the cinematic orchestra tour

The Cinematic Orchestra - Every Day (20th Anniversary Edition)

'every day (20th anniversary edition)', out now on ninja tune., the cinematic orchestra, man with a movie camera / 20th anniversary edition out now.

2LP limited edition ashen and pewter grey 140g vinyl. Housed in a rigid tip-on foiled, embossed and debossed gatefold sleeve with new liner notes and updated artwork. Black paper inners and unseen session photography presented on a 12” double sided art card insert. Download code included.

Every Day / 20th Anniversary Edition Out Now

3LP limited edition translucent red 140g vinyl featuring four bonus tracks from the time, some not released on vinyl before. Housed in a gatefold sleeve and black paper inners with photography presented on a 12” double sided art card insert. Download code included.

Ma Fleur / 2021 Reissue Out Now

Limited edition double clear 140g vinyl featuring three bonus tracks from the time that have never been released on vinyl before. Housed in a gatefold sleeve with four double sided art cards. Download card included.

To Believe / Remixes Out Now

To Believe / The New Album Out Now

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The Cinematic Orchestra is a British electronic nu-jazz collective from London, England. Formed of Jason Swinscoe, Phil France, Luke Flowers, Tom Chant, Nick Ramm and Stuart McCallum the group came into being in 1999.

The Cinematic Orchestra are known for mixing their live, improvisational recordings in with their polished production such that their fans are always questioning which elements are improvised genius and which are meticulously planned.

The band first came into being when founding member Jason Swinscoe was asked to live-score the Soviet classic film “Man With a Movie Camera” with his band Crabladder. The band that worked on the project enjoyed the live and improvisational nature of this experience so much that they formed The Cinematic Orchestra and ended up touring with the work and even releasing it as an album.

The Cinematic Orchestra has released three albums: 1999’s “Motion”, 2002’s “Every Day” and 2007’s “Ma Fleur”. While the albums failed to chart in the UK the group’s work is well known due to the many opportunities the group has had to write music or score for television shows and movies. The group recorded the soundtrack to the Disney film “The Crimson Wing: Mystery of the Flamingos” and they were also invited to score a collection of avant-garde films what were shown at the Barbican Centre in London. In addition to this, the group’s work has appeared on numerous television shows including “One Tree Hill”, “Ugly Betty”, “Top Gear” and “Hollyoaks” amongst others.

Live reviews

Being signed to an independent label really has done wonders for TCO. Their original electronic jazz that seems to transcend time and space encapsulates the audience in a way that a mainstream manufactured label would never allow, maintaining the authenticity of the groups' origins.

Watching the artists perform live, brings a whole new sense to their music. Whilst on a recording, you are able to appreciate the skill, competency, and creativity of the tracks, seeing a live performance is really eye opening to the sheer talent of the group. Watching one man handle three keyboards at once with such precision is simply mind blowing to experience.

They worked through their back catalogue, playing their more famous tracks that have been played on numerous adverts, to which everyone was bobbing along appreciatively. The newer tracks, however, seemed to initiate a tranquility throughout the stadium. As the gig was seated, the entire audience seemed to raise a little higher in their chairs, engaged and enthralled in the performance.

An absolutely wonderful band to watch live, you will gain a whole new level of appreciation for these guys, can't wait to see them again.

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The Cinematic Orchestra, like a tin of ronseal paint, it does exactly what it says on the label. The band creates cinematic, spanning nu-jazz sounds supported by a huge orchestra. Headed up by group founder Jason Swinscoe, the band has been touring since the late 90s and despite several lineup changes, the sound has remained unaltered.

The setup is classic yet the music is often experimental and there is a sense of unpredictability about the shows. The music created is chilling and really stop each audience member in their tracks as you are entrapped in the band's cinematic world. Opener 'Dream Work' 'Outer Space' and 'Lapis' all seem to merge effortlessly into one and other as the luscious percussion and string notes echo around the venue.

