yeah, he is totally a fine-ass space daddy. And I don’t usually go up for white men like that! So far, I am most enamored with Captain Pike and his No. 1, Una, played with steely force and precise care by Rebecca Romijn. Their characterization alchemizes dynamics we’ve seen in Star Trek before but in a bold new way.

I think a major reason the characterization is working so well comes back to the structure of the series itself. Strange New Worlds smartly takes a page from DS9 ’s early years in the sense that it’s episodic in nature but has overarching considerations rooted in the emotional lives of the characters, which don’t outweigh whatever new problem on a new world they have to solve, whether it’s outrunning the Gorn or Spock switching bodies accidentally with his betrothed. By having the through-lines be emotional — with Pike’s fear and resignation about his own death — allows the show a lot of space to play.

I’m now going to say something spicy that betrays me as a film critic at heart: The problem with a lot of modern television — Star Trek included — is that it has forgotten what makes television work and seems even anathematic toward the episodic, the contained, the balance necessary for a television show to work. Strange New Worlds does not have that loathsome problem.

KVA: My only argument is that I refuse to let you claim that as a film-critic stance because plenty of TV critics have been marching to the beat of that argument for a while now!

AJB: I don’t want to get into a tiff, but while I see TV critics saying this, sometimes I see a lot of grading on a curve for television shows that doesn’t bear that out. I’ll quote this 2018 piece from The Baffler : “If a decline in quality writ large is indeed evident on the networks and streaming services, one could hardly guess it from the continuing tone of TV coverage.” I know we disagree on this, but I bring this up only to say that Strange New Worlds isn’t being graded on a curve just because the Star Trek works coming out around it absolutely blow chunks.

KVA: The episodic rhythm of Strange New Worlds feels like an immense relief in the current TV landscape. It feels like such a relief that I am almost waiting, afraid, for the moment when the show suddenly abandons episodic structure and slowly bleeds into a more serialized plot. Some would be fine! A nice two-parter as a treat! But aside from the way that episodic plotting creates a solid structural framework, there’s something crucial about the way an episodic format allows Strange New Worlds to play with a variety of tones. Not every hour of the show needs to feel the same. The palette is broader, and there’s something so lovely about not knowing exactly what each new episode will feel like. I’d argue that it’s not necessarily a problem for Star Trek to be grim. The problem is when it’s grim all the time . Your point about character-based emotional through-lines fits in here, too. We can have some backstory about why Captain Pike feels haunted, but we could also have emotional through-lines about romance plots or friendships or a much broader spectrum of emotional experiences. Episodes! Are! Our! Friends!

AJB: DS9 definitely got grim at points, especially toward the end, but we still had those sweet, sweet holodeck episodes. Episodes are not only our friends; they are the structure necessary to contain the wonder a television show can produce. Limits are important to great storytelling. With Strange New Worlds , Star Trek feels at once beautifully constrained in how it wants its narrative to develop within the episodic format and limitless in the ways it can induce awe, challenge the viewer, and offer the kind of hope we all are desperately in need of — onscreen and in life.

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Strange New Worlds Season 3 Director Becomes A Star Trek Redshirt In The Best Way

Director Jordan Canning shares a redshirt moment on Star Trek: Strange New Worlds set with Rebecca Romijn and Ethan Peck.
Exciting news for fans as Star Trek: Strange New Worlds receives a renewal for season 4 from Paramount+.
Jordan Canning's directorial work on Strange New Worlds includes episodes in seasons 2 and 3, showcasing her talent.

Star Trek: Strange New Worlds director Jordan Canning jokingly became one of Star Trek 's infamous "redshirts" in a behind-the-scenes photo from season 3. Strange New Worlds season 3 is nearing the end of its production in Toronto, with Canning directing episode 8 of the hit Paramount+ show's third season. Excitingly, Star Trek: Strange New Worlds has received a season 4 renewal from Paramount+, assuring even more voyages aboard the Starship Enterprise.

On her Instagram, Jordan Canning (@jjcanning) shared a behind-the-scenes photo of herself from Star Trek: Strange New Worlds ' USS Enterprise set between Rebecca Romijn, who plays Lt. Commander Una Chin-Riley AKA Number One, and Ethan Peck, who plays Science Officer Lt. Spock. Canning joked in her caption, "Always happy to be the redshirt between these two." Check out her post below:

Jordan Canning also directs Star Trek: Strange New World s season 3, episode 2, and she helmed the Vulcan comedy of manners, Star Trek: Strange New Worlds season 2, episode 5, "Charades."

Star Trek: Strange New Worlds Season 3 - Everything We Know

What is a redshirt in star trek, lt. hemmer is strange new worlds' most tragic redshirt..

