legend tom cruise mia sara

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A young man must stop the Lord of Darkness from destroying daylight and marrying the woman he loves. A young man must stop the Lord of Darkness from destroying daylight and marrying the woman he loves. A young man must stop the Lord of Darkness from destroying daylight and marrying the woman he loves.

• Ridley Scott
• William Hjortsberg
• 366 User reviews
• 149 Critic reviews
• 30 Metascore
• 1 win & 12 nominations total

Top cast 33

• Meg Mucklebones

• (as Ian Longmuir)
• (as Mike Crane)
• Dancing Black Dress

• Mummified Guard
• Faerie Firelight Dancer (Director's Cut)
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• Production, box office & more at IMDbPro

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• Trivia Tom Cruise reportedly wasn't happy with the American cut of this movie and wouldn't talk about it for years because of it. He very much encouraged fans to go with the Director's Cut.
• Goofs Throughout the movie, the Unicorns have mismatched genders. It can clearly be seen when the animals rear up in the air. One example of this is when Brown Tom is guarding the "mare", and Lily trudges through the snow, frightening the horse.

Darkness : The dreams of youth are the regrets of maturity.

• Alternate versions There are at least four different versions of this picture: the original European release (94 min.), the American theatrical release (89 min.), a network TV version (94 min.) and a director's cut (113 min.)
• Connections Edited into Nostalgia Critic: Garfield: A Tail of Two Kitties (2017)
• Soundtracks Is Your Love Strong Enough Written and Performed by Bryan Ferry Produced by Rhett Davies and Bryan Ferry Mixed by Bob Clearmountain

User reviews 366

• Aug 11, 2007
• What is Legend about?
• What are the differences between the Theatrical Version and the Director's Cut?
• April 18, 1986 (United States)
• United Kingdom
• United States
• Silver Springs - 5656 E. Silver Springs Boulevard, Ocala, Florida, USA (underwater sequences)
• Legend Production Company
• Embassy International Pictures
• See more company credits at IMDbPro
• $24,500,000 (estimated)
• $15,502,112
• Apr 20, 1986
• $16,837,628

Technical specs

• Runtime 1 hour 34 minutes

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Not even Ridley Scott's gorgeously realized set pieces can save Legend from its own tawdry tale -- though it may be serviceable for those simply looking for fantasy eye candy.

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Beautiful, interesting, incredible cinema.

In a fantastical forest, the pure-hearted Jack takes Princess Lili to watch the unicorns. But the Lord of Darkness captures the Princess and the unicorns, plunging the world into everlasting night. Jack must descend into the devilish creature’s underground lair to save the kingdom and his true love.

Three years after his iconic Blade Runner , prolific British filmmaker Ridley Scott directed this high-budget, special-effects extravaganza starring acting duo Tom Cruise and Mia Sara. A cherished cult movie, Legend is a gorgeously designed adventure into the most fantastical of universes.

Recent movies have created sort of a generic fantasy universe of Muppets and swamps, strange beasts and evil tyrants, damsels and heroic lads, and ancient prophecies and mythical legends. It’s a world inspired by ingredients from “Lord of the Rings,” the “Star Wars” movies, Dungeons and Dragons gamesmanship, tales of King Arthur and the latest gimmicks from the special-effects people.

In a movie that works, these ingredients can be exciting and delightful. “Legend” does not work.

The movie is a British big-budget, special-effects extravaganza by Ridley Scott , the director of “ Alien .” It tells of a time long, long ago, when unicorns roam the Earth and the powers of light and darkness are at war. An evil prince named Darkness lives in caverns far beneath the Earth, scheming to blot the sun out of the lives of all the planet’s creatures and to rule the gloom forever.

Earth itself is a sylvan place, filled with flowers and little glades and grassy clearings – but also with dread swamps and moldy fens. Young lovers can kiss for an afternoon in a bath of sunshine, but fearsome storms come up suddenly and lash the land with their fury. A race of evil little druids lives in the woods, and they spread mischief wherever they venture. Their favorite pastime is frightening the unicorns.