The crowd is captivated and willing to offer standing ovation for each track yet you feel you would be disrupting the band's personal zone that they each appear so transfixed within. Therefore as the final heavenly tones of 'All That You Give' fade the audience compensate for a reserved nature and gift the performers with a rapturous applause as the whole venue is on its feet.

Great show by a great group! :)

At last I could see them in concert which is a thing I had been waiting for forever.

A good balance between "old" (and so good!) classics and titles from the last album, which is great by the way.

The concert hall was quite small, which enhanced the intimate ambiance of the show, so that's a really good thing as it was a really nice place.

The only thing I would notice as a minus from my experience is that they pushed the sound level too high which revealed the limitations of their sound system, that gave me some ringing in the ears for a few hours after the show.

Given the size of the stage they could have easily lowered the sound by 10% and we still would have had enough sound to hear everything, without the saturation and distortion we had during some high energy moments of the show.

Other than that I really enjoyed the show and will go again listen to this great group as soon as they come back in the area! :)

A little disappointing... I've seen the Cinematic Orchestra four or five times now and it's always had something special about it. This time round it was billed as "a special event" but it lacked that magic that I've seen from them so many times before. Songs seemed to fizzle out in to extended meandering outros, solos lacked direction, vocals lacked passion. When I saw them at Hammersmith a year ago, it was so good that at one point I was reduced to tears. There was no chance of that this time around. Added to that, the Apollo was FAR too full. I don't know what the capacity is there, but something needs to be re-thought because it was massively overcrowded - I saw one person having to be helped out mid-way through the gig, and the entire experience was like being on the rush hour tube. I'm sure I'll buy tickets to see the cinematics again when they play next, but I'll do so with some hesitation

As far as I know, they haven't played here for 12 years. I'm surprised the Regency wasn't sold out, but I got to enjoy them more with less hassle. The band opened with a song from their newest release and quickly moved into an all-time favorite 'Man with a movie camera'. They are all very good musicians and singers and put on a great performance without antics. The lighting technician also did excellent work by casting shadows at important moments. J Swinscoe introduced all the players at the end and they all took a final bow, which was pleasantly unusual for bands these days.

I will not reccommend The Regency Ballroom as the prices for drinks are high, as anywhere, but they measure the quantity to the smallest amount possible. (Must be corporate owned)

The sound quality made listening to the music like listening to a reversing bin lorry filled with dog toys. On top of that, the balcony at the venue was like a Tokyo crossroad in rush hour. They sold way more tickets than they have seats, so we were stood at the back, near the bar, listening to music that sounds like it's being shouted through a motorola held near a megaphone, looking at the backs of the heads of other disappointed people. I drank a blue WKD out of sheer boredom, and in the vain hope my pancreas would fail and I'd be allowed to leave. In the end my wife and I agreed we should just go home 30 minutes into their set. We weren't the only ones.

Well what a stupendous concert that was. Shifting between gentle moody vocal pieces and driving electro-jazz, plus other musical styles in between, the Cinematic Orchestra gave a master class in mind blowing genre hopping.

Mixing some of the more known tracks with examples of recent pieces meant familiarity was blended with discovery as the carefully crafted songs were executed with top musicianship. Such wonderful musical landscapes, growing and shifting, some simple, some more complex, with chances for each musician to shine in a drum solo, a sax piece or on the violin .

I absolutely loved it! Thanks

A truly inspiring display of talent and beautiful music.

The cinematic orchestra's performance was one of new and old tracks each delivered with a captivating charm in a way only they know how,a particular highlight for me was Luke flowers effortless ability to hold it all together with some of the best drum chops you will ever hear!!

The sound in the Eventium Apollo was absolutely spot on making all the vocal performances rich and clear.