A "redshirt" became infamous in Star Trek: The Original Series . The term refers to the ill-fated, red uniform-wearing security officers of the Starship Enterprise who were known for beaming down to a planet with Captain James T. Kirk (William Shatner) only to be killed horribly by whatever monster of the week the Starfleet Officers faced. Many redshirts had names and ranks, but their most common trait was they were disposable background characters who fueled the plot and suspense of that week's Star Trek episode . Star Trek: Strange New Worlds nodded to TOS' redshirts with the death of Lt. Hemmer (Bruce Horak) in season 1, episode 9, "All Those Who Wander."

Hemmer's demise was in contrast to most redshirts who usually died haplessly on Star Trek: The Original Series .

However, Hemmer died a noble death in Star Trek: Strange New Worlds , sacrificing himself to the Gorn to save his friends and crew mates. Hemmer's demise was in contrast to most redshirts who usually died haplessly on Star Trek: The Original Series . Considering many of Strange New Worlds ' core characters like Lt. La'an Noonien-Singh (Christina Chong), Lt. Erica Ortegas (Melissa Navia), Ensign Nyota Uhura (Celia Rose Gooding), and Commander Pelia (Carol Kane) wear red shirts, Star Trek: Strange New Worlds isn't as bloodthirsty with their redshirts as Star Trek: The Original Series.

Source: Instagram

Star Trek: Strange New Worlds is available to stream on Paramount+

Cast Bruce Horak, Celia Rose Gooding, Jess Bush, Melissa Navia, Ethan Peck, Babs Olusanmokun, Rebecca Romijn, Paul Wesley, Christina Chong, Anson Mount

Streaming Service(s) Paramount+

Franchise(s) Star Trek

Writers Bill Wolkoff, Akiva Goldsman, Henry Alonso Myers

Directors Amanda Row, Valerie Weiss, Jonathan Frakes, Chris Fisher

Showrunner Akiva Goldsman, Henry Alonso Myers

Where To Watch Paramount+

Strange New Worlds Season 3 Director Becomes A Star Trek Redshirt In The Best Way

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Prep Begins For ‘Star Trek: Strange New Worlds’ Season 3 Finale; Cast And Directors Share BTS Images

| April 25, 2024 | By: Anthony Pascale 15 comments so far

Work on the third season of Star Trek: Strange New Worlds continues to move swiftly in Toronto and looks to be set to wrap up next month. We have some fun bits from the set shared by the cast and a couple of directors, as well as some details on the production.

2 more episodes to go

First up, a selfie from director Jordan Canning, who previously directed the season 2 episode “Charades.” The image posted earlier this week shows the director with Ethan Peck and Rebecca Romijn and has the message, “Always happy to be the redshirt between these two.”

View this post on Instagram A post shared by Jordan Canning (@jjhcanning)

TrekMovie has confirmed that Canning directed episode 8, which has wrapped. Filming for episode 9 has already begun, with Andrew Coutts directing. This will be the directorial debut for Coutts, a co-producer and editor on the show. The 10th and final episode of the season will be directed by Maja Vrvilo, a Paramount+ Trek veteran who has directed episodes of Discovery , Picard , and Strange New Worlds . Earlier this week, she posted an image of her office door, indicated prep work for her episode had already begun.

View this post on Instagram A post shared by Maja Vrvilo (@majavrvilo)

Anson has a challenge for cosplayers

There have also been a couple of fun recent social media updates from the cast. First up, Anson Mount posted on Twitter/X that season 3 will require cosplayers to bring their “A-game” as he shared some creative fan costumes.

I will say this about season 3 of #StarTrek #StrangeNewWorlds : Cos-players, you better be ready to bring your A-game. #Cosplay @StarTrek @StarTrekOnPPlus pic.twitter.com/mZ9gMmIhsL — Anson Mount 🖖 (@ansonmount) April 16, 2024

One new look for cosplayers to try is an armed Nurse Chapel, as seen in this short video from Jess Bush showing off her phaser holster.

View this post on Instagram A post shared by Jess Bush (@onejessa)

Finally, on the day of the big eclipse, some of the Strange New Worlds team took a moment to check it out. Bush shared an Instagram story with herself and co-star Melissa Navia rocking their eclipse glasses. (They had 90% totality in Toronto.)

Last week brought big news for Strange New Worlds: It’s been renewed for a fourth season. Paramount+ recently confirmed season 3 will debut in 2025.

Keep up with news about the Star Trek Universe at TrekMovie.com .

