star trek holo necklace

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Star Trek X RockLove PICARD Dahj & Soji Omega Necklace

• Seen on-screen in CBS’s series Star Trek: Picard
• Creator of the actual prop worn in filming
• Official licensed Star Trek product
• Nickel-free sterling silver
• Three size choices of omega chain with tube clasp
• 19mm x 29mm

Product Care

Tube Clasp: In addition to making a seamless clasp, the curved tube keeps the necklace closed with tension. If your clasp is feeling loose, just bend (with your fingers) both the wire and tube ends more curved and they will fit more securely. Sterling silver is malleable, you won’t hurt the Omega at all.

Sculpted in solid sterling silver, as seen on Dahj & Soji in CBS’s new series  Star Trek: Picard . The pendant features two interlocking circles that slide along a sterling silver omega necklace. A futuristic chain of rounded and joined plates, the omega holds a rigid circle shape and is meant to lay high at the collar bone. The closure is a near-invisible friction-style tube clasp that enhances the illusion of seamlessness.

Every piece of Star Trek X RockLove jewelry arrives in a signature Star Trek X RockLove Jewelry Box featuring black and silver metallic with vibrant blue galaxy print.

RockLove’s designer, CEO, and life-long Star Trek fan, Allison Cimino, was invited (and honored!) to work with Jeffrey Lombardi, the Prop Master of Star Trek: Picard. Created from Jeffrey’s original designs, she translates the renders into physical jewelry items worn by the actors.

RockLove’s Star Trek: Picard jewelry utilize the exact same sculpts as those made for the show.  They are a perfect match for those worn by the actors during filming!

Orders are processed within 1-3 business days after payment. International orders are subject to VAT.

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RockLove offers free returns and exchanges within 15 days of delivery. All returns are for store credit minus the cost of shipping.

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Zoe Saldana in Star Trek Beyond (2016) Paramount Pictures

Exclusive: The Jewelry In ‘Star Trek Beyond’

Uhura’s vulcan necklace turns the plot while her earrings shine.

by Marion Fasel

If you are surprised to see Star Trek Beyond in this column about jewelry and movies, you have not seen the film yet. Obviously, it is not all diamonds and pearls like the array of treasure in the  jewelry blockbuster hit of the summer. The jewelry is much more, however, than just the statement earrings worn by Lieutenant Uhura in every Star Trek ever made. The Vulcan Amulet Necklace is a vehicle for the romance between Uhura (Zoe Saldana) and Commander Spock (Zachary Quinto). It plays a part in the action—yes, I said action.  And it also inspires some great banter.

The same style of Ted Muehling earrings from August in Los Angeles worn by Zoe Saldana in Star Trek Beyond Photo courtesy

Before getting into the creation of the one-of-a-kind necklace lets look at the   earrings for Uhura. Art jewelry classics by Ted Muehling, the Small Silver Chips  were sourced at the Los Angeles jewelry boutique August  by Elena Balshem from costume designer Sanja Milkovic Hays’ team. Smaller in scale than the earrings worn by Uhura in previous productions, they were appropriate for the intensity of Star Trek Beyond that   mainly   takes place on the planet Altamid . The beautifully shaped silver and perfectly sculpted gold French wires in the earrings translated magnificently on the big screen.  While the inspiration for the design was certainly organic, like most of Muehling’s work, they look futuristic in the sci-fi context.

The key jewel in the movie, Uhura’s Vulcan amulet necklace, was created by the props department.   

Uhura’s Vulcan amulet necklace

“I can make a space gun almost without thinking about it, but if you want to do jewelry you have to pay attention,” explained Andy Siegal, the prop master on the production, who was reached by phone in Los Angeles. The first thing Andy did was enlist illustrator John Eaves , a Trek veteran with experience dating back to the 1989 film Star Trek V: The Final Frontier.  “John understands the importance of the Trek visual language,” said Andy.

In the script written by Simon Pegg and Doug Jung, the necklace had belonged to Spock’s mother so Eaves generated a few designs with a retro Star Trek vibe. The concepts were 3d printed in various sizes, shown to the director Justin Lin for approval and tried on Saldana for the fit. Next wax models were made for the pendant by a jeweler and transformed into metal that was aged. A box chain necklace was sourced and added to the amulet.

