trip a knight

Trip At Knight

August 20, 2021 18 Songs, 49 minutes ℗ 2021 1400 Entertainment, Inc. / 10K Projects

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Trippie Redd

Trippie Redd , SoFaygo

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• Jul 19, 2021

Behind The Cover: TRIPPIE REDD - Trip At Knight

Walking through the tantalizing worlds of Stephen Gibb in preparation for new Trippie.

Words by Luis ( @luis.hoa ):

With blood red hair and a VVS shark teeth grill, TRIPPIE REDD and his accompanying persona stray from the bunch with bravado. Since his 2017 debut, A Love Letter To You , his image has evolved tenfold, capitalizing on his high octane energy with equally vibrant visuals for his album covers and animated music videos that showcase the rapper's lively nature. Speaking on cover art alone, his initial collaboration with Canadian artist Stephen Gibb for Life's A Trip (2018) marked a significant shift in the TRIPPIE REDD catalog, a shift that showcased his daring nature for going beyond what one would consider the norm for rap artwork. Beyond the fact that the record itself is a maelstrom of sound, Life's A Trip presented a perplexing work of limitless interpretation that as expected, stands among fans as a favorite.

Fast forward a few years later and we arrive to the upcoming Trip At Knight , to be released by TenThousand Projects . Few and far between are audiovisual partnerships like that of TRIPPIE REDD and Stephen Gibb , as Trip At Knight would attest. Gibb 's surrealist paintings are a masterclass both spirited and accessible. Beneath the vibrance of his color palette, Gibb layers a variety of statements that spark the mind's imagination. Trip At Knight , and the accompanying single artwork for Holy Smokes , do just that. There's plenty going on, and rightfully so, as it elaborates seamlessly on the balance between ballad and crowd-pleasing rage that TRIPPIE establishes on the musical end. Gibb depicts duality in his signature "bubblegum surrealism" style, finding TRIPPIE at the end of a lollipop with bright sunny skies and gummy bears on one side while UFOs approach a headless knight removing his skull after a fire breathing dragon had removed his helmet prior. It's a crazy description, but even that alone doesn't describe all of what Gibb was able to pack into this year-end contending album cover. Though Trip At Knight has yet to be given a release date, fan speculation would indicate that it's not far from arrival. Regardless of when it happens, TRIPPIE and Gibb have crafted a composition worth the immersion.

We go Behind the Cover of Trip At Knight with Stephen Gibb to learn about the creative process and vibrant duality present throughout his collaborations with the otherwise electrifying TRIPPIE REDD :

Upon the announcement of ‘Trip At Knight’, audiences were taken aback yet again by the lively brilliance of the new cover painting. Visually, what did you aim to achieve with this project with respect to the ideas that Trippie presented?

Gibb : All I had to go off of was the title, so because of the obvious pun, I decided to exploit it in the artwork. I know Trippie has this playful side and I thought it would be fun to do a dark side to the painting and a lighter side with Trippie dominating the more colourful area. On the left, I wanted this night time scene, bits of medieval fantasy and contemplation of mortality. The threat of the dragon looms in the centre and kind of symbolizes the powers beyond our control. The headless knight ponders the skull as he leaks a purple haze from his suit of armour…the smoke bisects the painting and creates a divide between the light and dark parts, like his thoughts are drifting away from his ominous confrontation of death and ascending into a trippy, candy-coated world of psychedelic bliss. I fashioned Trippie as a product to be consumed, which every popular recording artist is essentially packaged to be.

There's plenty to look at and you've detailed it well, especially with there being multiple layers to uncover with each passing view. Seeing as you’re able to integrate Trippie seamlessly within your personified worlds, would you say that his persona is the ideal fit for your signature “Bubblegum Surrealism’’?

Gibb : Yeah, I think it works well together. I think it would be awesome to see an animated movie combining our two worlds!

Animators, take note! llgfx took on the 'Holy Smokes' cover for streaming platforms, so that was cool to see, and then there's KDC Visions who did the track's lyric video, which was fantastic. Great talent aboard the record's visual identity, that's for sure. Stephen, this is of course not the first time you’ve collaborated. You illustrated ‘Life’s A Trip’ (2018) and the single artworks for ‘Miss The Rage’ and ‘Holy Smokes’. How would you describe the collaborative process with Trippie and how has it evolved since ‘Life’s A Trip’?