Into this setting come our heroes, Jack and Lili. Jack ( Tom Cruise ) is a hero whose mission in life is to vanquish Darkness and allow the sun to prevail. Lili ( Mia Sara ) is the young woman he meets and falls in love with, but she is lured into the underworld and seduced by an exotic priestess into seemingly becoming evil. Will Jack save Lili and defeat Darkness? Or will the movie end unhappily? Can we vote more than once? Let it be said that “Legend” is an impressive technical achievement. Scott is a perfectionist who takes infinite pains to make things look right.

The problem is, the world of “Legend” is itself wrong for this material. To some degree, this is a fairy tale, and it needs a certain lightness of tone, a plucky cheerfulness, to work. Like many recent sword and sorcery movies, it is so effective in rendering evil, so good at depicting the dire, bleak fates facing the heroes, that it’s too dreary and gloomy for its own good.

Performances tend to get lost in productions like this. I particularly noticed how easily Cruise got buried in the role of Jack.

Here is the talented young actor from “ Risky Business ,” where he came across as a genuine individual, and this time he’s so overwhelmed by sets and special effects that his character could be played by anybody.

Tim Curry , from “ The Rocky Horror Picture Show ,” makes an effective Darkness; I liked his style. But, once again, the makeup people have done such a good job with his blazing eyes and gigantic horns that, in a way, almost any actor could be lurking inside there (only Curry’s sensuous lips give him away).

Despite all its sound and fury, “Legend” is a movie I didn’t care very much about. All of the special effects in the world, and all of the great makeup, and all of the great Muppet creatures can’t save a movie that has no clear idea of its own mission and no joy in its own accomplishment.

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

• Tim Curry as Darkness
• Billy Barty as Screwball
• Alice Playten as Blix
• Mia Sara as Lili
• Tom Cruise as Jack
• David Bennent as Gump

Photographed by

• Alex Thomson

Produced by

• Arnon Milchan

Directed by

• Ridley Scott
• Tangerine Dream
• Terry Rawlings

Screenplay by

• William Hjortsberg

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Movie Review

US Release Date: 04-18-1986

Directed by: Ridley Scott

Starring ▸ ▾

• Tom Cruise ,  as
• Mia Sara ,  as
• Princess Lili
• Tim Curry ,  as
• Lord of Darkness
• David Bennent ,  as
• Honeythorn Gump
• Alice Playten ,  as
• Billy Barty ,  as
• Cork Hubbert ,  as
• Peter O'Farrell ,  as
• Kiran Shah ,  as
• Annabelle Lanyon ,  as
• Chris Lorch ,  as
• Robert Picardo ,  as
• Meg Mucklebones
• Tina Martin as

Tim Curry as Lord of Darkness in Legend .

A strange hodgepodge of Tolkien, Disney, the Brothers Grimm, the Muppets, and Cocteau's Beauty and the Beast , Legend is a fairly dark fantasy/fairytale featuring a pre-superstardom Tom Cruise and an iconically made-up Tim Curry as Lord of Darkness (it was Oscar nominated for Best Makeup). His red devilish appearance with those large curved horns jutting from his head is one of the most famous images in all of fantasy cinema (see photo). Although Legend wasn't a hit upon its initial release, the director's cut that was released on DVD in 2002 has since propelled the movie to cult status.

Due to the high cost of shooting on location, director Ridley Scott made the decision to shoot the majority of Legend indoors. A forest set was built on the legendary 007 stage at Pinewood Studios in England. On June 27, 1984 the entire set burned down during a lunch break. Luckily no one was injured but with 10 days of filming remaining a replacement set had to be hastily recreated on another stage.

Legend has seen several different incarnations over the years. The original cut ran 125 minutes. This was cut down to 95 minutes for its premiere in Great Britain in 1985. This version featured a score by Jerry Goldsmith. For the 1986 North American release the movie was trimmed by an additional 6 minutes and the entire score was replaced with contemporary songs by Tangerine Dream, Yes lead singer Jon Anderson, and Bryan Ferry. For the DVD director's cut the movie was restored to its original length with the Goldsmith score put back in place. The ending on the director's cut differs from the original theatrical release as well.

In a classic fairytale setting, the plot involves an intrepid (and musically inclined) princess named Lili (Mia Sara) and her friend, a forest child named Jack (Cruise) who is teaching her to speak the language of the animals. One day Jack takes Princess Lili to see a pair of unicorns. Lili goes against Jack's instructions and tries to touch one of these rare magical creatures. Demonic forces, meanwhile, are hunting these same unicorns and just as Lili touches it, the male unicorn is shot with a poisoned dart. A wintry pall instantly settles over the land, nearly trapping Jack beneath the ice of a river in which he had dived to retrieve the ring the princess had just mischievously tossed in. All of this leads to the climax at the underground domain of a demon known simply as Lord of Darkness, where Jack must rescue the princess, the unicorns and the entire forest from eternal night.