Meanwhile Andy went on the hunt for the right blue gem to set in the jewel. “We found a beautiful opal but it was too expensive plus we needed to make three,” said Andy. “One for Zoe, one for her double and one in case something happened to one of the other two.”  The resolution to the situation was to find someone who could make a synthetic opal. “We went crazy into the details of this thing. We wanted the entire piece to look cool and real. We had the synthetic stones cut three times to get the striations right and make sure the stone was the perfect width, because, well, you never know how close a close-up is going to be.”

The first time the necklace appears on screen there is only a glimpse of the blue stone in Saldana’s hand.  (See the clip above.)  It enters the film plot when the action gets heavy and shines in all its glory at the end.

Related Stories: 

The Powers of Jyn’s Kyber Crystal in ‘Rogue One’

A Look Back at Princess Leia’s Jewelry in ‘Star Wars: A New Hope’ 

There Is Lots of Jewelry In ‘The Last Jedi’

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Federation holoship

• View history

The Federation holoship was a prototype Federation starship first launched in early 2375 .

• 3.1 Background information
• 3.2 Studio model
• 3.3 Apocrypha
• 3.4 External link

History [ ]

In 2375, the holoship was employed by Admiral Dougherty and Ru'afo to secretly transport the entire six hundred Ba'ku inhabitants off the Ba'ku planet without their knowledge in order to obtain the metaphasic radiation inherent in the planet 's rings .

The ship was cloaked and placed at the bottom of a lake , located near the Ba'ku village . It was later detected by Starfleet personnel, unaware of its presence, due to strong neutrino emissions coming from the lake. Once discovered by Captain Jean-Luc Picard , Lieutenant Commander Data and Anij , Picard ordered the holoship decloaked and thereby exposed to the inhabitants of the planet.

It was later brought back into the planet's orbit , recloaked, by Lieutenant Commander Worf , where it was used to transport the command crew from the bridge of Ru'afo's flagship . This feat allowed Gallatin and Jean-Luc Picard to hijack control of Ru'afo's ship and disable the nearby Son'a collector . The holoship was then decloaked and held in a tractor beam at the order of Picard. Despite all of the ship's transporters being locked and secured by Picard, Worf and Gallatin, Ru'afo was able to reroute the command sequencer on one of the transporters through the auxiliary processor in order to beam himself over to the collector. The Son'a crew later utilized the same method to beam back to their ship. ( Star Trek: Insurrection )

Interior of the Federation holoship

The Federation holoship's outward design was that of a rectangular vessel containing a forward mounted bridge module and warp nacelles set into the main body.

The holoship was built specifically to serve as a transportable holodeck used to create holographic environments to simulate the surroundings familiar to the holoship's passengers, although the ship had difficulty maintaining a complete program as the hologrid was visible in some locations. It was also equipped with fourteen long-range transporters and a cloaking device . ( Star Trek: Insurrection )

Appendices [ ]

Background information [ ].

The idea of surreptitiously transplanting an indigenous people by use of the holodeck had already been explored in TNG : " Homeward " when a group of Boraalans were transplanted in the holodeck of the USS Enterprise -D without their knowledge to their new homeworld as their own world became uninhabitable. The concept of the holoship might have stemmed from this incident. The chairs used on the bridge of the holoship were re-purposed from the bridge of the USS Defiant from Star Trek: Deep Space Nine .

Studio model [ ]

Apocrypha [ ].

The Section 31 novel Abyss , by David Weddle and Jeffrey Lang , established that the holoship was created by Section 31 for the Ba'ku incident, which the organization had engineered and had publicly blamed on Dougherty. The holoship was slated for destruction by Starfleet Command after the incident became public; however, Commander Elias Vaughn ( β ) and his cabal of Starfleet officers covertly working against Section 31 stole the ship and faked destruction reports , later using it to help undermine various Section 31 operations.

External link [ ]

• Federation holoship at Memory Beta , the wiki for licensed Star Trek works
• 1 Abdullah bin al-Hussein

10 Deleted Scenes That Explain Confusing Star Trek Moments

So where did Nero go for 25 years?!

Like all major Hollywood franchises, Star Trek's history is full of what-ifs and alternate versions of episodes and movies we never got to see.

We've been treated to director's cuts of Star Trek: The Motion Picture, The Wrath of Khan, and The Undiscovered Country, as well as extended episodes of Star Trek: The Next Generation released when that series was remastered for blu-ray. Still, there exists numerous other missing scenes or deleted material for extended editions and ultimate cuts that will likely never see the light of day.

Some of these deleted scenes are just fun additions (Kirk skydiving in Star Trek Generations, anyone?) and still others would explain points of confusion and mysteries that have cropped up over the films and episodes . With that in mind, here are 10 mysteries from Star Trek films and television episodes and the deleted scenes that explain them all away.