All Access Star Trek episode 181 - TrekMovie - Star Trek: Discovery "Face the Strange"

All Access Star Trek Podcast , Discovery , Lower Decks , Star Trek Origin Movie , Strange New Worlds

Podcast: All Access Faces The Strange On ‘Star Trek: Discovery’

Strange New Worlds

Actor Talks “Authentic” Scotty On ‘Star Trek: Strange New Worlds’; Season 3 Production Passes Milestone

Lower Decks , Strange New Worlds

‘Star Trek: Strange New Worlds’ Renewed For Season 4; ‘Lower Decks’ To End With Season 5

Strange New Worlds nominated for two Hugo Awards 2024 - TrekMovie

Awards , Strange New Worlds

‘Star Trek: Strange New Worlds’ Picks Up Two Hugo Award Nominations

I LOVE holodeck dude in cosplay!

I’m curious how long their entire season shooting period actually is.

Usually 5 to 6 months. This one started just before Christmas.

I know I’ll end up watching it, but I’m just not excited for the next season. Season 2 was all over the place, in my opinion. For every episode like Those Old Scientists or Ad Astra Per Aspera, there was rubbish like The Broken Circle and Under the Cloak of War and Tomorrow and Tomorrow and Tomorrow. I like the cast, but the quality isn’t there- and for all the talk of “big swings” and pushing the envelope- Season 2 was almost painfully generic.

Same here. I’ll be tuning in, but it’s not up there on my ‘must-see right away’ list. I feel like overall, the storytelling floundered during S2, legacy characters written badly, and a distinct corny popcorn feel to it. Both Spock and Pike were reduced to bumbling sidekicks. Hoping S3 has a bit more gravitas to it. Like you said, not the fault of the cast. All blame goes back to the writer’s room. I’m more than happy to consider this show as existing in its own separate timeline, as has been confirmed.

I still can’t get over how *boring* the finale was. It felt like it went on for hours and yet nothing actually happened besides a super-quick and appallingly shot fight in zero-g. Season Two really dropped the ball.

I agree. I don’t even remember what happened in the finale, except Pike at the end hesitating like a scared junior officer when the situation called for fast decisive action. As for the season in general, it feels empty, like nothing really happens in the episodes. I hate the way they turned Spock into a moron. There are better ways if the writers wanted to put some humor in… I’m sure the 12 year olds found it funny but adults are watching too…

They seem to be testing the water for the Academy show with teen romances also. Spock, Chapel / La’an, Kirk and Pike, Batel were all shallow romances and just really boring that took up way too much time in the season. They seriously need to get back to writing some good sci fi stories or this show will go down as one of the worse Star Trek series for me. It seems more of a comedy starship show than the Orville at times. And season 1 had so much promise as well.

The SNW writers room has a chalk board titled Gimmick Board only they misspelt it Big Swing Board. Hopefully they can’t destroy Spock’s character anymore as they have already scraped the bottom of the barrel with their writing of his character.

So relieved I’m not the only one who felt this way. I hear “game changer” and “big swing” and I think “great, they’re effing with my show again to bring in the non-Trek fans”!

Yes, to them “big swing” means having the characters do things completely out of character and turning Star Trek into a Broadway play. Sure the musical was original and unexpected, but really out of place, and I will never be able to get the K-Pop Klingons out of my head.

I didn’t mind the musical episode (probably because I love musicals!) but on the whole, the season felt soulless and devoid of anything interesting to say (outside of Ad Astra Per Aspera). It’s as though the entire season was written by committee and was deathly afraid of offending the fandom by doing anything even slightly controversial.

I’ve had this feeling since the first season. Anson Mount is a wonderful lead, but they’ve completed destroyed the character that we got to know in Season 2 of Discovery. And they need to do something with Spock besides him being a complete and utter pig to women.

I’m absolutely giddy for this next season. Season two was fantastic and I cannot wait for this next season.

I really wish studios would get it together. They used to be able to turn out twice the number of eps or sometimes more every year without year-long pauses between seasons.

Screen Rant

Kirk’s starship enterprise returns in star trek: discovery - with a big twist.

The Starship Enterprise makes a shocking return in Star Trek: Discovery season 5, but it's a version that hasn't been seen since TOS season 2.

Warning: SPOILERS for Star Trek: Discovery Season 5, Episode 5 - "Mirrors"

The Mirror Universe's ISS Enterprise, last seen in Star Trek: The Original Series' "Mirror, Mirror," makes a shocking return in Star Trek: Discovery season 5, episode 5.
Star Trek: Discovery filmed scenes on the USS Enterprise set of Star Trek: Strange New Worlds.
The ISS Enterprise now exists in the 32nd century, offering a new glimpse into the alternate reality of the Mirror Universe.

