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Log in through your institution. As opposed to his contemporaries, the artist chose to depict breast-feeang amid a haute-bourgeois family, a subject matter that was no longer prevalent in French art after the beginning of the nineteenth century. He thus sought to undermine the premise of medical literature, which consistently chimed that high-society women abstained from breast-feeding, as they refused to give up their social amusements.

In order to transmit this message, the artist melded—in an unprecedented way—different iconographie traditions, while accentuating the juxtaposition of the suckling baby's bare bottom and the nursing mother's sumptuous ball gown.

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Through an examination of the dress, with a particular emphasis on the corset concealed beneath it, this essay illustrates the empowerment of women reclaiming ownership of their own breasts, intricately connected to consumerism and Parisian fashion in the late nineteenth century. Although the new maternal ideal was essentially a male construct, this essay claims that the enthusiasm of bourgeois women for breast-feeding at the end of the century reflected a new sense of femininity that shaped material commodities, instead of being shaped by it, thus distinguishing the "fashionable body" from the "fashioned body.

The Journal of Social History publishes articles and reviews in all fields of social history, regardless of period and region. It seeks particularly to promote work in new topics in social history, where it has established a distinguished record during its year existence. New topics involve both the key facets of the field: exploring the histories and impacts of ordinary people and exploring aspects of the human experience beyond the more conventional historical staples.

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It also encourages discussions of key analytical and methodological issues, including comparative issues and issues of periodization. The Journal has also been active in bringing sociohistorical work in regional specializations, such as African or Latin American history, to a wider audience within the field.

Periodically, the journal offers thematic issues that advance its basic purposes, including discussions of larger trajectories within the field itself. Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide. OUP is the world's largest university press with the widest global presence.

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Unlimited access to purchased articles. Ability to save and export citations. Custom alerts when new content is added. Journal Information The Journal of Social History publishes articles and reviews in all fields of social history, regardless of period and region.

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