10. Star Trek Generations - Soran Tortures Geordi

The Mystery:

What did Soran mean when he told the Duras Sisters Geordi's "heart just wasn't in it" after they captured LaForge in Star Trek Generations?

The Deleted Scene:

Likely deleted to retain the family friendly PG rating, a torture scene was filmed but ultimately removed from Star Trek Generations that featured Soran torturing a captured Geordi LaForge.

While the scene in the theatrical cut ends with LaForge strapped to a table and Soran asking him about trilithium, the sequence was meant to continue and show Soran attempting to find out exactly what the crew of the Enterprise-D knows about his plan and what, if anything, Guinan told them about his past. While LaForge keeps his answers technical, Soran isn't satisfied and uses a Borg nanoprobe to stop Geordi's heart to motivate the engineer to talk.

The torture apparently still doesn't work, but Soran has heart jokes. He tells LaForge in the deleted scene he can tell Geordi has "a good heart" and later, in the theatrical cut, there's the whole "his heart just wasn't in it" line. Also in the final cut, Doctor Crusher can later be heard telling Geordi she's removed the nanoprobe and that she thinks he's going to be fine. Tough guy that LaForge.

I played Shipyard Bar Patron (Uncredited) in Star Trek (2009).

Moscow - Vnukovo Airport (VKO) transfer to Moscow - Sheremetyevo Airport (SVO)

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Ingenieros recrean "holocubierta" de Star Trek para robots mediante IA

Desde tiempos inmemoriales, los seres humanos hemos soñado con adelantos tecnológicos que, en su mayoría, hemos contemplado solo a través de las páginas de la ciencia ficción o las pantallas del cine y la televisión. Recordemos las videollamadas de Los Supersónicos , una fantasía de la década de 1960 que hoy es una realidad cotidiana. Sin embargo, aún quedan muchos hitos por alcanzar, sobre todo aquellos imaginados en series emblemáticas como Star Trek.

Aunque la idea de entablar el primer contacto con extraterrestres o surcar el cosmos a velocidad warp aún pertenece al ámbito de lo fantástico, hay un avance de Star Trek que parece estar al alcance de nuestra era: la holocubierta. Pero ¿qué es exactamente una holocubierta?

En la serie Star Trek: The Next Generation , este era un espacio donde el Capitán Picard y su tripulación simulaban desde densas junglas hasta el Londres victoriano de Sherlock Holmes, todo mediante comandos de voz que creaban realidades virtualmente tangibles y totalmente interactivas. Para aquellos que no estén familiarizados con Star Trek, la holocubierta se asemeja a la Construct de Matrix y otros muchos entornos virtuales de la ciencia ficción que parecen desafiar la posibilidad de ser alcanzados.

Entornos virtuales generados por IA para robots

Sin embargo, recientemente, un equipo de ingenieros del departamento de Ingeniería de la Universidad de Pensilvania, en colaboración con expertos de Stanford, la Universidad de Washington y el Instituto Allen de Inteligencia Artificial, ha logrado desarrollar su versión de una holocubierta, al que llamaron simplemente Holodeck. Utilizando activos de videojuegos y la tecnología de ChatGPT, este grupo ha creado entornos virtuales en un tiempo récord, marcando un avance significativo hacia la realización de estos conceptos futuristas.

Para que quede claro no estamos hablando de un entorno holográfico completo donde los humanos puedan caminar e interactuar libremente con personajes virtuales; esa tecnología sigue siendo cosa de un futuro más distante. Sin embargo, este innovador sistema tiene mucho que ofrecer en el campo de la robótica, especialmente en el entrenamiento de robots antes de su implementación en el mundo real.

La tecnología no se limita simplemente a crear cualquier mundo virtual 3D que se nos ocurra, sino que, además, ajusta de manera inteligente la disposición espacial, asegurando que cada objeto se coloque en un punto lógico y coherente del escenario.

"Podemos utilizar el lenguaje para controlarlo", explica su cocreador, Yue Yang, en un comunicado de la Universidad de Pensilvania. "Puedes describir fácilmente los entornos que quieras y entrenar a los agentes de IA incorporados", agregó.

En la actualidad, los entornos virtuales interactivos se utilizan para entrenar robots antes de que operen en escenarios reales, un método conocido como "Sim2Real", según el comunicado. Tradicionalmente, sin embargo, la creación de estos entornos virtuales ha sido manual y laboriosa. Ahí es donde entra en juego la nueva tecnología, que permite acelerar este proceso.