The villain, Lord of Darkness, is memorably played by Tim Curry. His body and head covering makeup took 5½ hours to apply and another hour to remove during which Curry would soak in a tub to soften the spirit gum base of the makeup. His already deep and theatrical speaking voice was electronically enhanced to give it an even bigger, presumably more demonic, sound. He gets some of the movie's best lines, which his delivery really enhances, such as this little pearl of wisdom, “The dreams of youth are the regrets of maturity.” He is by far the best thing about the movie and the biggest reason (other than the presence of Tom Cruise) why it's remembered.

A long haired Tom Cruise makes like Mickey Rooney as Puck in A Midsummer Night's Dream ( a movie, by the way, that featured a very young Billy Barty, who also appears in this movie as Screwball). Looking like one of Peter Pan's Lost Boys, Tom Cruise scampers through the forest with a vaguely intense expression stamped on his face. Mia Sara plays Princess Lili as a flesh and blood Disney heroine. She even makes like Snow White and sings while strolling innocently through the forest.

Visually stunning, Legend is an intriguing mix of fantasy ingredients in a fast-paced adventure pitting good against evil. In tone it varies. Sometimes it seems aimed at small children then at other times it features grotesque demonic sidekicks saying things like, “May be innocent, may be sweet... ain't half as nice as rotting meat.” Legend is an amalgamation of many familiar fantasy types and tropes, resulting in an entertaining, if slightly uneven, motion picture.

Mia Sara in Legend

My first exposure to Legend was through the edited version, featuring the Tangerine Dream soundtrack. I saw it several times and even though I watched the director’s cut this time around, I still expected the song “Loved by the Sun” to play at the end. “Legends can be now and forever…”

Although I had fond memories of Legend , its flaws were too obvious to ignore during this viewing. As Patrick wrote, it is a strange mash up. I am not sure if it is my age or the different versions but the uneven tone of the film bothered me this time around. It moves between the dark and the childish. The humor was akin to something you would find in a Saturday morning television show like "The Power Rangers."

Not only did the humor annoy me but I kept getting distracted by Tom Cruise’s looks, and not in a good way. Ridley Scott used plenty of close ups and every time he smiled, Cruise’s big uneven teeth took up half the screen. One of my sons passed through the living room as I watched this and remarked that Cruise looks horrible with long hair and I agreed.

Although flawed and a box office failure, Legend has much to offer. Patrick was spot on when he called it, “visually stunning.” The scene of Mia Sara running through the woodland flowers and the air filled with petals and pollen is one that has never left me. As princess Lily remarks, “This place holds more magic for me than any palace in the world.” In fact, Legend has many such memorable images. The unicorns frolicking in the river is like a dream brought to life. As Patrick mentioned, it is Tim Curry, buried under demon makeup, who steals not only everyone of his scenes but the entire movie.

Patrick mentioned some nice lines. I like when the fairy Oona, is talking to the prisoners and says to them, “You look like mourners at your own funeral.” The Lord of Darkness says something he lives to regret, “I require the solace of the shadows and the dark of the night. Sunshine is my destroyer.” One line that I recalled was absent in this version as it was part of the song, “Loved by the Sun” it goes,  “Teaching us to love for goodness sake…” Yeah, it is kind of cheesy but then this film is as well.

Mia Sara and Tom Cruise in Legend .

I would throw Terry Gilliam into the mix of inspirations for this film. Certain visual elements here put me in mind of his Time Bandits . And, like many of Gilliam's films, it's the visuals that are the best thing about it. Ridley Scott and his creative team deserve a great deal of credit for creating such an iconic looking story. If only the plot of that story equaled the visuals.

This was the first and only time I've seen this movie and it was the original, shorter, American cut, with music by Tangerine Dream, that I saw. I can't say that I was so impressed by it that I have a desire to seek out the director's cut. I thought its brevity was one of its strengths, feeling like a short story rather than a fantasy epic. There's not a great deal of story here and stretching it longer doesn't seem like a solution.