Gibb : 'Life’s a Trip' was a bit of an experiment—it kept getting bigger and bigger as it developed. Trippie had this idea that it be so crazy-busy that the eye didn’t know where to look next. It grew from my more conservative start to this chaotic collection of characters that I think worked really well. With that completed, I think I earned some trust and with 'Trip at Knight', I was given the freedom to develop more of a concept and a narrative to the whole image on my own. 'Miss the Rage' and 'Holy Smokes' were more directed by him and his team.

Despite the maelstrom of figures and elements present, there's a synchronicity to it, so the goal was definitely met. Looking back at that initial collaboration, did you ever envision having your work represent a full-length record?

Gibb : I thought it would be cool when I was younger and did actually fantasize about it. I grew up with record albums all around me, so the visual impact of what they contained certainly left an impression.

You’ve done several music illustrations since then. Is this perhaps something you’d be interested in continuing to do down the line?

Gibb : As long as it makes sense and doesn’t go in a direction I’m unwilling to go. I have turned down so many potential projects that it’s crazy, simply because I can’t physically manage to do everything and because I just didn’t like the concepts presented to me. Someone requesting me to do something that just doesn’t fit my MO is just torturous to actually do. So, those kinds of commission I have to decline. Album art is pretty fun, so if the jobs that fit my aesthetic keep coming, I will keep doing them.

Here's hoping there are more down the line, like that new cover for Romero Mosley's 'Ro's Colored Glasses' you just shared not long ago. Great stuff! Touching back on ‘Trip At Knight’, is crafting a world around him distinct in any way to your own personal paintings? Cover artwork is of course not among your typical line of work even though you also illustrated for Hope Tala.

Gibb : It is a pretty easy jump from what I do and what Trippie and Hope asked me to do. I just have to keep myself in check a bit and not meander off into the land of Stephen Gibb too much.

At the surface level, your art creates intrigue through a signature happy yet dark visual commentary. There’s a very cheerful use of color that disguises the facial expressions and messaging laying underneath. It’s satirical and it works, encouraging immersion. Seeing as the cover is incredibly distinct to what one would consider a rap album cover, do you feel as though the cover can stand alone as a painting? Or would you argue that it’s synonymous with the records themselves?

Gibb : I think they hold their own in spite of the famous faces, but for fans, they are probably indelibly linked to the music. Either way, people are digging the art as well as the music and it seems to work. And yes, I think it was very daring and inspired for Trippie to use my work in the first place, because it was unusual for rap or hip hop to be linked to imagery like that before.

I'd agree, and it worked like a charm. As mentioned prior, his persona fits right into the vibrant worlds you depict. ‘Trip At Knight’, in addition to ‘Life’s A Trip’ and the single artworks for ‘Miss The Rage’ and ‘Holy Smokes’, is stacked with detail and vivid color use. About how long do these usually take to complete? Surely a lot of patience is needed in seeing these evolve from sketch to final product.

Gibb : At my normal pace, they could take a couple of weeks or up to a month depending on the complexity. As bizarre as this sounds—'Holy Smokes' took me about day because there was some urgency to complete it on a schedule. Don’t expect that out of me every day!

You pulled that together in day? Insane, especially with how these works evolve from sketch to final product, as we're privileged to show above. Like the predecessors, ‘Trip At Knight’ is a masterclass in intentional color use. Though some may deem it insignificant or as simply a marketing element, the color palette holds a great weight and in your works in particular, it’s synonymous with the characters and their facial expressions. How do you approach this particular element of your paintings?

Gibb : There is usually a notion of what colours are going where but until they actually go down I can’t be sure if they will work. One I’ve settled on the main areas of colour, the little nuances and balancing of the rest takes place. I try to balance everything compositionally and chromatically so there is a visual harmony. I know that sounds a little like some kind of formula, and maybe a little of the magic is gone, but there is a lot of looking and adjusting to get it right.

Continuing on this topic of color, duality is something you explore through it. “Essence of Hope and Despair”, “Death of Contemplation”, and “Laughing In The Face Of Death” are some of your works that immediately come to mind, in addition to ‘Trip At Knight’. Maybe I’m looking too much into the psychological aspect of it, but would you say it’s important to sometimes make light of situations for one’s own sanity?