The only negative about the evening was the fact it finished!!! *****

The supporting band had way to much base going on , it drowned out the female singer voice , and near burst my ear drums in the process , the Cinamatic orchestra although very loud , had less base , and a better set up completely , after standing up for 4 hours , I was in need of a sit down , I think the new tracks sounded good and all the singers were top notch , I think their new album will be jazz orientated by the sounds , who knows , a top band but I was ready for home and a rest afterwards

Beautiful music, of course, but the sound was really muddy, and it's really not the right environment to enjoy such complex sound- people chatting constantly and drunken messing about ruins the atmosphere. You'd be better off getting a good soundsystem or headphones and turning it up loud at home TBH. Save your money, buy their albums, or go see them in a proper classical concert hall where you can sit down and people respect the music.

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New Century

Le Bataclan

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The Cinematic Orchestra tour dates and tickets 2024-2025 near you

Want to see The Cinematic Orchestra in concert? Find information on all of The Cinematic Orchestra’s upcoming concerts, tour dates and ticket information for 2024-2025.

The Cinematic Orchestra is not due to play near your location currently - but they are scheduled to play 3 concerts across 3 countries in 2024-2025. View all concerts.

Next 3 concerts:

• Ghent, Belgium
• Rome, Italy
• Istanbul, Turkey

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The Cinematic Orchestra Concert Setlists & Tour Dates

Upcoming shows.

• Date and Venue Doors Scheduled
• Jul 20 2024 Gent Jazz 2024 Ghent, Belgium Add time Add time Add times

The Cinematic Orchestra at Aula Magna, Lisbon, Portugal

• The Projectionist
• The Awakening Of A Woman (Burnout)
• Reel Life (Evolution II)
• Evolution (Porto edit)
• Work It! (Man With the Movie Camera)
• Thème de Yoyo
• The Magician
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The Cinematic Orchestra at Casa da Música, Porto, Portugal

The cinematic orchestra at national concert hall, dublin, ireland.

• Man with the Movie Camera

The Cinematic Orchestra at New Century Hall, Manchester, England

The cinematic orchestra at le bataclan, paris, france.

• The Awakening Of A Woman

The Cinematic Orchestra at Royal Festival Hall, London, England

The cinematic orchestra at narodowe forum muzyki, wrocław, poland, the cinematic orchestra at klub stodoła, warsaw, poland, the cinematic orchestra at klub studio, kraków, poland, the cinematic orchestra at the queen's hall, edinburgh, scotland.

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• Man with the Movie Camera ( 65 )
• All That You Give ( 56 )
• Flite ( 51 )
• Ode to the Big Sea ( 49 )
• To Build a Home ( 48 )

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379 people have seen The Cinematic Orchestra live.

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The Cinematic Orchestra

Latest setlist, the cinematic orchestra on october 30, 2023.

Aula Magna, Lisbon, Portugal

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The Cinematic Orchestra Set First North American Tour in Over a Decade

By Daniel Kreps

Daniel Kreps

British electronic jazz group the Cinematic Orchestra have announced a rare tour of North America, their first trek on this side of the Atlantic in over a decade.

The 23-date jaunt opens October 27th in Houston, Texas and wraps a month later at Los Angeles’ Walt Disney Concert Hall on November 24th.

The Cinematic Orchestra, who perform live alongside a seven-piece ensemble, are touring in support of their recent album To Believe , the duo’s first LP since 2007’s Ma Fleur .