I disagree that Cruise looks horrible with long hair. I think it suits the character perfectly. His unibrow was more distracting to me than his teeth were. Mia Sara was more of a surprise to me than Cruise. Prior to this I was unaware that she'd starred in anything besides Ferris Beuller's Day Off . Together they make a good looking fantasy couple. The scene with the unicorn is perfectly staged and looks like a Pre-Raphaelite painting come to life.

Curry's Lord of Darkness is as impressive as both Patrick and Eric said. He is indeed a scene-stealer. That his entire look was achieved by makeup and without the assistance of modern CGI makes it even more impressive. Thanks in large part to his voice, Curry is able to project and emote beneath the layers of makeup and his performance is much more than just the makeup.

Also like my brothers, I found the humor to be annoying. The antics of the dwarfs, or whatever those creatures actually were, seem to be aimed at children and they undercut most of the tension. The scenes at the climax are particularly uneven in tone as we cut between the Lord of Darkness trying to seduce Lili (with both Curry and Sara delivering intensely, dramatic performances) and Cruise and the dwarfs doing something silly. And the fact that no one actually dies, despite a couple of close calls, also decreases the tension level.

This film is beautiful enough to look at it that it's worth watching at least once. However, now that I've seen it, I can't ever imagine wanting to do so again.

Photos © Copyright Universal Pictures (1986)

© 2000 - 2017 Three Movie Buffs. All Rights Reserved.

The 10 Darkest Fantasy Movies, Ranked

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Dark fantasy is a genre that is loved, although not particularly new. Films like The Dark Crystal have been around for over 40 years and still come as the most classic dark fantasy flicks. However, the "dark" in the genre is more of an allusion to the overall style and not to the content. Dark fantasy movies usually include visuals that are intentionally creepy or disturbing but can remain light-hearted overall.

Of course, this isn't always the case. Some dark fantasy films go way above and beyond the normal bounds of the genre to deliver something that is not only visually grotesque but thematically appalling, making for an onslaught of unpleasantness that still manages to maintain all the quality of legendary films. These are the darkest fantasy movies , which are so ranked due to their undertones and their creative, if abhorrent, art styles and imagery.

10 'Beetlejuice' (1988)

Directed by tim burton.

The all-time classic comedy-horror film Beetlejuice has gained a lot of attention in recent months with the new release of its successful sequel . It was always a highly-revered movie, but it has been brought back from the dead once again to remain fresh in everyone's minds. Aside from being a comedy and a horror, it also delves into fantasy with the addition of the Netherworld, a dimension of the dead that is featured prominently throughout the film.

As Michael Keaton 's iconic Beetlejuice wreaks havoc on a family after they move into a deceased couple's home, some pretty creepy and weird visuals are shown, effectively counter-balanced by the inclusion of crude yet light-hearted humor. Though it is pretty dark as fantasy flicks go, Beetlejuice is not so dark as to make anyone uncomfortable . Like the trickster himself, it's more darkly playful than outright off-putting, making it endlessly rewatchable.

Beetlejuice

9 'legend' (1985), directed by ridley scott.

Critically speaking, Legend ranks firmly in the middle of Ridley Scott 's filmography , but that didn't prevent it from becoming a modern cult classic. The plot concerns the Lord of Darkness, who sends his goblin minions to slaughter unicorns and harvest their horns to cast the world into perpetual shadow. To do it, they use Princess Lili ( Mia Sara ) as bait to attract the magical creatures and kidnap her for their nefarious purposes, prompting Jack ( Tom Cruise ) to try and save her.

Some of the film is a little bit goofy, but other aspects feature distinctively adult themes , especially with the capture of an innocent young woman to use for devilish deeds. Beyond that, its theme of harvesting unicorns is pretty sad, considering they are supposed to be embodiments of happiness and majesty, and the impending doom of the world being left in an eternal night is definitely foreboding. Legend may not be Scott's best film, but it is his most stylized and one that is worth checking out if you're into fantasy,

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8 'Pan's Labyrinth' (2006)

Directed by guillermo del toro.

Pan's Labyrinth comes from the imaginative mind of Guillermo del Toro and is perhaps his most famous and best work, breaking the record for the longest-standing ovation at the Cannes Film Festival . Taking place shortly after the Spanish Civil War, Ivana Baquero stars as Ofelia, a young girl who traverses an ancient labyrinth and meets a faun, who informs her that she is destined to become a legendary princess. First, she must pass a series of trials.