Gibb : Again, like with the composition and the colour, there has to be a psychological balance even if it’s slightly lopsided or subtle. Evil gets paired with good, misery with humour etc. I don’t want things to take a dark decent into despair without the glimmer of hope sparkling somewhere.

Definitely, and as mentioned, it's a fine balance that is present in plenty of your works. In a time where it’s quite easy to become disconnected to art and music because of the fast paced lifestyles that we’ve become accustomed to, how important do you feel it is for art to spark a genuine reaction, whether that be through an analytical lens or a more general, surface level enthusiasm? I ask because of the great deal of fans that are now appreciative of your work because of Trippie’s music.

Gibb : I can only hope that something triggers a sense of wonder and intrigue with what I do. Some kind of connection is made with the viewer that goes deeper than a superficial appreciation of my painting skills. I don’t make paintings so that someone can marvel at my ability to represent something. That’s basic level painting. I think the underlying intent and motivation is to convey some kind of visual prompt that awakens dormant parts of the viewer’s mind and gets them thinking for themselves. My skills as a painter are surpassed by any number of artists—it’s the other, elusive qualities of narrative, commentary and mystery that I think are my strengths. Stimulating a response in the viewer that they may not have considered until they chanced upon my work keeps me excited by art. I’ll keep probing that relationship between abstract thoughts and concepts and how I can shape them into something interesting in paint until something else comes along.

Trip At Knight arrives soon via TenThousand Projects . Pre-save the record HERE .

• Behind the Cover

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Trip at Knight

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Trip At Knight

Trippie Redd

18 SONGS • 49 MINUTES • AUG 20 2021

Items and Objects

• View history

In-game, players can come across several items that can, or can not be interacted with. Most items that are on this list are solely for decorative purposes, with some having a use for the player's hunger.

Below will show two lists of items and objects, both consumable and decorative. The following signs in the price tables mean:

• - Cannot be bought or sold (Like exclusive to Starter House items)
• ? Unknown if it can be sold or bought
• N/A Can be sold or bought, price is unknown
• ~[Number] Can be sold or bought, predicted price
• [Number] Can be sold or bought, confirmed price

Note that these lists might not be accurate.

• 1.1 Normal items
• 1.2 Radioactive Barrel
• 1.3 Mutants
• 3 Consumable's
• 4 Rare Items
• 5 Mobs Dead Body

How to sell items [ ]

Normal items [ ].

Bring the item to the selling platform in Dan's shop. The selling price of the item will be displayed on the screen attached to the platform. To sell the items, you need to interact with the lever leftwards of the platform. If done correctly, the items should disappear and the caps will spawn on the ground Infront of the platform.

Radioactive Barrel [ ]

When you grab a Radioactive Barrel, an effect is applied to your character. Your character will glow a bright neon green. It will also introduce green bubbles that continuously fall downwards, which will lower your fps (if you have a weaker device) and block your vision, which also stacks according to the number of Radioactive Barrels you interact with. To avoid touching the Barrel whilst still being able to sell them, you can drive a van or RV, then attach a flat part (e.g wooden planks) on the car to make a slope, then hold an item to push them onto the car. After you reach Dan's shop, do the same thing to push the Barrel onto the selling platform. Then you can successfully sell a Radioactive Barrel without introducing the effect onto your screen. You can also attach the radioactive barrel to a food item, then attaching the food item to a vehicle using a Rope gun. Then, you can drag the barrel all the way to a shop, where you'd eat the food item and push it onto the selling platform.

related video: https://www.youtube.com/shorts/xRbLHsbg60o

Mutants [ ]

You can use the same method with the rope gun to transport the mutant to Dan's shop where it can be sold.

related video: https://www.youtube.com/shorts/az1DbP7RpMQ

Consumable's [ ]

Rare items [ ], mobs dead body [ ].

• ↑ 1.0 1.1 1.2 1.3 1
• 1 Items and Objects
• 3 Car Parts

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Joey mcintyre’s catholic mom once called new kids on the block’s record company.

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She made sure they did “ The Right Stuff .”

New Kids on the Block singer Joey McIntyre’s mom wanted to ensure that the world-famous boy band kept it clean and wholesome.

“My mother was a staunch Catholic. I mean, she actually called the record company [because] there was a little too much cleavage in one of our videos and was like, ‘Change that clip,'” McIntyre, 51, the youngest of the five band members, told The Post.