Cinematic Orchestra Tour Dates

October 27 – Houston, TX @ White Oak Music Hall October 28 – Austin, TX @ Mohawk October 29 – Dallas, TX @ Canton Hall October 30 – Nashville, TN @ Exit / Inn October 31 – Atlanta, GA @ The Loft November 1 – Asheville, NC @ Orange Peel November 2- Washington, DC @ 9:30 Club November 3 – Philadelphia, PA @ Union Transfer November 5 – Brooklyn, NY @ Brooklyn Steel November 7 – Boston, MA @ Paradise November 8 – Quebec City, QC @ Palais Montcalm November 9 – Montreal, QC @ Corona Theater November 10 – Toronto, ON @ Danforth Music Hall November 11 – Detroit, MI @ Russell Industrial November 12 – Chicago, IL @ Thalia Hall November 14 – Iowa City, IA @ Englert Theatre November 15 – Denver, CO @ Gothic Theater November 16 – Salt Lake City, UT @ Metro Music Hall November 18 – Seattle, WA @ The Neptune November 19 – Vancouver, BC @ Vogue Theatre November 20 – Portland, OR @ Wonder Ballroom November 22 – San Francisco, CA @ Regency Ballroom November 23 – Los Angeles, CA @ Walt Disney Concert Hall

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The Cinematic Orchestra

The Cinematic Orchestra has announced a 20th anniversary tour of the "Man With A Movie Camera" album. Live performances will include songs from the album with new visuals. The project always draws inspiration from the Soviet silent film classic "The Man with the Camera" by Dziga Vertov . Since debuting "Motion" in 1999, The Cinematic Orchestra has sold hundreds of thousands of albums and performed on some of the world's most celebrated stages including London's Royal Albert Hall and the Sydney Opera House.

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Man With A Movie Camera 20th anniversary tour 02 OCTOBER 2023 NATIONAL CONCERT HALL

Tickets: €34.50 – On Sale now

The Cinematic Orchestra unveils the 20th Anniversary Man With A Movie Camera Tour & Deluxe LP Reissue. As part of this tour the band will be performing in Dublin’s National Concert Hall for one night only on 02 October 2023.

Listen to ‘Man With A Move Camera’ now

“ You can perform an autopsy on the jazz instruments, DJ Shadow-like grooves and repeating chord sequences, yet come away scratching your head as to how they make such heartfelt music ”   The Guardian

This will be their first Irish show since their sold out date at Vicar St in 2019.

Tickets are on now from the NCH Box Office 

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About the band and the show

Since debuting with “Motion”, in 1999, The Cinematic Orchestra have sold hundreds of thousands of albums, generated over a billion streams and enjoyed critical support from the likes of Pitchfork, The Guardian, New York Times, Le Monde, Resident Advisor, Fader, Crack, Rolling Stone, Gilles Peterson, Benji B, Jason Bentley and Mary Anne Hobbs . 

The band have performed to larger and larger audiences and sold out the likes of London’s Royal Albert Hall, Philharmonie de Paris, Rome’s Auditorium Park Della and the Sydney Opera House. Coachella, Glastonbury, Fuji Rock, Montreux and Sonar have all played host to the band’s much loved live performances.

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Website: https://www.cinematicorchestra.com/

The Cinematic Orchestra

The Cinematic Orchestra were formed by Jason Swinscoe in 1999. Think lush soundscapes in the vein of John Barry. Minimal backing from drums and double more...

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• DMITRY KORCHAK Playlist 57 great video clips

FULL DMITRY KORCHAK Playlist 57 great video clips

Information on the Performance

• Work Title: DMITRY KORCHAK Playlist   
• Composer: various   
• Libretto: various     Libretto Text, Libretto Index
• Venue & Opera Company: various  
• Recorded: various
• Type: Staged Opera Live
• Singers: Dmitry Korchak
• Conductor: various   
• Orchestra: various  
• Stage Director:   
• Costume Designer:   

Information about the Recording

• Published by: OoV   
• Date Published: 2023   
• Format: Streaming
• Quality Video: 3 Audio: 3
• Subtitles: nosubs   
• Video Recording from: YouTube      FULL VIDEO

ADDITIONAL INFORMATION ON THIS PERFORMANCE

Dmitry Korchak (born February 19, 1979 in Elektrostal/Moscow Oblast) is a Russian tenor and conductor.

