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SEVENTEEN Announces Dates And Cities For 2022 World Tour "BE THE SUN"

Updated June 23:

SEVENTEEN has announced the dates for their upcoming dome tour in Japan!

On June 23, Pledis Entertainment confirmed the dates for SEVENTEEN’s Japanese dome shows as part of the group’s “BE THE SUN” world tour.

SEVENTEEN will perform at the Kyocera Dome in Osaka on November 19 and 20, followed by the Tokyo Dome on November 26 to 27, and finally the Vantelin Dome in Nagoya on December 3 and 4.

This will be SEVENTEEN’s very first dome tour after their previous plans for a dome tour in May 2020 were  canceled  due to the COVID-19 pandemic.

SEVENTEEN is gearing up to kick off their “BE THE SUN” world tour this weekend with their first two concerts at Seoul’s Gocheok Sky Dome on June 25 and 26. Afterwards, they will perform in 12 different cities in the United States and Canada as well as four cities across Asia including Jakarta, Bangkok, Manila, and Singapore.

Check out the concert dates for the other parts of Asia below!

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Original Article:

SEVENTEEN is heading abroad on a world tour!

On May 17 KST, SEVENTEEN officially announced their plans for a new world tour entitled “BE THE SUN.”

After kicking things off with two nights of concerts at Seoul’s Gocheok Sky Dome on June 25 and 26, SEVENTEEN will head to North America, where they will perform in arenas in 12 different cities in the United States and Canada.

SEVENTEEN will be performing in Vancouver on August 10, Seattle on August 12, Oakland on August 14, Los Angeles on August 17, Houston on August 20, Fort Worth on August 23, Chicago on August 25, Washington, DC on August 28, Atlanta on August 30, Belmont Park on September 1, Toronto on September 3, and Newark on September 6.

Although specific dates and cities have not yet been revealed for the remainder of their tour, PLEDIS Entertainment has announced that SEVENTEEN will also be embarking on an arena tour of Asia and holding six dome shows in Japan from November to December.

Stay tuned for more dates and cities!

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[ #SEVENTEEN JAPAN NEWS] 『SEVENTEEN WORLD TOUR [BE THE SUN] - JAPAN』 開催決定！ 詳しくはこちら→ https://t.co/WGRd4ac0kL #SVT_WORLDTOUR_BETHESUN #BETHESUN pic.twitter.com/x7p36N2JGJ — SEVENTEEN Japan (@pledis_17jp) June 23, 2022

Check out the tour dates for SEVENTEEN's Japan tour below. Ticket details will be unveiled soon, watch this space for updates. 

BANDWAGON TV

• 19 - 20 November: Kyocera Dome, Osaka
• 26 - 27 November: Tokyo Dome, Tokyo
• 3 - 4 December: Vantelin Dome, Nagoya

SEVENTEEN's  BE THE SUN  tour kicks off this weekend with a two-day concert in Seoul , which will also be livestreamed for audiences all around the world. The group will then be making their way across North America and Southeast Asia . 

BANDWAGON'S GUIDE TO BUYING CONCERT TICKETS: PRO-TIPS, BEST-KEPT SECRETS FOR A STRESS-FREE EXPERIENCE

Their highly anticipated world tour follows the release of their 4th full album,  Face The Sun   which marked a new beginning for the group's music. The record included their two lead singles  'Darl+ing'   and 'HOT'.

Listen to SEVENTEEN's 'HOT' here. 

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Seventeen confirm dates for their Japan dome tour with official poster

Seventeen confirmed the dates for their upcoming Japan dome tour. On June 23 KST, Pledis Entertainment stated, "The 'Seventeen World Tour [Be The Sun] - Japan' has been confirmed." They also revealed a poster for the 'Be The Sun' concert tour, where Seventeen will be touring three cities including Osaka, Tokyo, and Aichi. Seventeen will perform for two days in each city from November to December. In particular, this will be the first time Seventeen will hold a dome tour in Japan. Seventeen's dome tour in Japan was previously scheduled to be held in May 2020, but was unfortunately canceled due to the COVID-19 pandemic. Thus, many look forward to Seventeen's first dome concert.

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Each stop will be accompanied by immersive fan experiences from exhibitions to light shows

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K-pop stars SEVENTEEN have announced some exciting immersive experiences to take place around their upcoming Japanese dome leg of their “BE THE SUN” world tour.

The attractions, dubbed “The City,” will turn each stop on the tour into a “concert play park,” allowing fans to take part in different events in each location.