Captain James T. Kirk's (William Shatner) Starship Enterprise makes a shocking return in Star Trek: Discovery season 5, episode 5, but with a jaw-dropping twist - it's the ISS Enterprise from Star Trek: The Original Series ' "Mirror, Mirror"! Written by Johanna Lee & Carlos Cisco and directed by Jen McGowan, Star Trek: Discovery season 5, episode 5, "Mirrors," sees Captain Michael Burnham (Sonequa Martin-Green) and Cleveland Booker (David Ajala) enter interdimensional space to pursue Moll (Eve Harlow) and L'ak (Elias Toufexis) and the next clue to the Progenitors' ancient treasure. What Burnham and Book never expected to find was the Mirror Universe's derelict ISS Enterprise.

Star Trek: Discovery picked up the mantle of the Mirror Universe from Star Trek: The Original Series , Star Trek: Deep Space Nine , and Star Trek; Enterprise. Discovery 's season 1's game-changing Mirror Universe arc introduced Emperor Philippa Georgiou (Michelle Yeoh), who would enter Star Trek 's Prime Universe and is now headlining Paramount+'s upcoming Star Trek: Section 31 movie. Star Trek: Discovery deepened the saga of the Mirror Universe, but the alternate reality's final appearance was in Star Trek: Discovery season 3. Thanks to Star Trek 's Temporal Wars , it's now impossible for the Prime and Mirror Universes to cross over in Star Trek: Discovery 's 32nd century.

Individuals who both time travel and cross from Star Trek' s Prime and Mirror Universes suffer a lethal medical condition, such as what happened to Emperor Georgiou.

Star Trek: Discovery Season 5 Returning Cast & New Character Guide

Star trek: discovery brings back kirk’s mirror universe starship enterprise, the iss enterprise last appeared in star trek: the original series' "mirror, mirror".

The Mirror Universe's ISS Enterprise in Star Trek: Discovery season 5, episode 5 is the same Constitution Class starship from Star Trek: The Original Series season 2, episode 4, "Mirror, Mirror," which was the ISS Enterprise's only prior canonical appearance. The ISS Enterprise was trapped in interdimensional space and abandoned by its crew, who were refugees and freedom fighters attempting to flee the Mirror Universe for Star Trek 's Prime Universe in the 24th century. As Captain Burnham later learned, the refugees made it to the Prime Universe, and one scientist even became a Starfleet Admiral.

In Star Trek: Enterprise season 4's "In A Mirror, Darkly", the 22nd-century Terran Empire gained control of the Constitution Class USS Defiant, which crossed over and time traveled from the 23rd-century Prime Universe.

In Star Trek: The Original Series ' "Mirror, Mirror", the ISS Enterprise was commanded by Captain James T. Kirk who assassinated its prior Captain, Christopher Pike (Jeffrey Hunter). "Mirror, Mirror" saw the Prime Universe's Kirk, Lt. Uhura (Nichelle Nichols), Dr. Leonard McCoy (DeForest Kelley), and Scotty (James Doohan) switch places with their Mirror counterparts due to a transporter accident during an ion storm. Before switching back, Prime Kirk planted a seed with the goateed Mirror Spock (Leonard Nimoy) to take control of the Terran Empire and institute reforms to prevent the inevitable destruction of the Empire.

Mirror Spock's reforms were successful but ultimately weakened the Terran Empire, which was conquered by the Klingon-Cardassian Alliance, as seen in Star Trek: Deep Space Nine.

Star Trek: Discovery Filmed Season 5’s Enterprise On Strange New Worlds’ Set

Star trek: strange new worlds was on hiatus after season 2..

Star Trek: Discovery season 5, episode 5, "Mirrors", was filmed on the USS Enterprise set of Star Trek: Strange New Worlds . When Discovery season 5 was in production in late 2022, Strange New Worlds was on hiatus after completing season 2 filming in June . ( Strange New Worlds wouldn't begin season 3 production until December 2023.) Sonequa Martin-Green, David Ajala, Eve Harlow, and Elias Toufexis shot on Strange New Worlds ' sets, which are located in Toronto where Star Trek: Discovery also filmed.

Star Trek: Strange New Worlds season 3 is in production, and the series has been renewed for season 4.

Star Trek: Discovery redressed Strange New Worlds ' USS Enterprise set to become the ISS Enterprise. Scenes were filmed on the Enterprise's bridge, hallways, and medical bay. Interestingly, by using Strange New Worlds ' Enterprise set, which depicts the USS Enterprise before Captain Kirk assumes command, Star Trek: Discovery season 5 establishes that the ISS Enterprise, which crossed into the Prime Universe decades after Star Trek: The Original Series , is the same ship as in "Mirror, Mirror" despite the very different interiors.

Star Trek: Enterprise recreated the sets of Star Trek: The Original Series ' USS Enterprise for the interiors of the USS Defiant.

What Happens To Mirror Universe’s Enterprise In Star Trek: Discovery?

The 32nd century just got another 23rd-century starship.