Korchak received his musical education at the Moscow Choral Academy. In 2004 he won prizes at the “Francisco Viñas” International Singing Competition in Barcelona and at the Plácido Domingo Operalia International Competition in Los Angeles.

As a singer he has appeared at La Scala in Milan, the Vienna State Opera, the Berlin State Opera Unter den Linden, the Paris Opera Bastille, London’s Covent Garden and New York’s Carnegie Hall. He has collaborated with artists such as Daniel Barenboim, Riccardo Chailly, Plácido Domingo, Lorin Maazel, Zubin Mehta and Kent Nagano.

From 2017 to 2020, Dmitry Korchak was Principal Guest Conductor at the Novosibirsk Academic Opera and Ballet Theater, where he directed his own festival, and Guest Conductor at the Mikhailovsky Theater in Saint Petersburg.

Korchak has made several guest appearances at the Kissinger Sommer, the Salzburg Festival and the Rossini Festival in Pesaro, where he also worked as a conductor. Korchak also worked with the Bavarian Radio Orchestra and the Chicago Symphony Orchestra, among others.

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Watch ‘Jurassic Park’ with a live performance of the score by The Syracuse Orchestra

SYRACUSE, N.Y. (WSYR-TV) — You can watch all things dinosaurs, but better.

The Syracuse Orchestra will have a live showing of the original Jurassic Park film, while they play along to the music as you see it on screen.

The performance will be on Saturday, May 18, at 7:30 p.m. at the Crouse Hinds Theater.

Click here for tickets.

The action-packed adventure pits man against prehistoric predators in the ultimate battle for survival. Featuring visually stunning imagery and groundbreaking special effects, this epic film is sheer movie magic 65 million years in the making, said the Syracuse Orchestra.

The movie will be projected in HD.

Sean O’Loughlin will conduct.

“Bring the family – kids under 18 are free! – and grab some popcorn at the concession,” Pam Murchison, The Syracuse Orchestra’s executive director, said. “Take the wild, adventurous, and sometimes terrifying ride through Jurassic Park with live, symphonic music enhancing the already awesome experience. This is as all-encompassing a movie event, as you’ll ever have. Don’t miss it!”

This cinematic event is an exciting finish to The Syracuse Orchestra’s 11th concert season.

For the latest news, weather, sports, and streaming video, head to WWTI - InformNNY.com.

Moscow Metro Tour

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Description

Moscow metro private tours.

• 2-hour tour $87:  10 Must-See Moscow Metro stations with hotel pick-up and drop-off
• 3-hour tour $137:  20 Must-See Moscow Metro stations with Russian lunch in beautifully-decorated Metro Diner + hotel pick-up and drop off. 
• Metro pass is included in the price of both tours.

Highlight of Metro Tour

• Visit 10 must-see stations of Moscow metro on 2-hr tour and 20 Metro stations on 3-hr tour, including grand Komsomolskaya station with its distinctive Baroque décor, aristocratic Mayakovskaya station with Soviet mosaics, legendary Revolution Square station with 72 bronze sculptures and more!
• Explore Museum of Moscow Metro and learn a ton of technical and historical facts;
• Listen to the secrets about the Metro-2, a secret line supposedly used by the government and KGB;
• Experience a selection of most striking features of Moscow Metro hidden from most tourists and even locals;
• Discover the underground treasure of Russian Soviet past – from mosaics to bronzes, paintings, marble arches, stained glass and even paleontological elements;
• Learn fun stories and myths about Coffee Ring, Zodiac signs of Moscow Metro and more;
• Admire Soviet-era architecture of pre- and post- World War II perious;
• Enjoy panoramic views of Sparrow Hills from Luzhniki Metro Bridge – MetroMost, the only station of Moscow Metro located over water and the highest station above ground level;
• If lucky, catch a unique «Aquarelle Train» – a wheeled picture gallery, brightly painted with images of peony, chrysanthemums, daisies, sunflowers and each car unit is unique;
• Become an expert at navigating the legendary Moscow Metro system;
• Have fun time with a very friendly local;
• + Atmospheric Metro lunch in Moscow’s the only Metro Diner (included in a 3-hr tour)

Hotel Pick-up

Metro stations:.