The tour will begin at the Kyocera Dome Osaka on November 19-20. In that first city, SEVENTEEN fans – known as Carats – will be able to take part in a digital stamp rally across 18 landmarks, including the HEP FIVE Ferris wheel, which will be covered in SEVENTEEN graphics, from November 12. “Rapi:t” express trains will also be wrapped in the band’s graphics starting October 27.

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The next stop is Tokyo Dome on November 26-27, where a SEVENTEEN-themed light display will be presented in collaboration with Tokyo Skytree. It will be lit up in orange – the group’s theme color for the tour – and “Rose Quartz & Serenity,” their official color, every weekend from November 19 to December 4.

The tour will conclude at Vantelin Dome Nagoya on December 3-4, where a light display will also be part of the activities brightening up Sakae, alongside a photo exhibition about the tour.

“SEVENTEEN WORLD TOUR [BE THE SUN]” will continue with the newly-announced dates across Southeast Asia later in December. The 13-member boyband will visit the Philippines and Indonesia for the additional shows.

Meanwhile, the group recently received their first nomination at the American Music Awards , with a nod in the Favorite K-pop Artist Category. They are also in the running for three MTV European Music Awards nods for Best New, Best Push, and Best K-Pop, after taking home their very first Moon Person earlier in August at the 2022 MTV Video Music Awards for PUSH Performance of the Year.

HYBE, the parent company that owns SEVENTEEN’s label Pledis, launched “The City” initiative at BTS ’ “Permission To Dance On Stage – Las Vegas” shows in April 2022, continuing it at the band’s recent “YET TO COME in BUSAN” one-off concert earlier this month.

Listen to the best of SEVENTEEN on  Apple Music  and  Spotify .

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• September 6, 2023 Setlist

SEVENTEEN Setlist at Tokyo Dome, Tokyo, Japan

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• Super Play Video
• DON QUIXOTE Play Video
• CLAP Play Video
• Don't Wanna Cry Play Video
• F*ck My Life Play Video
• THANKS Play Video
• Dust Play Video
• Pinwheel Play Video
• HIGHLIGHT Play Video
• I Don’t Understand but I Luv U Play Video
• Back it up Play Video
• Fire Play Video
• HOME;RUN ( Japanese version ) Play Video
• Left & Right Play Video
• BEAUTIFUL Play Video
• Ima -Ashita Sekai ga Owatte mo- Play Video
• April shower Play Video
• Kidult Play Video
• Anyone Play Video
• Good to Me Play Video
• HOT ( Japanese Version ) Play Video
• Sara Sara Play Video
• Run to You ( Japanese version ) Play Video
• To you Play Video
• CALL CALL CALL! Play Video
• VERY NICE Play Video

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4 activities (last edit by DepressedHero , 15 Apr 2024, 20:06 Etc/UTC )

Songs on Albums

• April shower
• F*ck My Life
• I Don’t Understand but I Luv U
• Ima -Ashita Sekai ga Owatte mo-
• DON QUIXOTE
• Left & Right
• Don't Wanna Cry
• CALL CALL CALL!

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• Sep 06 2023 Tokyo Dome This Setlist Tokyo, Japan Add time Add time
• Sep 07 2023 Tokyo Dome Tokyo, Japan Add time Add time
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How SEVENTEEN turned their Japan tour into buzzy city-wide extravaganzas

From express trains to Ferris wheels and cafe menus, K-pop artists turn cities into their very own playgrounds with The City takeovers. NME heads to Tokyo to explore the project by mega label HYBE that could be the future of K-pop tours

W hen a big artist comes to town, the buzz usually follows them – from the airport to their hotel to the venue. But in Tokyo, the excitement about SEVENTEEN began two weeks before the PLEDIS boyband’s arrival, and permeated vast regions of the city. The group were finally getting their chance to headline the Tokyo Dome after their 2020 concert there was cancelled due to the pandemic. Some of the city’s most popular tourist attractions were lit up orange, plastered with photos of the group and soundtracked by their music. It was a similar story in Osaka, where even trains have been wrapped in graphics featuring the band, and Nagoya – the other two stops on their 2022 Japanese tour.

The city-wide hype for SEVENTEEN meant HYBE’s plan was working: The City, a project by the parent label of SEVENTEEN, BTS , Tomorrow X Together and more groups, aims to extend and elevate the concert experience far beyond the four walls of a venue. Years in the making, The City was first tested on a smaller scale at BTS’ Love Yourself: Speak Yourself [The Final] shows in Seoul in 2019. At those concerts, a wide-ranging fan zone was created outside the city’s Olympic Stadium, broader food options were offered and improvements to the merchandise-buying experience were made. Plans to expand the idea with BTS’ world tour in 2020 were scuppered by COVID-19 , but The City made a grand comeback with the seven-piece’s Las Vegas shows earlier this year. There, fans could visit restaurants offering the members’ favourite dishes, book hotel rooms themed around the group, and more.