These trials take her to magical worlds full of terrifying creatures, most notably the infamous Pale Man ( Doug Jones ), which nearly pushes the dark fantasy film into the horror genre for how eerie it is. With war playing a heavy part in the backdrop of the film, Pan's Labyrinth features some truly disturbing and tragic sequences that are firmly rooted in reality, exploring the extent of human cruelty . The creature designs are not only creative but downright freaky, making Pan's Labyrinth one of the darkest fantasy movies ever made.

Pan's Labyrinth

Not available

7 'The Company of Wolves' (1984)

Directed by neil jordan.

Based on a short story of the same name by Angela Carter , The Company of Wolves is another movie with the concept of luring and capturing innocent young women at its forefront. It also plays into a lot of elements of gothic horror, namely with its presence of werewolves, as the film's title implies. In this film, a teenage girl living in a country estate named Rosaleen ( Sarah Patterson ) begins experiencing nightmares in which she is transported to a fairy tale world where wolves are always hunting for her.

Taking a lot of inspiration from the classic fairy tale Little Red Riding Hood , In the Company of Wolves was received very well by critics , scoring nominations for four BAFTA Awards and earning rave reviews from multiple agencies, who favorably compared it to the classic Hammer films of the 1950s and '60s. It was also praised for its inclusion of certain aspects of Freudian philosophy and its grim visuals , which only enhanced the movie even more.

The Company of Wolves

6 'the seventh seal' (1957), directed by ingmar bergman.

The Seventh Seal is a Swedish film set during the Crusades . A knight returning from his voyage to the Holy Land comes home to a country afflicted with a plague, only to be met with the personification of Death himself ( Bengt Ekerot ), who has come to reap the knight's soul at the end of his life. Knowing there is no other way out, the knight challenges Death to a game of chess, hoping to survive until the game is over.

The Seventh Seal is a harsh reminder of the finality of death, which has come to be a common sight in a country decimated by pestilence.

Regarded as one of the greatest arthouse movies of all time, The Seventh Seal dabbles in themes of impending doom, with the end of the knight's life being right in front of him, yet he is powerless to stop it. It is a harsh reminder of the finality of death, which has come to be a common sight in a country decimated by pestilence. Artsy, macabre, and strangely satisfying , The Seventh Seal is pretty tame when it comes to guts and gore but brutal in its themes of existentialism .

5 'Crimson Peak' (2015)

Crimson Peak is part dark fantasy, part sweeping gothic romance that comes once again from director Guillermo del Toro. It follows Edith ( Mia Wasikowska ), an American heiress who falls in love with a British entrepreneur named Thomas Sharpe ( Tom Hiddleston ). They marry, and Thomas takes her to his home on the eponymous Crimson Peak, so named for the blood-red clay that lies beneath the ground. The manor on Crimson Peak, as it would turn out, is haunted by multiple ghosts, turning Edith's romantic marriage into a nightmare.

Where it gets really dark comes in the background plot, which gradually reveals why the estate is haunted. The movie touches upon a lot of frightening topics, including serial murder, romantic manipulation, familicide, and even incest. It's by far one of del Toro's most gruesome and macabre flicks so far, which is really saying something considering the reputation of his other films.

Crimson Peak

4 'the head hunter' (2018), directed by jordan downey.

The Head Hunter follows an unnamed Viking ( Christopher Rygh ) as he hunts down monsters and beings from Norse folklore and decapitates them, keeping their heads as macabre trophies. However, there is just one head that he is missing: that of the creature that murdered his young daughter. Part fantasy and part horror , The Head Hunter uses a small cast and a grim, pessimistic setting to deliver some brutal violence and creepy creature designs.

The Head Hunter has an atmosphere that no other movie has been able to match and tells a minimalistic yet harrowing tale of a father's grief and bloodthirsty quest for revenge. Its debilitating climax comes as a swift gut punch, and the oppressive tension and dread the movie features is unlike any other film of its kind. Not only is its content dark, but the washed-out color palette really adds to the overall ambiance of the movie.

The Head Hunter

3 'in my mother's skin' (2023), directed by kenneth dagatan.