Komsomolskaya

Novoslobodskaya

Prospekt Mira

Belorusskaya

Mayakovskaya

Novokuznetskaya

Revolution Square

Sparrow Hills

+ for 3-hour tour

Victory Park

Slavic Boulevard

Vystavochnaya

Dostoevskaya

Elektrozavodskaya

Partizanskaya

Museum of Moscow Metro

• Drop-off  at your hotel, Novodevichy Convent, Sparrow Hills or any place you wish
• + Russian lunch  in Metro Diner with artistic metro-style interior for 3-hour tour

Fun facts from our Moscow Metro Tours:

From the very first days of its existence, the Moscow Metro was the object of civil defense, used as a bomb shelter, and designed as a defense for a possible attack on the Soviet Union.

At a depth of 50 to 120 meters lies the second, the coded system of Metro-2 of Moscow subway, which is equipped with everything you need, from food storage to the nuclear button.

According to some sources, the total length of Metro-2 reaches over 150 kilometers.

The Museum was opened on Sportivnaya metro station on November 6, 1967. It features the most interesting models of trains and stations.

Coffee Ring

The first scheme of Moscow Metro looked like a bunch of separate lines. Listen to a myth about Joseph Stalin and the main brown line of Moscow Metro.

Zodiac Metro

According to some astrologers, each of the 12 stops of the Moscow Ring Line corresponds to a particular sign of the zodiac and divides the city into astrological sector.

Astrologers believe that being in a particular zadiac sector of Moscow for a long time, you attract certain energy and events into your life.

Paleontological finds 

Red marble walls of some of the Metro stations hide in themselves petrified inhabitants of ancient seas. Try and find some!

• Every day each car in  Moscow metro passes  more than 600 km, which is the distance from Moscow to St. Petersburg.
• Moscow subway system is the  5th in the intensity  of use (after the subways of Beijing, Tokyo, Seoul and Shanghai).
• The interval in the movement of trains in rush hour is  90 seconds .

What you get:

• + A friend in Moscow.
• + Private & customized Moscow tour.
• + An exciting pastime, not just boring history lessons.
• + An authentic experience of local life.
• + Flexibility during the walking tour: changes can be made at any time to suit individual preferences.
• + Amazing deals for breakfast, lunch, and dinner in the very best cafes & restaurants. Discounts on weekdays (Mon-Fri).
• + A photo session amongst spectacular Moscow scenery that can be treasured for a lifetime.
• + Good value for souvenirs, taxis, and hotels.
• + Expert advice on what to do, where to go, and how to make the most of your time in Moscow.

Write your review

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Moscow Metro 2019

Will it be easy to find my way in the Moscow Metro? It is a question many visitors ask themselves before hitting the streets of the Russian capital. As metro is the main means of transport in Moscow – fast, reliable and safe – having some skills in using it will help make your visit more successful and smooth. On top of this, it is the most beautiful metro in the world !

. There are over 220 stations and 15 lines in the Moscow Metro. It is open from 6 am to 1 am. Trains come very frequently: during the rush hour you won't wait for more than 90 seconds! Distances between stations are quite long – 1,5 to 2 or even 3 kilometers. Metro runs inside the city borders only. To get to the airport you will need to take an onground train - Aeroexpress.

RATES AND TICKETS

Paper ticket A fee is fixed and does not depend on how far you go. There are tickets for a number of trips: 1, 2 or 60 trips; or for a number of days: 1, 3 days or a month. Your trips are recorded on a paper ticket. Ifyou buy a ticket for several trips you can share it with your traveling partner passing it from one to the other at the turnstile.