McIntyre, the youngest of nine children, is thankful his late mom was so religious.

“I mean, thank God, because I wouldn’t be here, right? I mean, birth control was not an option, so that’s why they had nine kids. They just kept going, God Bless them.”

The pop star and his fellow bandmates — Donnie Wahlberg, Danny Wood and brothers Jordan and Jonathan Knight — released their eighth album “Still Kids” on Friday, their first in 11 years, and will embark on a 40-city concert tour this summer .

The group, which formed in 1984, disbanded in 1994, but reunited in 2008 because the timing was right, McIntyre said.

“You have to be patient. And I think a lot of people wanted us to get together for award shows or their TV show, all this stuff. And we knew we had something more special than that,” he said.

“And so when we were ready and we did do it, our fans were ready too.”

The guys enjoyed their fame in the ’80s and ’90s.

“I don’t think we were celibate, let’s put it that way. I mean, we were teenagers,” he said.

Even before the internet, girls were tracking them down.

“Oh, God, I mean, they were at our houses. It was crazy,” said McIntyre, who grew up in the suburbs of Boston.

Before the advent of social media, the boys had a hotline that fans, known as “Blockheads,” could call to hear pre-recorded messages from the group — unbeknownst to their parents.

“Now it’s famous for fans telling us all the time that they got grounded because their parents wouldn’t know and they’d find the phone bills and go, ‘What’s this $50 for?'” he said.

“ Pink was famously grounded for calling in to our number.”

In February, they created a free hotline — 1-806-NEW-KIDS — where callers now hear a message from Wahlberg from the set of his TV series “Blue Bloods.”

“And it’s free, so you can call all you want,” McIntyre said.

When McIntyre, who was the last member to join NKOTB, was recruited, he was 12 and doing community theater.

“Our manager, Mary Alford, at the time was just calling around public schools to see if there were any little white kids who could sing and dance. And there weren’t many of us,” he recalled.

McIntyre, who lived with his wife, Barrett Williams , a Lincoln Square native, and their three children on the Upper West Side from 2018 to 2020, before the family moved back to Los Angeles, recounted the band’s humble beginnings in the Big Apple.

“When the New Kids first were trying to make it, New York was everything and we would drive down, packed in one car and knock on doors and pound the pavement, like, literally,” he said.

“We would go into people’s offices and sing and that’s how we got to the Apollo Theater is literally, running into the guy who booked it.”

They didn’t have instant success, and had to wait until the 1988 release of their second album “Hangin’ Tough,” which became the nation’s second best-selling album the following year — to achieve superstardom.

“We didn’t make it for like three years. We were just hustling, trying to get gigs. Our first album flopped,” McIntyre said.

NKOTB went on to sell over 100 million albums worldwide, receive a star on the Hollywood Walk of Fame and become the first music group to perform at the Super Bowl halftime show .

After the group split, McIntyre launched a solo career and released multiple albums, starred in “Wicked” and “Waitress” on Broadway , and even competed on the first season of “Dancing with the Stars .”

Besides getting fawned over by female fans, McIntyre gets approached by men “all the time” — who want a photo to bring home to their wives or girlfriends.

“Probably more so than the fans themselves,” he said.

“They want to get credit — and do something, get a little bonus.”

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Definitely a 2 star stay - The Knight Residence by Mansley

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Definitely a 2 star stay

Wilde Aparthotels, Edinburgh, Grassmarket

ibis Styles Edinburgh St Andrew Square

Travelodge Edinburgh Central

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It was like be at your own home. Very well equipment. The staff from the reception was very helpfull and very kindly, taking in count all the details to do your stay more easier. This also goes to the housekeeping, very clean everything everytime they do the cleaning. A little expensive from what we are usally accustomed. It would be the only negative thing.

All round a very large, open & well equipped apartment. Lovely to have a bottle of milk in our fridge to greet us. 1st apartment we had in our trip that had that. One suggestion is to include a pair of scissors in the kitchen drawer. Kettle didn't turn off once boiling, small sharp knife would be great. Very secure place to stay in a great location. Also, surprisingly quiet. We were amazed to see dressing gowns & slippers. What a treat. Only disgruntle for me having the 2 single bed room, is the only power points were directly behind the bed, so had to remove one lamp plug & move the bed forward creating a gap, allowing the pillow to move back there. Using the universal plug plus your power cable, these then stick out quite a bit. All in all, a fantastic stay, thank you.