In My Mother's Skin is a Philippine fantasy-horror film that takes place during the Japanese occupation of the Philippine Islands during World War II. Its main star is a young girl named Tala ( Felicity Kyle Napuli ), who comes from a wealthy family, yet is left on her own when her father pursues a treasure hunt and her mother's health begins to deteriorate. With no other way out, Tala leaves home to seek the help of a mythical being known simply as "The Fairy" ( Jasmine Curtis-Smith ) to request aid in her time of need.

Where it gets really dark is in the true intentions of The Fairy: she intends to devour Tala and her family, preying upon the innocent at the moment when they are most vulnerable. Sure, horror films are generally supposed to be disturbing, but In My Mother's Skin is on a whole new level , even for horror, much more so for the dark fantasy genre. It's creepy, foreboding, and downright diabolical when it comes to The Fairy's plans, exposing the reality that children in the real world are sometimes exploited for their naïveté and smallness.

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2 'Mad God' (2021)

Directed by phil tippett.

Mad God is a very ambitious project, coming as a stop-motion animation film for adults that reportedly took over 30 years to produce . Even though this would normally spell disaster for a movie, Mad God comes out on top and is made all the better for it. You can't rush perfection, after all. In this flick, Hans Brakke voices a man known only as The Assassin, who descends into a nightmarish underworld full of the souls of tortured individuals, devastated landscapes, and twisted abominations that exist only in the deepest nightmares.

There's no real limit to what the movie will or won't show, as the monsters that appear in the film are truly vile, and the suffering souls depicted within are not only sad but really spooky. Mad God is super stylistic, and is probably the creepiest stop-motion movie ever made , but that didn't stop it from being commended for its brutality, which makes the movie feel more impactful and more unique. Those who are into stop-motion will not want to miss Mad God , as it will definitely differ from anything you've ever seen before.

1 'Border' (2018)

Directed by ali abbasi.

Border is another Swedish film, but this one pulls no punches whatsoever. Much of the plot revolves around crimes too despicable and graphic to even put into words, as a customs agent named Tina ( Eva Molander ) uses her superhuman sense of smell to detect crimes near the Swedish border. One particular job leads her to a man who has a similar gift and appearance as her, which sets off a whole string of wild, unpredictable events.

Border decides to set the entire rulebook on fire before spinning it out the window as it shows some of the most morbid things to ever be featured in cinema. Despite its daring conventions, it was received extremely well, winning an award at the Cannes Film Festival, where it premiered, and even receiving an Oscar nomination. This is a film that only the most steadfast viewers should dare investigate, as its themes of humanity and sex take a dive into the repulsive and is sure to strike deep into anyone. That's what makes Border the darkest and most unsettling fantasy film without a shadow of a doubt.

NEXT: 10 Best Dark Fantasy Shows, Ranked

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Buy new: #buybox .a-accordion .a-accordion-active .a-price[data-a-size=l].reinventPriceAccordionT2 .a-price-whole { font-size: 28px !important; } #buybox .a-accordion .a-accordion-active .a-price[data-a-size=l].reinventPriceAccordionT2 .a-price-fraction, #buybox .a-accordion .a-accordion-active .a-price[data-a-size=l].reinventPriceAccordionT2 .a-price-symbol { top: -0.75em; font-size: 13px; } $23.99 $ 23 . 99 FREE delivery Wednesday, September 25 on orders shipped by Amazon over $35 Ships from: Amazon Sold by: TheBuyz

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Legend - Director's Cut

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Product details

• Is Discontinued By Manufacturer ‏ : ‎ No
• MPAA rating ‏ : ‎ NR (Not Rated)
• Package Dimensions ‏ : ‎ 7.48 x 5.39 x 0.63 inches; 2.56 ounces
• Media Format ‏ : ‎ Director's Cut
• Actors ‏ : ‎ Tom Cruise, Mia Sara, Tim Curry
• ASIN ‏ : ‎ B07MRF384C
• #50,062 in DVD

Customer reviews

• 5 star 4 star 3 star 2 star 1 star 5 star 81% 11% 2% 3% 3% 81%
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• 5 star 4 star 3 star 2 star 1 star 2 star 81% 11% 2% 3% 3% 3%
• 5 star 4 star 3 star 2 star 1 star 1 star 81% 11% 2% 3% 3% 3%

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