On every station there is cashier and machines (you can switch it to English). Cards and cash are accepted. 1 trip - 55 RUB 2 trips - 110 RUB

Tickets for 60 trips and day passes are available only at the cashier's.

60 rides - 1900 RUB

1 day - 230 RUB 3 days - 438 RUB 30 days - 2170 RUB.

The cheapest way to travel is buying Troyka card . It is a plastic card you can top up for any amount at the machine or at the ticket office. With it every trip costs 38 RUB in the metro and 21 RUB in a bus. You can get the card in any ticket office. Be prepared to leave a deposit of 50 RUB. You can get it back returning the card to the cashier.

SamsungPay, ApplePay and PayPass cards.

One turnstile at every station accept PayPass and payments with phones. It has a sticker with the logos and located next to the security's cabin.

GETTING ORIENTED

At the platfrom you will see one of these signs.

It indicates the line you are at now (line 6), shows the direction train run and the final stations. Numbers below there are of those lines you can change from this line.

In trains, stations are announced in Russian and English. In newer trains there are also visual indication of there you are on the line.

To change lines look for these signs. This one shows the way to line 2.

There are also signs on the platfrom. They will help you to havigate yourself. (To the lines 3 and 5 in this case). 

Better than all the rest, 'Tina: The Tina Turner Musical' to stop in Columbus

The 'Queen of Rock 'n' Roll' left the world’s stage last year, but her legacy lives on in “Tina: The Tina Turner Musical.”

The national tour opens May 7 at the Ohio Theatre.

“What they taught us on Broadway, and what Tina herself said, is that this musical was her last labor of love,” tour co-star Ari Groover said.

“In this version of her story, you see the joy she tries to give, even while going through abuse, pain and struggles,” she said.

Groover, who played Tina on Broadway, recalled Turner’s advice to cast members: “To play yourself authentically and honestly is to play me.”

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A feisty singer-songwriter who sold 180 million records and won 11 Grammys, Turner died last May at 83.

“Her passing hit the team hard, because she had a hand in the production and gave her blessing to it,” said music director Dani Lee Hutch, who conducts the 11-member orchestra.

What’s “Tina: The Tina Turner Musical's” focus?

Turner’s self-awareness helped define the musical, which focuses on her difficult childhood, turbulent relationships and career struggles.

“That comes through her music. She lived in an era when music wasn’t overproduced, so that makes it raw and real,” Hutch said.

Turner endured misogyny, racism and ageism − all depicted in the musical, suggested for adults because of violence and profanity.

“She found laughter in life because you have to laugh to keep from crying. That’s why so many people resonate with her story,” Groover said.

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Zurin Villanueva, who alternates with Groover as Tina, agreed.

“She changed her entire life with her mind... the most amazing thing,” Villanueva said.

How Tina Turner got her name

Born Anna Mae Bullock in 1939 in Nutbush, Tennessee, Turner overcame poverty, a divided family and a childhood picking cotton to become a singer.

“Her perseverance was a lifesaver,” Groover said.

Previously called “Little Ann,” she got her stage name from Ike Turner, who remolded her teenage persona after she joined his band in 1956 in St. Louis.

As Tina’s manager and husband, Ike guided the duo’s rise. 

Performing from 1960 to 1976 as the Ike & Tina Turner Revue, they propelled 20 songs onto Billboard Hot R&B charts. Among them: “A Fool in Love,” “Proud Mary,” “River Deep Mountain High” and “Shake a Tail Feather,” all in the show.

Turner connected, Hutch said, through her “incredible voice” and authenticity.

“Her voice had grit and an amazing range spanning octaves. She felt the music deeply,” she said.

How Turner survived

Behind the scenes, though, Tina suffered.

“She began to get out of that abusive relationship, first mentally, then trying to run away, then succeeding in fighting back and leaving,” Villanueva said.

Meanwhile, Tina fell in love with the band saxophonist, got pregnant with his son and struggled to balance motherhood and touring.