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Staff were accomodating and friendly. Units were clean and well appointed. Hotel is positioned in an excellent spot close to the Royal Mile and within walking distance to lots of tourist hotspots. Only negative was the washer/dryer wouldn’t dry but when we told staff they got if fixed but unfortunately it still didn’t work.

We were a group of 4 lady friends deciding to visit Edinburgh. The apartment was very clean. We opted for 2 bedrooms. 1 was double and 2 singles, both were of a good size. Inside the wardrobes was dressing gowns and slippers! The bathroom a good size with nice towels provided. Nice size lounge plenty of room for us to sit with a dining table and a kitchen kitted out with everything you could need. We had breakfast in the room as the Sainsbury’s was just around the corner and Pizza express delivered one night as we were shattered. I’m not sure you could cook a roast but that would be pretty adventurous for a trip away! There was a dishwasher and tabs provided, tea towels, washing liquid and a bottle of milk in the fridge to go with a nice selection of tea and coffees provided. The body wash and creams were very nice . I didn’t try the shampoo in the bathroom. Warm towel rail big enough for 4 towels. Rooms are cleaned daily with fresh towels if you place in the bath. Staff were very friendly. The reception is open all night. I think the website says 11pm, but maybe check if you arrive late. Yes there is a lap dancing club down the road but never saw anyone! Didn’t hear anything and certainly didn’t affect our stay! Close to Grassmarket and castle. We walked everywhere. Got an Uber from airport and cost £24 but that did include the £5 they have to pay for parking. Not bad for a 20 minute ride! Would recommend if you are looking for a group to stay together as much more fun than separate hotel rooms! Enjoy!

Great place to stay and would stay again. Central and a close walk to many attractions. Fabio who checked us in was friendly and very helpful. Only negative were the showers, they ran hot and cold.

Annual Catfish Derby duel surfaces in Oaks/Glenhaven this weekend

L AKEPORT >> Clear Lake will be a busy body of water this weekend. Leading the list is the Clearlake Oaks/Glenhaven annual catfish derby which gets underway on Friday and runs until Sunday.

The derby is expected to draw approximately 800 fishermen, making it the largest catfish derby in the West. They can fish around the clock and can only weigh one catfish. If they catch a larger catfish it takes the place of the one caught earlier. Fishermen can fish from a boat or shore. Fishing starts at noon on Friday and ends at noon on Sunday.  The weigh-ins will take place at the Fire Station in Clear Lake Oaks

The derby has been in existence for 39 years. As in past years the three-day derby is expected to draw more than 700 fishermen from throughout the West. It is the largest catfish derby in the West and remains one of the more popular fishing contests to be held on Clear Lake. The winner of this year’s derby will take home a cash prize of approximately $5,000. Second place is worth $1,000 and third place is worth $800. The derby will pay down 20 places based on a field of least 350 adults.  The winner in the kid’s division will pocket $100. The derby hours are from noon on Friday until noon on Sunday. The entry fee for the derby is $50 for adults if received before 11:00 p.m. on Thursday. There is a $10 late fee for entries received after that time. The entry fee for children 15 and under is $10.

The experts predict that will there be several 20-pound or more catfish weighed in. Clear Lake is known for its large catfish. A 20-pound catfish will be 20 or more than years old.

There are three species of catfish in Clear Lake. The largest is the channel catfish. The next biggest is the white catfish followed by the bullhead.

In addition to the catfish derby will be a bass tournament hosted by bass clubs

The fishing is improving daily on the lake as we move into summer.

Limits on bass are fairly common. In fact, a bass club held a tournament last weekend. The club drew 35 boats, and more than half weighed in limits. The brown algae is starting to form. You should keep your pets out of the water

The East Branch of the Russian River will be stocked with trout next week. The fishing in both Upper Blue Lake and the Russian river has been good for trout.

Lake Pillsbury has been kicking out some excellent bass fishing. There has been a good topwater action. The road going into Indian Valley Reservoir is open and bass are being caught.

There have been a number of complaints of rats and mice getting in cars that have been parked for long periods of time. The mice have been getting into the engine compartments and chewing up the wires and causing the car to be inoperative. One solution is to leave the hood open when you are not driving

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