Captain Burnham and Cleveland Booker piloted the ISS Enterprise out of interdimensional space and into Star Trek 's Prime Universe with the help of the USS Discovery. Afterward, Burnham assigned Lt. Commanders Kayla Detmer (Emily Coutts) and Joann Owosekun (Oyin Oladejo) to fly the ISS Enterprise to Federation headquarters, so that the Mirror Universe's starship could be put into "storage". However, there are now fascinating ramifications to the ISS Enterprise existing in Star Trek: Discovery 's 32nd century .

Amazingly, the ISS Enterprise is also now the second 23rd-century starship in 3191 along with the USS Discovery itself.

Although the ISS Enterprise is obsolete by 32nd-century standards, it's still a bonanza of Mirror Universe technology that the United Federation of Planets has now acquired . This would certainly be of interest to Dr. Kovich (David Cronenberg). The 23rd-century ISS Enterprise is a window not just to 900 years ago, but also to the alternate reality, especially since the Mirror Universe is now sealed off permanently from the Federation. Amazingly, the ISS Enterprise is also now the second 23rd-century starship in 3191 along with the USS Discovery itself. Perhaps the ISS Enterprise will reappear and play a role in the second half of Star Trek: Discovery season 5.

New episodes of Star Trek: Discovery season 5 stream Thursdays on Paramount+

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Published Apr 12, 2024

Star Trek: Strange New Worlds Renewed for Fourth Season

The acclaimed hit original series is currently in production for its third season.

Spock sits in the Enterprise lounge while his friends Number One (Una), Uhura, La'An, and Erica Ortegas are enjoying his company in 'Charades'

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Star Trek: Strange New Worlds will return for a fourth season.

Co-showrunners Akiva Goldsman and Henry Alonso Myers and executive producer Alex Kurtzman confirms in a statement, "On behalf of the cast and crew of ‘ Strange New Worlds ’ we are thrilled and grateful to continue our voyages together. We can't wait for you to join us and the crew of the Enterprise on another season of exploration and adventure."

The third season, set to debut in 2025, is officially under way with production continuing in Toronto.

Star Trek: Strange New Worlds renewed for Season 4 statement from Akiva Goldsman, Henry Alonso Myers, and Alex Kurtzman

Star Trek: Strange New Worlds is based on the years Captain Christopher Pike manned the helm of the U.S.S. Enterprise . The series features fan favorites from Season 2 of Star Trek: Discovery — Anson Mount as Captain Christopher Pike, Rebecca Romijn as Number One and Ethan Peck as Science Officer Spock. The series follows Captain Pike, Science Officer Spock and Una Chin-Riley (Number One) in the years before Captain Kirk boarded the U.S.S. Enterprise , as they explore new worlds around the galaxy.

Star Trek: Strange New Worlds also stars Jess Bush as Nurse Christine Chapel, Christina Chong as La’An Noonien-Singh, Celia Rose Gooding as Nyota Uhura, Melissa Navia as Erica Ortegas and Babs Olusanmokun as Dr. M’Benga.

Star Trek: Strange New Worlds is produced by CBS Studios, Secret Hideout and Roddenberry Entertainment. Akiva Goldsman and Henry Alonso Myers serve as co-showrunners. Goldsman, Alex Kurtzman and Jenny Lumet serve as executive producers in addition to Alonso Myers, Heather Kadin, Frank Siracusa, John Weber, Rod Roddenberry, Trevor Roth and Aaron Baiers.

Watch the first two seasons of Star Trek: Strange New Worlds now!

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Star Trek: Strange New Worlds streams exclusively on Paramount+ in the U.S., U.K., Australia, Latin America, Brazil, South Korea, France, Italy, Germany, Switzerland and Austria. In addition, the series airs on Bell Media’s CTV Sci-Fi Channel and streams on Crave in Canada and on SkyShowtime in the Nordics, the Netherlands, Spain, Portugal and Central and Eastern Europe. Star Trek: Strange New Worlds is distributed by Paramount Global Content Distribution.

John Trimble attends the Star Trek: Discovery Season 1 red carpet premiere and flashes the Vulcan salute

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Commander Rayner (Callum Keith Rennie) isn’t thrilled by this prospect, pointing out before she leaves that it’s too dangerous a mission for a captain to undertake. But Burnham disagrees that this is enough of a reason to stop her; it’s a nice reminder that this is a show and a character that originated in the time of James T. Kirk, a time when captains didn’t stay behind in the face of danger.

But it’s not only that, there’s something else going on. Burnham gives Rayner permission to be blunt, quoting a classic work on Rayner’s native Kellerun , The Ballad of Krull , asking him to “serve it without a crumb of ossekat .” (As far as made-up Star Trek idioms go, that’s a pretty good one.)