After another successful run at BTS’ Busan show in October, The City made an ambitious leap forward with SEVENTEEN’s Japanese tour, as it rolled out in multiple cities on one tour leg for the first time. Growing the venture has come with its challenges. “Collaboration with attractions and businesses that are local to the city is what lies at the core of every The City project,” HYBE Japan’s CEO Hyunrock Han tells NME , “and as it requires building a network of activities, the preparation for each instalment is an arduous process and varies every time.” Taking SEVENTEEN’s version of The City across three locations became increasingly complex as more and more partners and different experiences were introduced to the plan.

The itinerary for this stint of the project certainly didn’t lack range or creativity. In Osaka, there were express trains decorated with SEVENTEEN graphics. Fans could relive the band’s 2019 ‘Ode to You’ concerts in Japan through a metaverse experience displaying a digital version of the Umeda district. You could go on a stamp rally – a popular activity in Japan that sets a course with different locations, where you can collect stamps – across 18 landmarks, including the Hep Five Ferris wheel – also covered in SEVENTEEN graphics, of course. Carats, the group’s fanbase, could snap up limited-edition The City train tickets and at Nankai Namba Station see SEVENTEEN ads covering staircases and the 70-metre media street. In Nagoya this past weekend a light display brightened up the Sakae district.

Meanwhile, in Tokyo, you could fill every moment of the day with SEVENTEEN-related activities. In Shibuya, a pop-up shop boasted racks of special merchandise and a “museum” at HMV showed photos, videos and more, while a “winter illumination” at Tokyo Dome City lit up every night of the concert weekend, playing the group’s songs like the seasonally appropriate ‘Darl+ing (Holiday Version)’ . Three locations of the BOX cafe&space were dedicated to the group: their photos were plastered on the walls, a video message from the band played in the background, and dishes were curated by the band, from tan tan miso soup chosen by Mingyu to seafood curry soup picked by Woozi .

Over at the Tokyo Skytree, an audiovisual experience allowed visitors to listen to SEVENTEEN’s music as they gazed across the city’s views, or stop and take photos in dedicated photo zones (including one where a digital version of your chosen member stands by your side). At night, the Skytree was illuminated in the tour’s official colour orange and the band’s representative colours, while after the concerts the landmark became the location for fan parties where the group’s music videos played on the glass windows of the observation deck, intertwining SEVENTEEN with the scenes below.

Finally, hotel packages like at the Royal Park Canvas in Ginza let fans wind down with free gifts themed around the band, SEVENTEEN photo panels decorating their rooms and a copy of their 2021 SEVENTEEN in Carat Land DVD on loan to watch on big pulldown projector screens.

“A dome tour in Japan is something SEVENTEEN themselves and their fans, Carats, have long considered a ‘dream’ of theirs,” Han says. “So we wanted The City to add a sense of ‘togetherness’ to the experience of a dream becoming a reality. In order to do so, the programmes were built in a way that does not lie too far from our everyday life. The City brought their favourite artist into the local transportation, the local cafes, the most iconic landmarks, allowing the fans to really feel like they are a part of this one big celebration, this moment of a dream come true.”

Outside Tokyo Dome, as fans thronged outside before the concert started, student Hina told NME that having SEVENTEEN events stretching from Shibuya to the Skytree made the excitement of the concert feel stronger than ever. “Seeing them [everywhere] and being able to take part in lots of [activities] makes it feel more alive,” she smiled. “Tokyo is SEVENTEEN-land right now.”

The City isn’t just an opportunity for fans to immerse themselves in the world of their favourite artists, according to Han: it also provides them with a new space to connect with their fellow fans. Seeing SEVENTEEN enthusiasts “finally getting to interact with one another, in person, at The City attractions” was one of “the most rewarding moments” of the project, he says.

For SEVENTEEN themselves, seeing their fans coming together and experiencing new parts of the cities they’re touring has been nothing but positive. “It’s our pleasure to be able to see all our Carats enjoy The City,” the group tells NME over email. “We hope all our fans are able to take away some of their best memories from our ongoing tour, from all the festivities and experiences laid out before and after the show as a part of The City, and from the show SEVENTEEN and Carats complete together, as ‘Team SVT’.”

O ver the last two years, local and national economies have taken a big hit from the pandemic, with businesses large and small rocked by sudden and ongoing closures and cancellations. Japan’s economy shrank by 4.5 percent in 2020 and, although it has rebounded a little since then, it’s hoped that events like The City can provide a financial boost – BTS’ Vegas outing reportedly had an estimated economic impact of $162million, according to Arirang TV.