"Los artistas crean manualmente estos entornos", explica Yang, destacando que este proceso podría llevar semanas para un solo entorno. La nueva metodología podría resolver la escasez de entornos interactivos necesarios para el entrenamiento avanzado de robots.

Chris Callison-Burch, profesor asociado de Informática y Ciencias de la Información, añade: "Si queremos utilizar técnicas de IA generativa para desarrollar robots que puedan desenvolverse con seguridad en entornos del mundo real, tendremos que crear millones o miles de millones de entornos simulados".

Holodeck podría un gran impacto en el mundo de la robótica

Fundamentalmente, el sistema Holodeck integra un avanzado modelo de lenguaje, similar a los que impulsan chatbots como ChatGPT, para configurar entornos virtuales según los deseos del usuario. Luego, utiliza una vasta colección de recursos digitales de videojuegos, conocida como Objaverse, para construir escenarios detallados, mientras que un módulo especializado ajusta la distribución de los objetos en el espacio. Por ejemplo, si se solicita visualizar un apartamento con un gato, Holodeck incluirá los muebles típicos, como un árbol para gatos.

En pruebas comparativas con sistemas anteriores como ProcTHOR, Holodeck demostró superioridad en todas las categorías, destacando incluso en la creación de ambientes poco convencionales, desde laboratorios hasta bodegas de vino.

Según el cocreador del sistema, el profesor adjunto Mark Yatskar, "la prueba definitiva de Holodeck es su capacidad para preparar a los robots para interactuar de manera segura con entornos nuevos y desconocidos, acostumbrándolos a espacios en los que nunca habían estado".

Y el sistema ha mostrado su eficacia en pruebas específicas: un robot entrenado en salas de música virtuales creadas por Holodeck localizó pianos con un 30 % de éxito, comparado con solo un 6 % usando ProcTHOR.

Aunque no sea exactamente la holocubierta de Star Trek, el Holodeck representa un logro impresionante que podría jugar un papel crucial en el desarrollo de futuros robots diseñados para operar en diversos entornos reales. Tal vez, eventualmente, nosotros también podamos adentrarnos en estos espacios virtuales. O, ¿quién sabe? Quizás ya estemos viviendo en una simulación y no lo sepamos.

Felipe Espinosa Wang con información de Interesting Engineering y la Universidad de Pensilvania.

Moscow, Russia

See the official Rolling Stones web site in Russia , also having info in English!

How "the rolling stones" solve the problem of unemployment in moscow, their own uncompetence, their own openess, thanks to constantin preobrazhensky (moscow) for supplying info about the web site and the stones show in russia. also thanks to leonid ulitsky , italy, for info..

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Star Trek X RockLove Dahj & Soji Omega Necklace

DOORBUSTER DEAL ! Additional discounts do not apply. Shop all doorbusters here!

Sculpted in solid sterling silver, as seen on Dahj & Soji on  Star Trek: Picard . The pendant features two interlocking circles that slide along a sterling silver omega necklace. A futuristic chain of rounded and joined plates, the omega holds a rigid circle shape and is meant to lay high at the collar bone. The closure is a near-invisible friction-style tube clasp that enhances the illusion of seamlessness.

PRODUCT DETAILS:

• Pendant Dimensions = 19mm x 29mm
• Omega Size = 16 inch & 18 inch options

Every Star Trek X RockLove piece arrives in a signature Star Trek X RockLove Jewelry Box, black and silver metallic with vibrant blue galaxy print inside.

RockLove’s designer, CEO, and life-long Star Trek fan, Allison Cimino, was invited (and honored!) to work with Jeffrey Lombardi, the Prop Master of Star Trek: Picard. Created from Jeffrey’s original designs, she translated the renders into physical jewelry items worn by the actors in Season 1.

RockLove’s Star Trek: Picard jewelry utilize the exact same sculpts as those made for the show.

As seen on Dahj & Soji played by Isla Briones

Ordering Information

• Return Policy: We will gladly accept returns for any reason within 30 days of receipt of delivery.
• Shipping: Ship times are estimates of time in transit after your product leaves the fulfillment center. Some items in your order may ship separately to arrive faster.
• Multi-item Orders: Expedited shipping options are not available in the checkout for multi-item orders that include Fast Ship items AND products that are not noted as Fast Ship.
• Availability: Ships internationally to most countries around the world.
• Shipping Policy: For more information, see our Shipping Policy here .

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