It’s also the beginning of a sudden and relentless onslaught of references to Rayner’s culture, but more on that later. What’s Rayner’s problem? He’s uncomfortable with the prospect of being left in command of a ship and crew that aren’t “his.” Welcome to being second in command, buddy.

Book and Burnham take off, heading into the wormhole and finding it to be an inhospitable place. They quickly drop out of communication range with Discovery , there’s ship debris everywhere, including the wreckage of Moll and L’ak’s ship…. and what’s that, the ISS Enterprise ?!

(A side note before we get too excited about that: what is the deal with all the empty space in the new shuttlecraft set, introduced in last season’s “All Is Possible”? The two pilot seats looked like they were crammed into the corner of a huge unfurnished room.)

Okay, Enterprise time. Burnham and Book rightly surmise that this is where Moll and L’ak must have escaped to and beam to the ship, which of course turns out to be a redress of the Strange New Worlds standing sets. A quick scan identifies that no one else is aboard — though the clue, which Moll and L’ak have found, does also have a lifesign, hmm — and that Moll and L’ak are holed up in sickbay. Burnham takes a few moments to ponder her visit to the Mirror Universe back in Season 1 and wonder what the alternate version of her half-brother Spock might have been like (bearded, for one).

And aside from some brief storytelling about Mirror Saru’s role as a rebel leader, that’s about it for the Terran Empire of it all. Star Trek: Discovery has spent plenty of time in and around the Mirror Universe already, and I personally don’t think they need to revisit it again. But introducing the ISS Enterprise — the ship that started it all with The Original Series ’ “Mirror, Mirror” — and then not doing anything momentous with it? Strange decision, and one that makes it ultimately feel more like this was a way for the show to get to reuse a set on the cheap than it does a materially significant addition to the episode.

In fact, in some ways it’s actually a detriment to the episode. If the action had been set on any other ship it would have been fine, but being on the ISS Enterprise I kept expecting something — like seeing Paul Wesley as Mirror Kirk slinking around, or finding Anson Mount camping it up as Mirror Pike in a personal log. If they’d set the action on a generic derelict ship, what we got wouldn’t have seemed like a let down. As it is though, I kept waiting for the other shoe to drop… and it simply never did.

Maybe in a subsequent episode, it’ll turn out that there’s an advantage in having an entire functional starship composed of atoms from another universe at Starfleet’s disposal — or to have a convenient collection of Constitution -class sets available for that Starfleet Academy show to borrow once in a while — but until that happens (if it even does) the use of the ISS Enterprise just seems like a name drop and a “We have to set the action somewhere , why not here?” instead of a significant use of the setting and the huge amount of lore and history that comes with it.

It’s like setting something aboard the Titanic without ever mentioning any icebergs.

As Burnham and Book make their way down to sickbay they do find evidence that the ship was being used in a way that seemed unusually gentle for a Terran Empire vessel: signs that children and families were aboard at one time, and that they were the kind of people sentimental enough to have keepsakes and favorite stuffed animals. But again, nothing about this seems like it needs the Mirror Universe connection. Ships of people trying to escape adversity are already a Star Trek staple.

Burnham and Book find Moll (Eve Harlow) and L’ak (Elias Toufexis) in sickbay, and after a valiant but ultimately unsuccessful attempt at getting them to surrender, everyone starts shooting. Moll and L’ak have a Breen blood bounty — an erigah — on their heads and surrender is simply not an option. During the firefight a lockdown is triggered, forcefields coming down that split the group into pairs: Burnham and L’ak stuck in sickbay, while Book and Moll able to go back to the bridge to try and reset sickbay.

Pairing off also gives Book the opportunity to continue his efforts to connect with Moll, and I have to say, I don’t think I’m a fan. Setting aside the portion of this that’s purely a strategic attempt to forge a connection with someone who is very to keen to kill him, my first reaction to the way Book talks to Moll about her father (and his mentor) was distaste.

I don’t think Book meant it this way, but the way he’s written in these scenes feels unpleasantly close to the “Well, he was a great guy to me , I never saw him do anything bad” response that’s sometimes made to accusations of misconduct. A person can be wonderful to some people in their life and terrible to others; both experiences are true for the people who received them, but they’re not mutually exclusive.

Book is preternaturally empathetic, and yet he doesn’t seem to see how continually assuring Moll that her father loved her is an act that’s both unwanted and actively painful for Moll to hear. I understand that Book is just trying to bring a sliver of comfort to Moll – but in the process he’s dismissing her own experiences of her father and his place in her life. Unless Moll asks him for this, it’s really none of Book’s business.