“Her 16 years with Ike complicated other family relationships and made it hard for her to become a success in her 40s while maintaining her family,” Groover said.

After suffering for years, Tina separated from Ike in 1976. They divorced in 1978. In her autobiography, Tina later revealed Ike’s physical abuse.

“Something a lot of people don’t see in Tina was her grace and forgiveness to herself,” Groover said.

Private sufferer, public entertainer

After dramatizing Tina's comeback achieving solo stardom in her mid-40s with her “Private Dancer” album, the musical culminates with the singer's record-breaking 1988 concert before 188,000 people in Rio de Janeiro.

“After surviving a tumultuous personal life, she gave her heart and soul to millions onstage... That’s where she felt most comfortable, connecting with people,” Groover said.

With disco, pop, blues, funk, R&B and rock among the genres Tina embraced, the musical’s range is impressive, Hutch said.

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“It’s exciting to play so many different styles. ‘Tina’ walks you through her story but also the different eras she lived through,” she said.

What other hits are performed?

Among the show, other songs are performed that defined Tina's career, such as “I Want to Take You Higher,” “(Simply) The Best,” “We Don’t Need Another Hero” and “What’s Love Got to Do With It.”

Their power is reinforced, Hutch said, by their strategic placement in the show.

“The songs help the story build, going from the personal to the public. The way the story is put together makes you really root for Tina,” she said.

Some scenes begin with Tina singing to other characters, but shift to her concert singing.

“It makes us think of her lyrics in a different way,” Hutch said. 

How the Broadway musical fared

After becoming a still-running London hit in 2018, “Tina” reached Broadway in 2020 and received 12 Tony nominations, including best musical, choreography, lighting and costumes. It won one Tony for Adrienne Warren as the best musical actress.

In London, reviews were mixed-to-positive, with greatest praise for the performers and songs.

“Pretty much every note of nuance is lost in the razzle-dazzle rush... galloping past the biographical milestones of an extraordinary life only long enough to mark them and move on to what the audience has presumably come for: the music,” critic Leah Greenblatt wrote in “Entertainment Weekly.”

An inspiring life

The alternating co-stars approach their role somewhat differently.

“It’s not about impersonating Tina, but finding the Tina inside yourself,” Villanueva said.

Neither actress met Turner, but they find her inspiring.

“I relate to her love, her loyalty, keeping her word and being there for the long haul... We are the masters of our journey,” Villanueva said.

Groover, in turn, admires Turner’s resilient spirit.

“Tina never gave up... Her story is important for women who fear they’re aging out in male-dominated industries like music,” she said. “That was the saving grace of her life... a reminder to keep pushing.”

[email protected]

@mgrossberg1

At a glance

PNC Broadway in Columbus and the Columbus Association for the Performing Arts present “Tina: The Tina Turner Musical” at 7:30 p.m. May 7-9, 8 p.m. May 10, 2 and 8 p.m. May 11 and 1 and 6:30 p.m. May 12 at the Ohio Theatre, 39 E. State St.

Tickets start at $50. For more information, call 614-469-0939 or visit  capa.com .

• Victor Mukhin

Victor M. Mukhin was born in 1946 in the town of Orsk, Russia. In 1970 he graduated the Technological Institute in Leningrad. Victor M. Mukhin was directed to work to the scientific-industrial organization "Neorganika" (Elektrostal, Moscow region) where he is working during 47 years, at present as the head of the laboratory of carbon sorbents.     Victor M. Mukhin defended a Ph. D. thesis and a doctoral thesis at the Mendeleev University of Chemical Technology of Russia (in 1979 and 1997 accordingly). Professor of Mendeleev University of Chemical Technology of Russia. Scientific interests: production, investigation and application of active carbons, technological and ecological carbon-adsorptive processes, environmental protection, production of ecologically clean food.   

Title : Active carbons as nanoporous materials for solving of environmental problems

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