Although data isn’t yet available for the impact of the ‘Be The Sun’ and The City stint in Japan, SEVENTEEN’s weeks of activity in Osaka weren’t just focused on big tourist attractions that have stronger financial safety nets than, say, mom-and-pop stores. “We also implemented localised events like the SEVENTEEN-themed stamp rally in Osaka tied to 18 different landmarks and popular areas in the city, working closely with and driving people to local businesses,” Han notes.

With a total of 270,000 people attending the six shows across the tour, a boost to each city’s economy and tourism seems inevitable as fans attend restaurants, stores and hotels not included in The City programmes. Future versions of the project in Japan will likely contribute even more – this edition was focused on domestic fans thanks to the country’s ongoing programme of reopening and recovering from the pandemic (at the concerts themselves, fans are still not permitted to cheer and scream because of COVID restrictions, making noise with clappers instead).

Han also notes that non-SEVENTEEN fans could still be drawn in by The City – another potential positive impact on tourism. “We noticed that the crowd gathering around The City spots were drawing the eyes of many passing by, so we hope the project also helped with the efforts being put into revitalising the local attractions,” he says.

SEVENTEEN and BTS aren’t the only groups that will be involved with The City as it continues to progress and grow. HYBE plans for the project to evolve in different locations and with more artists under its banner, with Han saying each result will be “different each time”. “In essence, though, the goal of The City will always be to provide an extensive and immersive fan experience,” he says.

While this innovative and ambitious project is, so far, solely the work of HYBE, its success means it probably won’t be long before other labels – in K-pop and beyond, especially due to the company’s ties to Geffen Records in the US – try to replicate the idea. Although The City isn’t something smaller artists could pull off, some arena and stadium-headlining acts could find creating whole immersive worlds around tour stops a smart and compelling way to boost revenue and offer fans something new.

For HYBE, the project is ultimately a testament to the thrill of the concert experience. “The project augments and diversifies the experiences before and after the show, from the moment of ticket purchase, the weeks of anticipation leading up to the show, making it to the concert venue and to the lingering excitement post-concert,” Han explains. Each time The City runs, regardless of artist or location, the label hopes to learn and understand more about “how all these moments add up to complete the concert experience”.

As that knowledge grows, Han is positive the rest of the industry will make “greater efforts to improve each of these moments”. As they do so, city-wide takeovers could one day become the new normal for the world’s biggest artists.

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SEVENTEEN Schedules Japan Dome Tour

The group will hold seventeen ‘follow’ the city’ in tokyo, saitama, aichi, osaka, and fukuoka in japan..

As SEVENTEEN’s Japan Dome Tour covers five cities, this event will be the largest in the history of the ‘THE CITY’ project.

The ‘THE CITY’ project is HYBE’s ‘urban concert play park’ that provides an expanded fan experience by holding various entertainment and events throughout the city. More than 25 local companies and organizations participated in SEVENTEEN BE THE SUN THE CITY, which was held in three cities (Osaka-Tokyo-Nagoya) last year, and more than 250,000 people visited the site to enjoy SEVENTEEN’s festival.

Taking inspiration from SEVENTEEN’s dome tour title ‘FOLLOW’, the tour will be under the theme of ‘Let’s follow SEVENTEEN’. It is an upgrade from ‘THE CITY’ held last year. As part of last year’s program, the Limited Express Airport Railroad Lafitte, wrapped in Seventeen’s image, attracted attention by operating between Osaka Namba and Kansai International Airport. This time, in collaboration with Star Flyer, an aircraft featuring Seventeen’s image, ‘SEVENTEEN ‘FOLLOW’ THE ‘CITY JET’ will operate from November 12th.

Starting on the 18th, Seventeen-related events will be held at 18 United Cinema theaters in Tokyo, Saitama, Aichi, Osaka, and Fukuoka.

SEVENTEEN TOUR ‘FOLLOW’ TO JAPAN will be held in Aichi (November 30) and Osaka (December 10). There will be a live viewing screen of the performance in Fukuoka (December 16). A digital stamp rally event connecting the landmarks of each city will also be held, and after the performance at Veruna Dome (Saitama) on November 23-24, a special event, Night Aquarium, will be held at Maxell Aqua Park Shinagawa.

Meanwhile, SEVENTEEN TOUR ‘FOLLOW’ TO JAPAN , the largest Japanese dome tour since SEVENTEEN’s debut, started at the Tokyo Dome in Japan on September 6-7. Thereafter, it will be held at the Veruna Dome (Saitama) on November 23-24; Vantelin Dome Nagoya on November 30 and December 2-3; at Kyocera Dome Osaka on December 7 and 9-10; and Fukuoka PayPay Dome on December 16-17.