I suspect they’re setting up Moll’s character for a nice, cathartic arc where she comes to terms with her life, forgives her father, releases her past, whatever. And when that happens in real life that’s great — but it doesn’t always, and that’s okay too. If Moll never sees in her father the man Book saw in his mentor, it’s not a character failing. Discovery is really hammering home the theme of confronting one’s past in order to take control of one’s present and future, and I think it would be valuable if they included an example of a character learning to do the latter… without having to be okay with the former.

And to return to a question I posed in my review of “Under the Twin Moons,” I know Book is isolated and excruciatingly lonely after the destruction of Kweijan and his split with Michael, but the weight he’s placed on his relationship with Moll as “the closest thing he has to family” seems like he’s setting himself up for disappointment. Maybe I’m just a cynic, but this does not feel like a hopeful storyline to me. Not everyone wants to be family, and right now it doesn’t seem like Moll’s been given much of a choice in the matter — despite her frequent and very powerful explanations of why she’s not interested.

Clearly frustrated with Book’s topic of conversation and desperate to return to L’ak, Moll makes a reckless decision to brute-force a solution and overload some circuits. It works, and the forcefields in sickbay come down, but it also sends the Enterprise onto an unstoppable collision course with the too-small-to-pass-through and also going-to-be-closing-forever-soon wormhole. They’ve got eight minutes to figure this out.

Meanwhile aboard Discovery , we see Rayner’s struggles to interact with the crew. This thread could have gone so many different ways, Rayner seeming “too good” for a temporary command, him seeing this as his chance to do things “better” than Burnham or show how it’s “really done,” but instead the show takes the much more subtle and satisfying route: Rayner is deeply respectful of the captaincy, as a rank and a role, and really doesn’t want to step on Burnham’s authority.

He’s more than willing to disagree with her on command decisions , but he doesn’t question her command . And more personally, he doesn’t want his gruffness and lack of experience with this crew to cause problems. He’s trying, in his own Rayner way, and more importantly he’s succeeding — and, as we see as he shepherds the crew through figuring out how to communicate with and then rescue Book and Burnham, the crew does their part and meets him halfway.

Rayner is learning that he needs to tone down his temperament just enough that he doesn’t come across as an actual asshole to this crew, and the crew is learning that his gruffness isn’t a sign of disrespect but simply a desire to cut to the chase and get to direct, actionable information with a minimum of fluff. There are shades of Nimoy’s Spock or Voyager -era Seven of Nine here, but couched within a distinctly different temperament, and it’s fascinating to watch. I’d love to have seen him interacting with the crew of the Antares , where he presumably felt more comfortable.

The interpersonal stuff with Rayner and the crew is great; where Rayner’s thread feels distractingly like a box being checked is the explosion of “Rayner is a Kellerun!” being shouted from the bulkheads. I could practically hear the writers yelping out a panicked “Oh crap, we forgot to say what kind of alien Rayner is!”

Again, Discovery is back to its old self with the clunky, heavy-handed, and oddly paced character work. Rayner goes from having zero cultural touchstones to having about five in the span of the 15-20 minutes of screentime that his story gets this week. They’re good touchstones, don’t get me wrong — I’m skeptical of Kellerun citrus mash, I have to be honest, but I’d give it a try; not so sure about boiling a cake though — they’re just very present .

As with Rayner’s alienness, the frequent flashbacks throughout the episode to Moll and L’ak’s meeting and courtship feel like a “We forgot to explain this and now we’re trying to reference it!” correction. The content of the flashbacks is fine, there’s a lot of interesting Breen worldbuilding for a species that’s been mysterious from the start — and watching Moll and L’ak’s relationship grow from one of mutual convenience to one of true love is genuinely moving. But the way it’s woven into an episode that, again, feels like it’s composed of bits and pieces of storyline, makes it hard to shake the sense that I was watching a To Do list get checked off.

By the time the season is over it might be clear that there was simply no extra room to give a full episode over to Moll and L’ak’s meeting, or maybe an episode without any of the main cast wasn’t something they were willing or contractually able to do, but I would have loved if these flashbacks were pulled out and expanded into a full-length episode of their own. Some of the worldbuilding felt hasty to the point of hindering the emotional beats — at times I wondered if I’d forgotten a whole bunch of Breen lore and at others I was just trying to keep up with what was going on.

For example, my confusion about L’ak’s comment about having two faces, which Moll seemed to completely understand — “Duh, everyone knows the Breen have two faces” — was a distraction in the middle of an otherwise nice and significant moment. This is later clarified as the translucent face and the solid face, but again I was distracted from fully appreciating an interesting bit of Breen culture because I was busy applying what I’d just learned back to the previous scene.

The quickly (and maybe not totally clearly articulated notion) that Breen deliberately restrict themselves to their translucent form for reasons that are entirely to do with avoiding any perception of weakness is a potent if hasty bit of social commentary, and as I said I nearly didn’t catch it.