Source: JTBC News

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SEVENTEEN Sells Out Their First Japan Dome Tour, And S.Coups Predicted It Years Ago

Following the release of SEVENTEEN ‘s first Japanese mini-album DREAM , the group is preparing to go on a completely sold-out dome tour in Japan for the first time.

As fans expressed excitement for SEVENTEEN selling out 270,000 seats in Japan for  BE THE SUN , some noticed that S.Coups had actually predicted it would happen years ago.

In a behind-the-scenes clip from 2019, S.Coups was asked to draw a picture of what he thinks SEVENTEEN’s future will look like. Without hesitating, he said, “ Our Tokyo Dome debut! ”

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S.Coups then drew a big stage with all thirteen members standing on it. He also drew the whole dome filled with Carats holding their lightsticks.

Little did they know, they would actually make their “ dreams come true ” years later. From performing at Tokyo Dome to selling out every seat, S.Coups’s prediction for SEVENTEEN’s future came true. And they ended up selling out the Tokyo Dome twice for both days of their concert.

With their Tokyo Dome concerts happening next week, S.Coups is getting closer to that “ happy day ” he predicted.

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SEVENTEEN’s U.S. Tour Sells Out, Additional LA Show Also Fills Up

SEOUL, Aug. 20 (Yonhap) -- SEVENTEEN’s U.S. tour concert, "SEVENTEEN [RIGHT HERE] WORLD TOUR IN US," is experiencing a sell-out frenzy. According to Pledis Entertainment on the 20th, tickets for 9 out of the 10 shows in the U.S. have already sold out.

Among the performances in New York (2 shows), Rosemont (2 shows), Los Angeles (2 shows), Oakland (2 shows), and San Antonio (2 shows), one show sold out on the first day of ticket sales on the 15th (local time). This tour, SEVENTEEN’s first U.S. tour in two years, has garnered significant interest from their fanbase, known as "Carats."

Due to strong local fan support, an additional Los Angeles show was added, and tickets for this extra show were also sold out within three hours of the start of sales.

SEVENTEEN will release their twelfth mini-album in October and kick off their world tour with concerts at Goyang Sports Complex on October 12 and 13. They will also embark on a dome tour in Japan and release a new Japanese single.

Prior to the world tour, SEVENTEEN will headline the major music festival "Lollapalooza Berlin" at Berlin’s Olympiastadion on September 8 (local time).

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K-pop idols Seventeen coming to NY: How to get tickets to sold-out shows

• Updated: Aug. 22, 2024, 10:32 a.m.
• | Published: Aug. 22, 2024, 10:31 a.m.

Hoshi, centre right, of K pop band, Seventeen, performs with the band during the Glastonbury Festival in Worthy Farm, Somerset, England, Friday, June 28, 2024. Joel C Ryan/Invision/AP

• Madison Kemeny | [email protected]

K-pop idol group Seventeen is bringing their “Right Here World Tour” to the UBS Arena in Elmont, New York, for two sold-out shows on Friday, October 25, and Sunday, October 27.

The South Korean boyband will kick off their tour at the Goyang Stadium in Goyang, South Korea, on October 12 and 13, then head to the US for ten shows across five cities in the US from October to November.

This tour will be the follow-up to the group’s 2023-2024 “Follow Again” Asian tour.

A complete list of Seventeen’s “Right Here” tour dates is available here .

Where to buy Seventeen concert tickets

Although both New York shows are completely sold out, fans can still secure tickets on secondary market platforms such as Vivid Seats , SeatGeek and StubHub .

Here’s a look at the best resale options available (including fees):

Friday, October 25

• Vivid Seats : Starting at $219.30
• SeatGeek : Starting at $213
• StubHub : Starting at $217

Sunday, October 27

• Vivid Seats : Starting at $213.39
• SeatGeek : Starting at $203
• StubHub : Starting at $208

Prices and availability are noted at the time of publishing and are subject to change.

Seventeen, who debuted in 2015, is a group formed by Pledis Entertainment and composed of 13 members, divided into three sub-units: the vocal unit, the hip-hop unit and the performance unit. Some of their biggest hits include “Adore You,” “Pretty U,” “Don’t Wanna Cry,” “Clap,” “Hot” and their first song fully recorded in English by all band members, “Darl+ling.”

Since their debut, Seventeen has sold more than 26 million copies with all of their albums. You can listen to their extensive discography on Apple Music (limited time three-month free trial).

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