Whether holding the translucent form requires the armor for protection or the armor necessitates the translucent form — it seems like it would be more comfortable wearing that helmet all the time if you were the texture and consistency of lime jello — this is surely a metaphor for the increasingly rigid, isolating, and emotionally and sometimes physically unhealthy things men in certain circles feel they must do to be appropriately masculine. Seeing L’ak free himself from that rigidity is powerful.

With the forcefields in sickbay down, Burnham and L’ak immediately spring into action: Burnham trying to get the artifact from L’ak and L’ak simply trying to get away. They fight, and Burnham impressively proves she can hold her own against a Breen. When L’ak accidentally falls on his own blade, Burnham grabs the clue and speeds to the bridge where she manages to get a message to Rayner through some tractor beam trickery. The message? Another reference to that classic of Kellerun literature that gives Rayner the info he needs. Hey, did you know Rayner was a Kellerun?

The ISS Enterprise makes it through the wormhole, Moll and L’ak zip away in an escape pod, and it’s time to wrap things up. We head to Red’s for a quick but significant moment between Tilly (Mary Wiseman) and Culber (Wilson Cruz), as Tilly offers advice and an ear to a Culber who’s going through a quiet existential – maybe also spiritual? – crisis.

OBSERVATION LOUNGE

In addition to the dedication plaques on the bridge, the ISS Enterprise has an additional plaque in its transporter room — one which, despite recounting the heroism of rebel action hero Mirror Saru, still states “Long Live the Empire.”
The transporter room plaque is marked with “Stardate 32336.6,” which is about 9 years before the events of “Encounter at Farpoint.”
The plaque describes the fate of Mirror Spock, who was killed after instituting the reforms which later led to the fall of the Terran Empire (as described in DS9’s “Crossover”).

The full text of the ISS Enterprise transporter room plaque:

The new High Chancellor presented hope and justice as if they were natural to our world. His words, “The light of hope shines through even the darkest of nights” became our rallying cry. He spoke of reform, and changed many of us. But some saw this as weakness. They killed him, and we sought help from an unlikely ally: A Kelpien slave turned rebel leader. He spoke of visitors from another world… a near perfect mirror cast our darkness into light. With his aid we secured the Enterprise and stayed behind to continue his work. We bear scars from our escape, but our hope remains. May it carry us into a pristine, peaceful, and just future.

Not counting L’ak’s previous appearances this season, this episode marks the first time we have seen the Breen in live action since their involvement in the Dominion War in Deep Space Nine. (The species has appeared in Star Trek: Lower Decks three times.)
The 32nd century Breen wear updated encounter suits clearly based on the designs introduced in Deep Space Nine ; their digital speech is extremely faithful to the incomprehensible noises Breen soldiers have spoken in past appearances.
Given the fact that Moll appears to be just fine in the environment of the Breen ship, I guess Weyoun was right when he said the Breen homeworld was “quite comfortable” in “The Changing Face of Evil.”
When L’ak is stabbed he gently oozes some green goo — but as we learned in “In Purgatory’s Shadow,” Breen do not have traditional humanoid blood.

During his time in command of Discovery , Rayner never sits in the captain’s chair.
This episode closes with a dedication plaque that reads “In loving memory of our friend, Allan ‘Red’ Marceta”. Marceta was, I presume, the namesake for Discovery’s bar.
Someone aboard Discovery keeps a Cardassian vole as a pet. Going by Tilly’s reaction, and what we know from Deep Space Nine , this is not a good thing.
Linus (David Benjamin Tomlinson) plays a mean piano.
Owosekun and Detmer get the off-screen cherry assignment of flying the ISS Enterprise back to Federation Headquarters, alone. I’m thinking that’s going to inspire some fanfic…

We don’t learn what this week’s clue is, though we know there’s a blue vial tucked away inside it, but we do learn that the crew of the ISS Enterprise did indeed make it to our universe. The scientist responsible for hiding this particular clue there was one of them, a Dr. Cho, who eventually made it all the way to branch admiral.

They strove for something positive and succeeded against all odds. Hopefully Discovery will be able to do the same as they continue their pursuit of Moll, L’ak, and the Progenitors.

Star Trek: Discovery Season 5 returns with “Whistlespeak” on Thursday, May 2.

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S2.E1 ∙ The Broken Circle

S2.E2 ∙ Ad Astra Per Aspera

S2.E3 ∙ Tomorrow and Tomorrow and Tomorrow

S2.E4 ∙ Among the Lotus Eaters

S2.E5 ∙ Charades

S2.E6 ∙ Lost in Translation

S2.E7 ∙ Those Old Scientists

S2.E8 ∙ Under the Cloak of War

S2.E9 ∙ Subspace Rhapsody

S2.E10 ∙ Hegemony

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